Miss Peregrine et les Enfants particuliers
Lorsque Jacob découvre des indices sur un mystère qui s'étend à travers le temps, il découvre le foyer pour enfants de Miss Pérégrine. Mais le danger s'aggrave après qu'il commence à connaît... Tout lireLorsque Jacob découvre des indices sur un mystère qui s'étend à travers le temps, il découvre le foyer pour enfants de Miss Pérégrine. Mais le danger s'aggrave après qu'il commence à connaître les résidents et qu'il découvre leurs pouvoirs particuliers.Lorsque Jacob découvre des indices sur un mystère qui s'étend à travers le temps, il découvre le foyer pour enfants de Miss Pérégrine. Mais le danger s'aggrave après qu'il commence à connaître les résidents et qu'il découvre leurs pouvoirs particuliers.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 12 nominations au total
Avis à la une
With Tim Burton operating behind the camera, it is predictable that this strives for bizarre and spooky imagery that immediately hits you with reminiscence of Burton's previous works. The world of the titular character's mysterious habitat is drawn with an authentic 1940s-era production design and spooky imagery of characters with creepy CGI anatomical abnormalities and corpses with eyes hollowed out; just enough bizarre scenery to give elementary-school aged kids to the heebie jeebies. The make-up done on Eva Green's Miss Peregrine to give her a Maleficient-like appearance is pretty nice to look at as well. How Tim Burton's visual heft manages to tower over the storytelling however, comes as the film's prime disappointment. The first hour follows a 'X-Men meets Harry Potter' plot introducing a series of uncanny characters through long, convoluted exposition. In the process, the characters then introduce a time looping element that is should have made the plot more interesting but only adds more needless confusion to the already mind-boggling plot, and it's not until the roughly the hour and a half mark when the story begins to make reasonable sense. At that point, we are granted with our heroes engaging climatic showdown against creepy Slenderman-like creatures followed by a fight against devilish, glowy-eyed Samuel L. Jackson (an odd casting choice) filled with slick special effects and CGI. By the end, it fairly makes up for the sluggish narrative as does the performances. Asa Butterfield does a fine job as the protagonist but it's only disappointing that his character falls short of interest. In the midst of the crowded cast however, Eva Green is easily the standout in the performance department, giving a profound portrayal as the titular supporting entity.
Miss Peregrine's Home for Peculiar Children is a slick dark fantasy spectacle that is gracefully held up by Tim Burton's signature visual appeal above Jane Goldman's blemished screenplay. In fair words, Tim Burton's effort on rendering Ransom Riggs's popular source material come to somewhat satisfying results, even if it falls deep under the flairs of Burton's magnums opuses.
Also as this is limited (running time mostly), it won't have everything the book had. Even Peter Jacksons adaptations could not have everything Tolkien had written in his book (at least not in the version that was running in the cinemas). Having said all that I hope this prepares you in case you do want to watch this. This is light and fun (with dark themes of course) and aimed to our inner and outer child. It does a good enough job taking us away and entertain us. That's good enough in my book (no pun intended)
The film follows the extraordinary journey of Jake, portrayed by Asa Butterfield, as he discovers a mysterious orphanage filled with peculiar children and embarks on a thrilling adventure beyond imagination.
Asa Butterfield's portrayal of Jake brings a perfect balance of curiosity and vulnerability to the character. His chemistry with the exceptional Eva Green, who plays Miss Peregrine, adds depth and charm to the film.
Eva Green's performance as the enigmatic and protective Miss Peregrine is a standout. She effortlessly embodies the role of the peculiar headmistress, exuding both warmth and a sense of otherworldly power.
Miss Peregrine's Home for Peculiar Children boasts a remarkable supporting cast, with each peculiar child showcasing their unique abilities and quirks. The special effects and visual design bring these peculiarities to life in a way that is both enchanting and mesmerizing.
Tim Burton's signature visual style shines through in the film's gothic and fantastical aesthetics. The film's dark yet magical atmosphere immerses viewers in the world of peculiarity and wonder.
While some may argue that the film's plot could have been more tightly paced, its captivating visuals and imaginative storytelling more than compensate for any shortcomings.
In conclusion, Miss Peregrine's Home for Peculiar Children is a whimsical and visually stunning fantasy film that enchants with its peculiar charm. With Asa Butterfield and Eva Green's captivating performances, Tim Burton's distinctive direction, and a world filled with extraordinary abilities, it's a film that transports you to a realm of imagination and magic.
If you're a fan of fantastical adventures and love tales of peculiarities and wonder, Miss Peregrine's Home for Peculiar Children is a must-watch. So, step into the extraordinary world of Miss Peregrine's orphanage and prepare for an unforgettable and peculiar journey beyond your wildest dreams.
It's billed as Tim Burton's X-Men, and I like that comparison a lot. It definitely has certain similarities to a mutant story, but with Burton's flare for obscurity and peculiarity. Let me start off by saying that I really liked the premise and set up. Not only are the characters similar to X-Men, but the story slightly resembled Days of Future Past. I love the time travel elements and links to World War II. But the rest of the film just didn't live up to the promise of the trailers.
As delightful as some of Burton's films can be, I find the unevenness to be one of his biggest detractors of his otherwise intriguing ideas. For some reason, the second half of his films don't have the same cohesiveness that the opening's do. With Miss Peregrine, we are set up with a much more grounded take to a heightened story than I thought. You certainly get to see the impressive and outright strange abilities of the young children, but it isn't taken into any extraordinary levels, until later. The second half is flooded with ridiculous and over-the-top 'peculiarities'. That's would be all fine and dandy if the first half didn't set up an already intriguing story without all of the added strangeness.
As for the performances, Eva Green is the only one that really stood out here. She seems like a perfect fit into a Burton-esque drama. Her line delivery and presence just speaks Burton. She's also the only character that kept my attention from beginning till end. Sadly, she's not really in it all that much, even with the title having her name. We mostly focus on Asa Butterfield's 'Jake' and Ella Burnell's 'Emma'. Of course, there is some romantic tension, but it never leaves the constructs of a typical teen angst drama. I just didn't buy into it.
There's a ton of cool things about this movie, but by the time I left the theater the whole idea just felt tiresome. But with all this said, I would still be open to another entry in the series, just include Eva Green a little more and don't fall into clichés, Burton. You're better than that.
+Premise
+Eva Green is perfect
-First and second half are completely different films
-Romantic chemistry was hard to buy into
5.9/10
I found the movie entertaining, and at no point did I wonder "How long more is this going to be?" Any movie that never prompts me to ask this question automatically gets a 6 out of 10.
Many reviews mentioned about huge plot holes in the movie, but I never really understood what the plot holes were that make this a terrible movie. I thought the story was quite easy to follow, even with all the time loops, and makes sense in the make-believe world that we are watching. I usually have trouble making sense of time- travel stories, so the ability to simplify complicated concepts and making it easy to understand for me deserves another star for intelligence. Though probably it wasn't easy enough for a seven year-old to comprehend.
I also thought the soundtrack was quite good, I actually stayed till the credits finished rolling to enjoy the music. This, along with the camera work, gets another star to make it 8 out of 10.
To be honest, if the voting score is in increment of 0.5, I would be more inclined to vote it 7.5 out of 10. I don't expect character development for all the "peculiar children" in a movie like this (that would perhaps be more fitting for a drama series), but the acting can be improved. Eva Green has the best "on-screen presence", but she doesn't appear until 30 minutes into the movie, so a bit of patience is necessary. Also I found the editing a bit too abrupt at some points, but that's about all the complaints I have.
I am quite satisfied with the movie, considering the amount of bad reviews I have been exposed to. :)
Le saviez-vous
- AnecdotesDirector Tim Burton aimed to use as few digital effects as possible. "It was nice to shoot on-location, to be connected to a place and geography, while having people floating, as opposed to doing it all digitally."
- GaffesWhen Mr. Barron meets Jake at the entrance to the Loop, he says the only thing he can't change about himself are his eyes. When he takes Jake's form in the room with the Ymbrynes, his eyes are the same color as Jake's.
- Citations
Franklin Portman: [Sees a bird flying above the boat] Wow! Jake, check it out. That's a peregrine falcon.
Jake: A peregrine like the headmistress?
Franklin Portman: Sure... That's probably where Grandpa came up with that whole turning into a bird thing.
Jake: Maybe - Maybe that's really her!
[Turns to shout at the bird]
Jake: Hey, Miss Peregrine! It's me, Jake! I'm Abe Portman's grandson! Please, don't crap on us!
[Franklin gives him a horrified look]
Jake: Oh my God, Dad, I'm kidding.
- Crédits fousPhotos of the peculiars and the house are seen behind the credits.
- Bandes originalesRun, Rabbit, Run
Written by Ralph T. Butler and Noel Gay
Performed by Flanagan and Allen
Courtesy of Decca Music Group Limited
under license from Universal Music Enterprises
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Miss Peregrine y los niños peculiares
- Lieux de tournage
- Brasschaat, Antwerp, Flanders, Belgique(Miss Peregrine's home)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 87 242 834 $US
- Week-end de sortie aux États-Unis et au Canada
- 28 871 140 $US
- 2 oct. 2016
- Montant brut mondial
- 296 482 446 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage