Ajouter une intrigue dans votre langueA haunted soldier just back from war and a boy who has never known peace in his home life embark on a life-changing journey as they become unlikely friends -- and one another's last shot at ... Tout lireA haunted soldier just back from war and a boy who has never known peace in his home life embark on a life-changing journey as they become unlikely friends -- and one another's last shot at redemption.A haunted soldier just back from war and a boy who has never known peace in his home life embark on a life-changing journey as they become unlikely friends -- and one another's last shot at redemption.
- Réalisation
- Scénario
- Casting principal
Doug Purdy
- Billy
- (as Douglas Purdy)
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10prfri73
This was a heartfelt film is about two people one war vet and a young boy trying to heal after dealing with tragic loss. The story was very well written and the performances were outstanding. It was played so well that I could really feel the characters' pain and struggle becoming instantly involved. I especially enjoyed the chemistry between the boy and the war vet. The supporting characters also have their own stories as they relate to the two main characters (the boy and the soldier). There was a large continuum of emotion as the story played out, I cried but also found myself laughing out loud a few times as well. The cinematography and scenery were very entertaining and the close attention to details whether it be emotion, scenes, or fabric detail. Most of all, I enjoyed the message of the film as well as the human connection. I highly recommend this movie and look forward to seeing it again.
I stumbled across this indie film in L.A., and was very pleasantly surprised! The lead character (played my Martin Papazian) grabbed my interest in the very first scene, and held it til the end, in a subtle, layered performance as a haunted war vet, that has us rooting for him despite his flaws, and very deserving of top critic Jeffrey Lyons calling him a "rising star". The supporting cast was equally strong, with such talented veterans as AJ Cook as the drugged out mother, Laura San Giacomo as the tough as nails, wise-cracking social worker, and the always powerful Charles S. Dutton as a police chief, plus many other great supporting performances, not the least of which was newcomer Tristan Lake Leabu as the kid. I heartily recommend this film - it's a real find!
This movie hits the right note with both a compelling story and interesting characters. Writer, director and lead actor Martin Papazian's film packs an emotional punch without being maudlin or making you feel like your emotions have been manipulated.
The story is focused on the young war veteran, but doesn't stray into larger political issues. I found that refreshing in this political season. Instead, this is an intimate portrayal of human struggle, and Papazian imbues the lead character Anthony Hayward with the right level of emotion. Papazian has one of two breakout performances in the film. For me, the best films are those that show believable character development, and Papazian's portrayal is immensely satisfying.
The other performance I loved was by Tristan Lake Leabu who plays 10 year old Wade, Hayward's next door neighbor. I'm convinced Tristan is headed for a stellar career. There's a lot of emotion in his role, and a lesser actor would have over played it. You can see pain, a sense of isolation, and fear in his eyes.
The intimate feel of this film was enhanced by director of photography Guy Skinner and his hand-held camera work, known to most of us from his work on the TV series "24".
At the premier in Santa Monica, Martin Papazian said the story is a composite of experiences told to him by war vets. He listened.
Independent films often don't get noticed because of limited distribution. Moviegoers don't know if a film is worth driving to. If you get a chance, see this film.
The story is focused on the young war veteran, but doesn't stray into larger political issues. I found that refreshing in this political season. Instead, this is an intimate portrayal of human struggle, and Papazian imbues the lead character Anthony Hayward with the right level of emotion. Papazian has one of two breakout performances in the film. For me, the best films are those that show believable character development, and Papazian's portrayal is immensely satisfying.
The other performance I loved was by Tristan Lake Leabu who plays 10 year old Wade, Hayward's next door neighbor. I'm convinced Tristan is headed for a stellar career. There's a lot of emotion in his role, and a lesser actor would have over played it. You can see pain, a sense of isolation, and fear in his eyes.
The intimate feel of this film was enhanced by director of photography Guy Skinner and his hand-held camera work, known to most of us from his work on the TV series "24".
At the premier in Santa Monica, Martin Papazian said the story is a composite of experiences told to him by war vets. He listened.
Independent films often don't get noticed because of limited distribution. Moviegoers don't know if a film is worth driving to. If you get a chance, see this film.
I was hoping to like this movie, I wanted to like it. I usually enjoy character driven movies, more so when they have child - adult interaction.
Watching this movie I couldn't help but feel I was watching a soap opera, or at best a made for TV movie. It doesn't deserve the high rating it has here on IMDb. The film is based around a formula of pity and compassion, which has failed miserably. An adult ex military, a kid with problems, a dog, all coming together to make life worth living, but it doesn't work this time, rarely does when you rely on formula alone. The acting is woeful, unbelievable. The hard nosed social services woman is so over acted, the movie is melodramatic in every sense. Hollywood produces these movies based purely on formula and think the formula will work every time, sadly Hollywood has got it wrong.
When looking at movies with adult - child interaction and character driven, see The Butterfly (2002) aka Le papillon, or Oshin (2013), Skyggen af Emma (1988).
As I stated previously, I wanted to like this movie, but didn't at all.
Watching this movie I couldn't help but feel I was watching a soap opera, or at best a made for TV movie. It doesn't deserve the high rating it has here on IMDb. The film is based around a formula of pity and compassion, which has failed miserably. An adult ex military, a kid with problems, a dog, all coming together to make life worth living, but it doesn't work this time, rarely does when you rely on formula alone. The acting is woeful, unbelievable. The hard nosed social services woman is so over acted, the movie is melodramatic in every sense. Hollywood produces these movies based purely on formula and think the formula will work every time, sadly Hollywood has got it wrong.
When looking at movies with adult - child interaction and character driven, see The Butterfly (2002) aka Le papillon, or Oshin (2013), Skyggen af Emma (1988).
As I stated previously, I wanted to like this movie, but didn't at all.
Loved this movie! The relationships have depth. The unwinding of the story is engaging from start to finish. Don't want to give a lot away, but it was compelling in my opinion, and well, well worth it. I thought the acting was very solid. Sometimes when you put "popular" stars in movies like this, it's just not believable. I think the cast was perfect for the characters, and helped make me believe.
No real downside for me. I'm know I could nitpick it apart, but for me movies are kinda pass or fail. The boy in the story is a character that is all too real in society today. It made me watch the case worker critically, and I think she did an excellent job unwinding her character as well.
Definitely strong language, so be aware of that.
No real downside for me. I'm know I could nitpick it apart, but for me movies are kinda pass or fail. The boy in the story is a character that is all too real in society today. It made me watch the case worker critically, and I think she did an excellent job unwinding her character as well.
Definitely strong language, so be aware of that.
Le saviez-vous
- AnecdotesTheatrical directing debut of actor, writer and producer Martin Papazian.
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 28 026 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 774 $US
- 14 oct. 2012
- Montant brut mondial
- 28 026 $US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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