NOTE IMDb
4,7/10
21 k
MA NOTE
Ajouter une intrigue dans votre langueA 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.A 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.A 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.
- Récompenses
- 2 victoires et 1 nomination au total
Alejandra Urdiaín
- Dulce (segment "B is for Bigfoot")
- (as Alejandra Urdiain)
Greta Martinez
- Xochitl (segment "B is for Bigfoot")
- (as Greta Martínez)
Avis à la une
I am not sure if I was expecting the wrong thing, of if most of the directors went in the wrong direction... But I was thinking this was supposed to be a horror anthology with an interesting concept. In the end it felt more like a competition for the segment that is the most absurd, outrageous, ultra-violent, hyper-sexual, or all of the above combined. For the most part this movie was insulting and left me embarrassed that I sat trough half of it.
Perhaps less than 10 segments were good. There were a few clever ones. I don't want to name any letters to ruin anything.
I would not recommend this to anyone unless you NEED to see it for you self to satisfy your curiosity or if you are really into senseless extreme movies.
I enjoyed the bits by Marcel Sarmiento, Andrew Traucki, Thomas Malling, Lee Hardcastle, Ben Wheatley, Kaare Andrews, Jon Schnepp, Jason Eisener. Just to give respect where it is due.
Perhaps less than 10 segments were good. There were a few clever ones. I don't want to name any letters to ruin anything.
I would not recommend this to anyone unless you NEED to see it for you self to satisfy your curiosity or if you are really into senseless extreme movies.
I enjoyed the bits by Marcel Sarmiento, Andrew Traucki, Thomas Malling, Lee Hardcastle, Ben Wheatley, Kaare Andrews, Jon Schnepp, Jason Eisener. Just to give respect where it is due.
The ABC's of Death is a horror anthology in which 26 directors are given a letter of the alphabet, they have to come up with one word starting with that letter and are given creative freedom on how to incorporate that into their 'death' segment. Each short begins and ends with the colour red, the rest is a wild, weird and grotesque trip into some of the demented minds behind horror.
This film is a classic example of interesting idea, poor execution. The biggest problem with the film is how uneven it is. Giving total freedom to 26 different directors is a blessing and a curse. The curse aspects come from how weird some of these are and how lazy the others appear to be. Finishing the film I can only remember a handful of them and even less are ones that I enjoyed. I guess I'll break it down by letter:
A - an exercise in torture with a twist ending that doesn't really serve the story.
B - Here's one that is a lazy attempt at a horrific bedtime story that doesn't end well for the storyteller.
C - Groundhog day with death, a half realized idea.
D - Probably one of the better ones that people like. Well shot, good set ups and executions.
E - I forgot what this one was and had to look it up, which should tell you for forgettable it is.
F - This one had me scratching my head in hilarious confusion. I thought the Japanese were weird before, this one shines a new light on everything.
G - A POV take that bores you to death.
H - Another humorous and odd concoction of giant dogs and foxes during WWII.
I - One of many that leaves you confused about what the director intended.
J - Something Takishi Miike would probably make if he were to take part.
K - A cartoon about a piece of poop that kills a woman...funny? I don't know.
L - Another entry from the Japanese market, another uncomfortable sequence that makes you wonder what they are drinking over there.
M - Ti West's entry, the laziest one of the bunch that runs about 2 minutes.
N - A comedic entry about a bird that should keep his mouth shut.
O - Visually striking, lacking story.
P - Realism about prostitution and the lengths one will go for her family. Icky ending.
Q - A self parody about the filmmakers who are upset they were given the letter Q.
R - From the guy who brought you A Serbian Film...nuff said.
S - A tale about drugs, felt like an Australian entry.
T - Claymation about a poor kid who fears the toilet. I kinda liked it.
U - Second POV, only with a story and more involvement.
V - Seems the director wanted to showcase his skills as an action director more than wanting to have an entry in this anthology.
W - A youtube like entry that should have been given to someone else.
X - Great story, great gore, even if it is predictable, it is one of the better entries.
Y - Odd, weird, gross.
Z - the absolute strangest of the bunch, feels like Japanese parody porn.
So this film has more misses than hits. I can 't really recommend this because of the oddity of the entries being so weird and uneven. I would advise people to simply watch Masters of Horror if you want to watch some horror stories from masters of the genre.
This film is a classic example of interesting idea, poor execution. The biggest problem with the film is how uneven it is. Giving total freedom to 26 different directors is a blessing and a curse. The curse aspects come from how weird some of these are and how lazy the others appear to be. Finishing the film I can only remember a handful of them and even less are ones that I enjoyed. I guess I'll break it down by letter:
A - an exercise in torture with a twist ending that doesn't really serve the story.
B - Here's one that is a lazy attempt at a horrific bedtime story that doesn't end well for the storyteller.
C - Groundhog day with death, a half realized idea.
D - Probably one of the better ones that people like. Well shot, good set ups and executions.
E - I forgot what this one was and had to look it up, which should tell you for forgettable it is.
F - This one had me scratching my head in hilarious confusion. I thought the Japanese were weird before, this one shines a new light on everything.
G - A POV take that bores you to death.
H - Another humorous and odd concoction of giant dogs and foxes during WWII.
I - One of many that leaves you confused about what the director intended.
J - Something Takishi Miike would probably make if he were to take part.
K - A cartoon about a piece of poop that kills a woman...funny? I don't know.
L - Another entry from the Japanese market, another uncomfortable sequence that makes you wonder what they are drinking over there.
M - Ti West's entry, the laziest one of the bunch that runs about 2 minutes.
N - A comedic entry about a bird that should keep his mouth shut.
O - Visually striking, lacking story.
P - Realism about prostitution and the lengths one will go for her family. Icky ending.
Q - A self parody about the filmmakers who are upset they were given the letter Q.
R - From the guy who brought you A Serbian Film...nuff said.
S - A tale about drugs, felt like an Australian entry.
T - Claymation about a poor kid who fears the toilet. I kinda liked it.
U - Second POV, only with a story and more involvement.
V - Seems the director wanted to showcase his skills as an action director more than wanting to have an entry in this anthology.
W - A youtube like entry that should have been given to someone else.
X - Great story, great gore, even if it is predictable, it is one of the better entries.
Y - Odd, weird, gross.
Z - the absolute strangest of the bunch, feels like Japanese parody porn.
So this film has more misses than hits. I can 't really recommend this because of the oddity of the entries being so weird and uneven. I would advise people to simply watch Masters of Horror if you want to watch some horror stories from masters of the genre.
Honestly this movie had huge potential. But as with most anthologies like this, there are going to be a few bad bad ones. And trust me, this movie had its fair share of duds. However, some of the good ones were L, X, D, A, N, and R.
The rest are either average or pathetic. (For example the letter F almost made me want to turn off the movie) If you're into horror I would give it a watch, but don't expect a masterpiece
A collection of 26 short films from 26 directors from all over the world, each using a different letter of the alphabet for their theme, The ABCs of Death is an ambitious experiment in horror that, although far too much of a mixed bag to prove wholly entertaining, still offers enough for fans of outrageous cinema to enjoy. Whatever your taste in horror, there will most likely be something here to cater for it, and with each segment being an average running length of just 4 minutes, if you don't like the current tale it's not long before something different comes along.
A large proportion of the films are either frustratingly weak (guilty parties: Adam Wingard, Andrew Traucki, Simon Rumley), utterly perplexing, regrettably mediocre (Angela Bettis, come on down) or just plain bad (yes, Ti West, I'm looking at you—again!), threatening to make the film more of an 'Eh?-to-Zzzzzz' of horror than an A-to-Z (yeah, OK, I shoe-horned that line in, but it was too good to waste!).
Thankfully, the good stuff—the really wild stuff—makes it all worthwhile and then some: Marcel Sarmiento's 'D is for Dogfight' is beautifully shot in slow motion throughout; Xavier Gens' 'X Is for XXL' is wonderfully gory, just as one might imagine from the man who gave us Frontier(s); Thomas Cappelen Malling's 'H is for Hydro-Electric Diffusion' comes across like a live-action cartoon on crack; 'L is for Libido' is fap-tastically depraved; crude claymation short 'T is for Toilet' may lack the finesse of a Nick Park film, but is tons gorier; and words cannot do justice to the insanity on display in Yoshihiro Nishimura's 'Z is for Zetsumetsu'.
Even if, like me, you only really enjoy (or even understand) a handful of these twisted works of art, The ABCs of Death is a commendable effort and easily worth a couple of hours of any degenerate's time; while I can't see myself watching the whole thing again in a hurry, there are certain chapters that I'm sure I'll revisit many times over in the future.
A large proportion of the films are either frustratingly weak (guilty parties: Adam Wingard, Andrew Traucki, Simon Rumley), utterly perplexing, regrettably mediocre (Angela Bettis, come on down) or just plain bad (yes, Ti West, I'm looking at you—again!), threatening to make the film more of an 'Eh?-to-Zzzzzz' of horror than an A-to-Z (yeah, OK, I shoe-horned that line in, but it was too good to waste!).
Thankfully, the good stuff—the really wild stuff—makes it all worthwhile and then some: Marcel Sarmiento's 'D is for Dogfight' is beautifully shot in slow motion throughout; Xavier Gens' 'X Is for XXL' is wonderfully gory, just as one might imagine from the man who gave us Frontier(s); Thomas Cappelen Malling's 'H is for Hydro-Electric Diffusion' comes across like a live-action cartoon on crack; 'L is for Libido' is fap-tastically depraved; crude claymation short 'T is for Toilet' may lack the finesse of a Nick Park film, but is tons gorier; and words cannot do justice to the insanity on display in Yoshihiro Nishimura's 'Z is for Zetsumetsu'.
Even if, like me, you only really enjoy (or even understand) a handful of these twisted works of art, The ABCs of Death is a commendable effort and easily worth a couple of hours of any degenerate's time; while I can't see myself watching the whole thing again in a hurry, there are certain chapters that I'm sure I'll revisit many times over in the future.
Concept of the anthology: 26 letters in the alphabet, 26 shorts, and all must have at least one death and open and close with the color red. To say the anthology is a mixed bag is obvious. You have some good films here mixed with a lot of bad ones mixed with a whole lot of forgettable ones. "The ABCs of Death" just proves how incredibly hard it is to make a good short film, and I'm sad to say the bad far outweighs the good.
The first decent short does not come all the way until the letter L, which is almost halfway through the alphabet. It's not until you get to the second half of the letters where you finally begin to see some good shorts, my favorite being Q, directed by Adam Wingard. Other notable filmmakers involved include Ti West (M) and Nacho Vigalondo (A). Unfortunately, West's segment feels incredibly lazy and shot in five minutes while Vigalondo's segment rehashes the same apocalypse premise we've seen many times before. T is a notable segment because it was for a competition, and it's one of the best ones here. X is the most violent (and is also very good), which isn't surprising coming from French filmmaker Xavier Gens ("Frontier(s)").
Shorts F, J, and Z are all Japanese, which you think might be a good thing, but they are huge stinkers in the bunch, especially "F is for Fart." It's pretty much self-explanatory. Another one that I hated is W, appropriately titled "WTF!" O is the most visually breathtaking with uses of slow-mo and sound effects, but it's pretty much style over substance. But hey, compared to most of the shorts you see, it's a welcome change. G seems to be the most pointless one where all you see is a guy surfing. Seriously, I'm not joking. That's all there is.
I guess I was a bit mad watching this because, as an aspiring filmmaker, if someone were to give me $5000 to make a short, I would work very hard in creating something good. Seeing all the wasted effort from most of the filmmakers here just angered me. Overall, "The ABCs of Death," while a neat idea, is mostly just a collection of forgettable to incredibly bad shorts sprinkled with very few good ones.
The Good: L, N, P, Q, T, U, X // The Bad: E, F, G, H, J, M, W, Z // The Best: Q // The Worst: W // The Forgettable: All others not listed.
The first decent short does not come all the way until the letter L, which is almost halfway through the alphabet. It's not until you get to the second half of the letters where you finally begin to see some good shorts, my favorite being Q, directed by Adam Wingard. Other notable filmmakers involved include Ti West (M) and Nacho Vigalondo (A). Unfortunately, West's segment feels incredibly lazy and shot in five minutes while Vigalondo's segment rehashes the same apocalypse premise we've seen many times before. T is a notable segment because it was for a competition, and it's one of the best ones here. X is the most violent (and is also very good), which isn't surprising coming from French filmmaker Xavier Gens ("Frontier(s)").
Shorts F, J, and Z are all Japanese, which you think might be a good thing, but they are huge stinkers in the bunch, especially "F is for Fart." It's pretty much self-explanatory. Another one that I hated is W, appropriately titled "WTF!" O is the most visually breathtaking with uses of slow-mo and sound effects, but it's pretty much style over substance. But hey, compared to most of the shorts you see, it's a welcome change. G seems to be the most pointless one where all you see is a guy surfing. Seriously, I'm not joking. That's all there is.
I guess I was a bit mad watching this because, as an aspiring filmmaker, if someone were to give me $5000 to make a short, I would work very hard in creating something good. Seeing all the wasted effort from most of the filmmakers here just angered me. Overall, "The ABCs of Death," while a neat idea, is mostly just a collection of forgettable to incredibly bad shorts sprinkled with very few good ones.
The Good: L, N, P, Q, T, U, X // The Bad: E, F, G, H, J, M, W, Z // The Best: Q // The Worst: W // The Forgettable: All others not listed.
Le saviez-vous
- AnecdotesAn Ohio substitute teacher was fired, convicted of four felonies and sentenced to 90 days in jail for showing this movie to students ages 14-18 over the course of 5 days.
- GaffesIn segment N, the young man is standing on the left side, but later the blood scatters from the right.
- Crédits fous(Opening card) The following feature film was created by 26 directors from around the world. Each director was given a letter of the alphabet and asked to choose a word. They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.
- Versions alternativesCapelight Pictures released two versions of this movie in Germany. A edited FSK-18 rated version titled "22 Ways to Die" and a completely uncensored SPIO/JK rated version. The cut 18-rated version removes these four segments in order to secure said rating: L is for Libido, V is for Vagitus, X is for XXL, and Y is for Young Buck.
- ConnexionsFeatured in Transfiguration (2016)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El ABC de la muerte
- Lieux de tournage
- Langley, Colombie-Britannique, Canada(segment "V is for Vagitus")
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 21 832 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 110 $US
- 10 mars 2013
- Montant brut mondial
- 23 589 $US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 2.35 : 1
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