Overdrive
- 2017
- Tous publics
- 1h 33min
NOTE IMDb
5,4/10
18 k
MA NOTE
Deux frères voleurs de voitures, en route pour le sud de la France à la recherche de nouvelles opportunités, se retrouvent dans le viseur du boss de la pègre locale.Deux frères voleurs de voitures, en route pour le sud de la France à la recherche de nouvelles opportunités, se retrouvent dans le viseur du boss de la pègre locale.Deux frères voleurs de voitures, en route pour le sud de la France à la recherche de nouvelles opportunités, se retrouvent dans le viseur du boss de la pègre locale.
- Réalisation
- Scénario
- Casting principal
Martial Bezot
- Rolf
- (as Mars Bezot)
Avis à la une
Overdrive is a movie to watch for three things: The classic cars, the French countryside and the ladies: Ana da Armas ( Stephanie) and Gaia Weiss ( Devin). Everyone and everything else is predictable that has been done over 100 times before.. Anti/ hero half brothers. Andrew and Garret. Foster ( Scott Eastwood ( son of Clint) and. Freddie Thorp), versus bad guys. I give it 5/10 stars. 2 for the cars, 2 for the scenery and 2 for the ladies ( 1 each for them).
I was very disappointed with this movie. There was way too much going on and it was hard to follow.
Yet another attempt, rather bankrupt, in search of the formula that has made certain movies extremely successful, traveling with very little grit and very low narrative ambitions the road of the automotive genre in cinema the already asphalted and traveled with knowledge of the by the now historical, mainly in the field of pure entertainment, saga of "Fast and Furious".
The result is a useless film to which eats the elegance that desperately seeks, the grit necessary to entertain and a personality that could have made him at least distinguishable.
The main problem is the unawareness of the director, who seems to have never understood what kind of film he should have shot. "Overdrive" rather than a gripping action film resembles a long advertising that can be perfumes, cars or simply clothing, in short, everything but a movie.
If only Antonio Negret had paid more attention to the development of the plot, which is extremely trivial and hasty, or even just the same attention that he used to continuously frame the surrounding environment and faces as well as the bodies of the various actors, the film could also to work, let's say that the plot is also vaguely interesting and could have given rise to a film at least for entertainment.
Even the cast is not at all helpful with the trivial and cloying interpretations and with a Scott Eastwood who seems to be trying to cover up his surname from film to film. It must also be said that the screenplay proves to be a major obstacle for them, with an extremely superficial writing of characters, an equally superficial characterization and an initial presentation of them that is extremely didactic and irritating.
In short, the film is missing a lot of things just to be considered such but the biggest mistake is probably the fact that the director seems not to have noticed, given his pompous and presumptuous approach.
This movie reminds me the French "Taxi" movie series (from Luc Besson): bad action scenes, bad acting, bad script, bad camera work....
I don't know how Scott Eastwood got involved in this movie. Because he can have a pretty good acting career like his father by selecting better projects.
Ana De Armas is not good either (before her big break in Blade Runner 2049). Surely because of the crappy and unoriginal script.
And I don't know how this movie got funded. Surely it can be a nice TV movie, so forgettable.
I don't know how Scott Eastwood got involved in this movie. Because he can have a pretty good acting career like his father by selecting better projects.
Ana De Armas is not good either (before her big break in Blade Runner 2049). Surely because of the crappy and unoriginal script.
And I don't know how this movie got funded. Surely it can be a nice TV movie, so forgettable.
Poor old Clunk Eastwood must be rolling in his grave...or would be if he was pan but almost every actor in this is awful.
Its probably notable that Karl Urban pulled out and many others so it seems the roles went to those at the bottom of the barrel and I do hear that old Clunk Eastwood gave the producers a back hander to get his son into it.
The English bloke Freddie just couldn't act - it was painful - I actually feel sorry for the wee chap!
Cant stand the London Idris Elba accent - he is another overrated actor if you can call him that but i digress.
Ana De Armas who i hear is in the new Bladerunner movie which i haven't seen yet and now makes me think twice as she was another of the acting eyebrows, bit of fluff on a stick style non-actress - I wonder which directors casting couch she laid out on to get into acting - Harvey maybe! ;p;
So bad, bad is the acting but on the positive side - the cars were good to look at and there were a few good explosions and bridges collapsing and you get a half decent car chase or two but the story is nothing spectacular - I don't really go for car movies much as in my opinion the car chase in "COLD SWEAT" with Charles Bronson is one of the best even though Steve McQueen fans may argue that one but this is nothing in comparison.
Could have been much better if they had found some actors who could like .. welll .... act!
Its probably notable that Karl Urban pulled out and many others so it seems the roles went to those at the bottom of the barrel and I do hear that old Clunk Eastwood gave the producers a back hander to get his son into it.
The English bloke Freddie just couldn't act - it was painful - I actually feel sorry for the wee chap!
Cant stand the London Idris Elba accent - he is another overrated actor if you can call him that but i digress.
Ana De Armas who i hear is in the new Bladerunner movie which i haven't seen yet and now makes me think twice as she was another of the acting eyebrows, bit of fluff on a stick style non-actress - I wonder which directors casting couch she laid out on to get into acting - Harvey maybe! ;p;
So bad, bad is the acting but on the positive side - the cars were good to look at and there were a few good explosions and bridges collapsing and you get a half decent car chase or two but the story is nothing spectacular - I don't really go for car movies much as in my opinion the car chase in "COLD SWEAT" with Charles Bronson is one of the best even though Steve McQueen fans may argue that one but this is nothing in comparison.
Could have been much better if they had found some actors who could like .. welll .... act!
Le saviez-vous
- AnecdotesThe Ferrari 250 GTO in the movie is not one of the genuine 36 250 GTO's. Instead it is a replica, based on a Ferrari 250 GTE, chassis number 4861GT, owned by a French collector. This is unsurprising as a real car of such used in the film would be valued at several millions: the current record for world's most expensive car was set a year after the films release (2018: a 1963 250 GTO (chassis 4153GT) sold in a private sale for $70 million; and another in auction (GTO 3413GT) at some $48,000,000): prior to the film being made, a bid of $34,000,000 secured one in 2014.
- GaffesIn the opening scene where the BMW M3 turns into the path of the semi, the dashboard of the car shows the vehicle in park, something the car would not likely allow the driver to do while moving.
- Citations
Garrett Foster: [on Andrew] He's my brother from another mother... literally
- ConnexionsFeatured in Projector: Overdrive (2017)
- Bandes originalesSPEED
Performed by Electric Starlet
Written by Morgan Emmery, Cici Voise, Rebekah Muhammed, Maurice "Velly" Conaway, David Rodriguez
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- How long is Overdrive?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La gran fuga
- Lieux de tournage
- Marseille, Bouches-du-Rhône, France(exterior scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 24 340 000 € (estimé)
- Montant brut aux États-Unis et au Canada
- 7 793 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 797 $US
- 8 oct. 2017
- Montant brut mondial
- 9 650 552 $US
- Durée1 heure 33 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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