Miss Peregrine et les Enfants particuliers
Lorsque Jacob découvre des indices sur un mystère qui s'étend à travers le temps, il découvre le foyer pour enfants de Miss Pérégrine. Mais le danger s'aggrave après qu'il commence à connaît... Tout lireLorsque Jacob découvre des indices sur un mystère qui s'étend à travers le temps, il découvre le foyer pour enfants de Miss Pérégrine. Mais le danger s'aggrave après qu'il commence à connaître les résidents et qu'il découvre leurs pouvoirs particuliers.Lorsque Jacob découvre des indices sur un mystère qui s'étend à travers le temps, il découvre le foyer pour enfants de Miss Pérégrine. Mais le danger s'aggrave après qu'il commence à connaître les résidents et qu'il découvre leurs pouvoirs particuliers.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 12 nominations au total
Avis à la une
It's billed as Tim Burton's X-Men, and I like that comparison a lot. It definitely has certain similarities to a mutant story, but with Burton's flare for obscurity and peculiarity. Let me start off by saying that I really liked the premise and set up. Not only are the characters similar to X-Men, but the story slightly resembled Days of Future Past. I love the time travel elements and links to World War II. But the rest of the film just didn't live up to the promise of the trailers.
As delightful as some of Burton's films can be, I find the unevenness to be one of his biggest detractors of his otherwise intriguing ideas. For some reason, the second half of his films don't have the same cohesiveness that the opening's do. With Miss Peregrine, we are set up with a much more grounded take to a heightened story than I thought. You certainly get to see the impressive and outright strange abilities of the young children, but it isn't taken into any extraordinary levels, until later. The second half is flooded with ridiculous and over-the-top 'peculiarities'. That's would be all fine and dandy if the first half didn't set up an already intriguing story without all of the added strangeness.
As for the performances, Eva Green is the only one that really stood out here. She seems like a perfect fit into a Burton-esque drama. Her line delivery and presence just speaks Burton. She's also the only character that kept my attention from beginning till end. Sadly, she's not really in it all that much, even with the title having her name. We mostly focus on Asa Butterfield's 'Jake' and Ella Burnell's 'Emma'. Of course, there is some romantic tension, but it never leaves the constructs of a typical teen angst drama. I just didn't buy into it.
There's a ton of cool things about this movie, but by the time I left the theater the whole idea just felt tiresome. But with all this said, I would still be open to another entry in the series, just include Eva Green a little more and don't fall into clichés, Burton. You're better than that.
+Premise
+Eva Green is perfect
-First and second half are completely different films
-Romantic chemistry was hard to buy into
5.9/10
Also as this is limited (running time mostly), it won't have everything the book had. Even Peter Jacksons adaptations could not have everything Tolkien had written in his book (at least not in the version that was running in the cinemas). Having said all that I hope this prepares you in case you do want to watch this. This is light and fun (with dark themes of course) and aimed to our inner and outer child. It does a good enough job taking us away and entertain us. That's good enough in my book (no pun intended)
The film follows the extraordinary journey of Jake, portrayed by Asa Butterfield, as he discovers a mysterious orphanage filled with peculiar children and embarks on a thrilling adventure beyond imagination.
Asa Butterfield's portrayal of Jake brings a perfect balance of curiosity and vulnerability to the character. His chemistry with the exceptional Eva Green, who plays Miss Peregrine, adds depth and charm to the film.
Eva Green's performance as the enigmatic and protective Miss Peregrine is a standout. She effortlessly embodies the role of the peculiar headmistress, exuding both warmth and a sense of otherworldly power.
Miss Peregrine's Home for Peculiar Children boasts a remarkable supporting cast, with each peculiar child showcasing their unique abilities and quirks. The special effects and visual design bring these peculiarities to life in a way that is both enchanting and mesmerizing.
Tim Burton's signature visual style shines through in the film's gothic and fantastical aesthetics. The film's dark yet magical atmosphere immerses viewers in the world of peculiarity and wonder.
While some may argue that the film's plot could have been more tightly paced, its captivating visuals and imaginative storytelling more than compensate for any shortcomings.
In conclusion, Miss Peregrine's Home for Peculiar Children is a whimsical and visually stunning fantasy film that enchants with its peculiar charm. With Asa Butterfield and Eva Green's captivating performances, Tim Burton's distinctive direction, and a world filled with extraordinary abilities, it's a film that transports you to a realm of imagination and magic.
If you're a fan of fantastical adventures and love tales of peculiarities and wonder, Miss Peregrine's Home for Peculiar Children is a must-watch. So, step into the extraordinary world of Miss Peregrine's orphanage and prepare for an unforgettable and peculiar journey beyond your wildest dreams.
If you've read the trilogy first and THEN watch the film. You're in for a wee change, but it sat well with me rather than be left in insane-land til I could get the next book, or chapter, or be able to see the bigger picture...
But I was still excited for this particular project of his. I haven't read the book, or knew much about it, but when I saw the trailer I got my hopes up. Maybe this will be his big comeback! Asa Butterfield is an actor I like, the imagery is appropriately dream- like and the source material seems to fit his style perfectly. It even has the screenwriter from X-Men: First Class!
So I went to see the film with a few of my friends in a theater of around 15 people and 25-30 recliner seats. I couldn't wait to see another great Tim Burton movie!
And for the first half of the film... I genuinely enjoyed it! Sure, it does take some time for Jacob to reach Peregrine's home, but once he does... I couldn't help but smile like an idiot. The world that Jacob enters is fascinating, the visuals are exceptional, and every one of the peculiar kids are very interesting side- characters. I wanted to learn more about the girl that could lift boulders over her head! There is also this kid that can project his dreams into film... how cool! The first act always left me with questions that I was excited to hear about when the plot kicks in.
And then the plot kicks in...
That is where the movie starts to run out of steam.
I could tell there were a lot of story elements in the book just from watching the movie, because in the second half a lot of it felt crammed in. Whenever I try to follow the story as best as I can, there's always this one subplot that makes precious little sense. It also doesn't help that the villain is weak and his motivations are somewhat vague.
The climax is pretty abrupt and Burton sadly delves into a few clichés that aggravate me. A lot of it felt by-the-numbers at that time, and I was sorely disappointed.
That's not to say that this was a bad film, because it isn't. The acting (especially from Eva Green) is competent, the whole film is imaginative in its story and visuals, and somewhere buried beneath lies a great film with lots of creative ideas and appealing whimsy. But the plot is messy, the main character is bland, the pacing is at times uneven and, in the end, it's just another average YA adaptation that had loads of potential.
VERDICT:
+ Visuals + Well-cast, especially for Eva Green + Imaginative + Sense of wonder in the first act + Solid directing + Interesting side characters
- Villain - The hero is underdeveloped - Plot is messy - Pacing is uneven - Unconvincing love chemistry
SCORE: 5.5/10
Le saviez-vous
- AnecdotesDirector Tim Burton aimed to use as few digital effects as possible. "It was nice to shoot on-location, to be connected to a place and geography, while having people floating, as opposed to doing it all digitally."
- GaffesWhen Mr. Barron meets Jake at the entrance to the Loop, he says the only thing he can't change about himself are his eyes. When he takes Jake's form in the room with the Ymbrynes, his eyes are the same color as Jake's.
- Citations
Franklin Portman: [Sees a bird flying above the boat] Wow! Jake, check it out. That's a peregrine falcon.
Jake: A peregrine like the headmistress?
Franklin Portman: Sure... That's probably where Grandpa came up with that whole turning into a bird thing.
Jake: Maybe - Maybe that's really her!
[Turns to shout at the bird]
Jake: Hey, Miss Peregrine! It's me, Jake! I'm Abe Portman's grandson! Please, don't crap on us!
[Franklin gives him a horrified look]
Jake: Oh my God, Dad, I'm kidding.
- Crédits fousPhotos of the peculiars and the house are seen behind the credits.
- Bandes originalesRun, Rabbit, Run
Written by Ralph T. Butler and Noel Gay
Performed by Flanagan and Allen
Courtesy of Decca Music Group Limited
under license from Universal Music Enterprises
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Miss Peregrine y los niños peculiares
- Lieux de tournage
- Brasschaat, Antwerp, Flanders, Belgique(Miss Peregrine's home)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 87 242 834 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 871 140 $US
- 2 oct. 2016
- Montant brut mondial
- 296 482 446 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage