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4,7/10
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MA NOTE
Ajouter une intrigue dans votre langueA 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.A 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.A 26-chapter anthology that showcases death in all its vicious wonder and brutal beauty.
- Récompenses
- 2 victoires et 1 nomination au total
Alejandra Urdiaín
- Dulce (segment "B is for Bigfoot")
- (as Alejandra Urdiain)
Greta Martinez
- Xochitl (segment "B is for Bigfoot")
- (as Greta Martínez)
Avis à la une
Concept of the anthology: 26 letters in the alphabet, 26 shorts, and all must have at least one death and open and close with the color red. To say the anthology is a mixed bag is obvious. You have some good films here mixed with a lot of bad ones mixed with a whole lot of forgettable ones. "The ABCs of Death" just proves how incredibly hard it is to make a good short film, and I'm sad to say the bad far outweighs the good.
The first decent short does not come all the way until the letter L, which is almost halfway through the alphabet. It's not until you get to the second half of the letters where you finally begin to see some good shorts, my favorite being Q, directed by Adam Wingard. Other notable filmmakers involved include Ti West (M) and Nacho Vigalondo (A). Unfortunately, West's segment feels incredibly lazy and shot in five minutes while Vigalondo's segment rehashes the same apocalypse premise we've seen many times before. T is a notable segment because it was for a competition, and it's one of the best ones here. X is the most violent (and is also very good), which isn't surprising coming from French filmmaker Xavier Gens ("Frontier(s)").
Shorts F, J, and Z are all Japanese, which you think might be a good thing, but they are huge stinkers in the bunch, especially "F is for Fart." It's pretty much self-explanatory. Another one that I hated is W, appropriately titled "WTF!" O is the most visually breathtaking with uses of slow-mo and sound effects, but it's pretty much style over substance. But hey, compared to most of the shorts you see, it's a welcome change. G seems to be the most pointless one where all you see is a guy surfing. Seriously, I'm not joking. That's all there is.
I guess I was a bit mad watching this because, as an aspiring filmmaker, if someone were to give me $5000 to make a short, I would work very hard in creating something good. Seeing all the wasted effort from most of the filmmakers here just angered me. Overall, "The ABCs of Death," while a neat idea, is mostly just a collection of forgettable to incredibly bad shorts sprinkled with very few good ones.
The Good: L, N, P, Q, T, U, X // The Bad: E, F, G, H, J, M, W, Z // The Best: Q // The Worst: W // The Forgettable: All others not listed.
The first decent short does not come all the way until the letter L, which is almost halfway through the alphabet. It's not until you get to the second half of the letters where you finally begin to see some good shorts, my favorite being Q, directed by Adam Wingard. Other notable filmmakers involved include Ti West (M) and Nacho Vigalondo (A). Unfortunately, West's segment feels incredibly lazy and shot in five minutes while Vigalondo's segment rehashes the same apocalypse premise we've seen many times before. T is a notable segment because it was for a competition, and it's one of the best ones here. X is the most violent (and is also very good), which isn't surprising coming from French filmmaker Xavier Gens ("Frontier(s)").
Shorts F, J, and Z are all Japanese, which you think might be a good thing, but they are huge stinkers in the bunch, especially "F is for Fart." It's pretty much self-explanatory. Another one that I hated is W, appropriately titled "WTF!" O is the most visually breathtaking with uses of slow-mo and sound effects, but it's pretty much style over substance. But hey, compared to most of the shorts you see, it's a welcome change. G seems to be the most pointless one where all you see is a guy surfing. Seriously, I'm not joking. That's all there is.
I guess I was a bit mad watching this because, as an aspiring filmmaker, if someone were to give me $5000 to make a short, I would work very hard in creating something good. Seeing all the wasted effort from most of the filmmakers here just angered me. Overall, "The ABCs of Death," while a neat idea, is mostly just a collection of forgettable to incredibly bad shorts sprinkled with very few good ones.
The Good: L, N, P, Q, T, U, X // The Bad: E, F, G, H, J, M, W, Z // The Best: Q // The Worst: W // The Forgettable: All others not listed.
A collection of 26 short films from 26 directors from all over the world, each using a different letter of the alphabet for their theme, The ABCs of Death is an ambitious experiment in horror that, although far too much of a mixed bag to prove wholly entertaining, still offers enough for fans of outrageous cinema to enjoy. Whatever your taste in horror, there will most likely be something here to cater for it, and with each segment being an average running length of just 4 minutes, if you don't like the current tale it's not long before something different comes along.
A large proportion of the films are either frustratingly weak (guilty parties: Adam Wingard, Andrew Traucki, Simon Rumley), utterly perplexing, regrettably mediocre (Angela Bettis, come on down) or just plain bad (yes, Ti West, I'm looking at you—again!), threatening to make the film more of an 'Eh?-to-Zzzzzz' of horror than an A-to-Z (yeah, OK, I shoe-horned that line in, but it was too good to waste!).
Thankfully, the good stuff—the really wild stuff—makes it all worthwhile and then some: Marcel Sarmiento's 'D is for Dogfight' is beautifully shot in slow motion throughout; Xavier Gens' 'X Is for XXL' is wonderfully gory, just as one might imagine from the man who gave us Frontier(s); Thomas Cappelen Malling's 'H is for Hydro-Electric Diffusion' comes across like a live-action cartoon on crack; 'L is for Libido' is fap-tastically depraved; crude claymation short 'T is for Toilet' may lack the finesse of a Nick Park film, but is tons gorier; and words cannot do justice to the insanity on display in Yoshihiro Nishimura's 'Z is for Zetsumetsu'.
Even if, like me, you only really enjoy (or even understand) a handful of these twisted works of art, The ABCs of Death is a commendable effort and easily worth a couple of hours of any degenerate's time; while I can't see myself watching the whole thing again in a hurry, there are certain chapters that I'm sure I'll revisit many times over in the future.
A large proportion of the films are either frustratingly weak (guilty parties: Adam Wingard, Andrew Traucki, Simon Rumley), utterly perplexing, regrettably mediocre (Angela Bettis, come on down) or just plain bad (yes, Ti West, I'm looking at you—again!), threatening to make the film more of an 'Eh?-to-Zzzzzz' of horror than an A-to-Z (yeah, OK, I shoe-horned that line in, but it was too good to waste!).
Thankfully, the good stuff—the really wild stuff—makes it all worthwhile and then some: Marcel Sarmiento's 'D is for Dogfight' is beautifully shot in slow motion throughout; Xavier Gens' 'X Is for XXL' is wonderfully gory, just as one might imagine from the man who gave us Frontier(s); Thomas Cappelen Malling's 'H is for Hydro-Electric Diffusion' comes across like a live-action cartoon on crack; 'L is for Libido' is fap-tastically depraved; crude claymation short 'T is for Toilet' may lack the finesse of a Nick Park film, but is tons gorier; and words cannot do justice to the insanity on display in Yoshihiro Nishimura's 'Z is for Zetsumetsu'.
Even if, like me, you only really enjoy (or even understand) a handful of these twisted works of art, The ABCs of Death is a commendable effort and easily worth a couple of hours of any degenerate's time; while I can't see myself watching the whole thing again in a hurry, there are certain chapters that I'm sure I'll revisit many times over in the future.
I am not sure if I was expecting the wrong thing, of if most of the directors went in the wrong direction... But I was thinking this was supposed to be a horror anthology with an interesting concept. In the end it felt more like a competition for the segment that is the most absurd, outrageous, ultra-violent, hyper-sexual, or all of the above combined. For the most part this movie was insulting and left me embarrassed that I sat trough half of it.
Perhaps less than 10 segments were good. There were a few clever ones. I don't want to name any letters to ruin anything.
I would not recommend this to anyone unless you NEED to see it for you self to satisfy your curiosity or if you are really into senseless extreme movies.
I enjoyed the bits by Marcel Sarmiento, Andrew Traucki, Thomas Malling, Lee Hardcastle, Ben Wheatley, Kaare Andrews, Jon Schnepp, Jason Eisener. Just to give respect where it is due.
Perhaps less than 10 segments were good. There were a few clever ones. I don't want to name any letters to ruin anything.
I would not recommend this to anyone unless you NEED to see it for you self to satisfy your curiosity or if you are really into senseless extreme movies.
I enjoyed the bits by Marcel Sarmiento, Andrew Traucki, Thomas Malling, Lee Hardcastle, Ben Wheatley, Kaare Andrews, Jon Schnepp, Jason Eisener. Just to give respect where it is due.
Honestly this movie had huge potential. But as with most anthologies like this, there are going to be a few bad bad ones. And trust me, this movie had its fair share of duds. However, some of the good ones were L, X, D, A, N, and R.
The rest are either average or pathetic. (For example the letter F almost made me want to turn off the movie) If you're into horror I would give it a watch, but don't expect a masterpiece
This odd, quirky, disturbing, disjointed, irrational, possibly immoral, and offbeat series of VERY short stories containing each letter of the alphabet is highly entertaining if not for it's mere uniqueness. Many stories - like several anthologies - don't make a lot of sense, but are amusing. If you can stand - and stomach - the subject matter,this film can be a quick trip through the violent, sick and twisted alphabet that has never been seen before in any grade school for sure! This film - for good or bad, has a little something for every body: A is for Apocalypse, C for Cycle,and S is for Speed will make you think; F is for Fart and K is for Klutz might make you giggle, and I is for Ingrown and L is for Libido will surely make you turn away.
Le saviez-vous
- AnecdotesAn Ohio substitute teacher was fired, convicted of four felonies and sentenced to 90 days in jail for showing this movie to students ages 14-18 over the course of 5 days.
- GaffesIn segment N, the young man is standing on the left side, but later the blood scatters from the right.
- Crédits fous(Opening card) The following feature film was created by 26 directors from around the world. Each director was given a letter of the alphabet and asked to choose a word. They then created a short tale of death that related to their chosen word. They had complete artistic freedom regarding the content of their segments.
- Versions alternativesCapelight Pictures released two versions of this movie in Germany. A edited FSK-18 rated version titled "22 Ways to Die" and a completely uncensored SPIO/JK rated version. The cut 18-rated version removes these four segments in order to secure said rating: L is for Libido, V is for Vagitus, X is for XXL, and Y is for Young Buck.
- ConnexionsFeatured in Transfiguration (2016)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El ABC de la muerte
- Lieux de tournage
- Langley, Colombie-Britannique, Canada(segment "V is for Vagitus")
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 21 832 $US
- Week-end de sortie aux États-Unis et au Canada
- 10 110 $US
- 10 mars 2013
- Montant brut mondial
- 23 589 $US
- Durée
- 2h 9min(129 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 2.35 : 1
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