Pusher

Pusher is a flat film, leaving you waiting for a climax that never happens. The films gives you a chocolate box assortment of every character in every drug related film you can think of. You have the loose cannon side kick, the stripper girl friend, the pathetic junkie and of course the drug dealer heavies. The only person that manages to escape two dimensions is Zlatko Buric the main bad guy who gives a standout performance as the smiling psychotic Milo.

For all its style and flashing lights and camera tricky, lies a poorly executed film and I found myself just waiting for it to be over not caring who lives or dies. For it attempts to be modern it's also quite a dated film and seems more like something from the early 1990's. Avoid this film and just buy the amazing orbital sound track. I'm just happy this film was made so that orbital made another album. Bad film! Great Music!!

In Pusher, we follow Frank, a low lever drug dealer/user in London for a week. Usually he deals small quantities in danceclubs or larger quantities to partying rich low lives. His girl, a stripper and escort but not prostitute, keeps the money for him. He also spikes the drugs and keeps the remainder in a storage space.

He's got two major deals going on. In the first his sidekick recommended him to some guy who wants to buy 1 kilo of drugs. Frank is reluctant, he doesn't know the guy, but he eventually accepts. He gets the kilo on credit from his dealer whom he already owes 3000 pounds. The second deal involves a girl who will bring him 1/2 kilo somehow in her body from Amsterdam.

The first deal goes wrong, the cops show up and Frank is forced to dump the drugs in a lake, so the cops have to release him. Now he has no drugs and no money, and owes his dealer even more. His dealer likes him and treats him alright, as long as things are going well. But when he can't deliver, things get progressively worse. Frank and one of the dealer's guys start collecting debts owed to Frank and things get violent. And this is also a warning to Frank about what will happen to him if he doesn't deliver.

Frank is counting on the second deal to go through, but it doesn't. The girl eventually shows up with 1/2 kilo of sugar. She was ripped off in Amsterdam. That gets Frank a good beating and a final deadline to obtain the ever increasing amount of money. Finally he sees the light and decides to escape the country with his girl, but he's got a couple of things to take care off.

I have not seen the original version of this. Pusher while marketed as some violent edgy movie, is rather a very good thriller/drama with a unique personality. Frank and his friends are a likable bunch and you don't want to see them in trouble. Since you care for him, the story itself is interesting and most of the other characters are also compelling, especially his friendly but dangerous dealer. Stories like these work only as long as the characters remain irrational and insist on staying in their little hell and refuse to see the obvious way out- get the hell out of town and take your business elsewhere. Acting, direction, editing and good all around. The music is also excellent, there's lots of electronic music when Frank goes to clubs.

Nothing wrong with this film but when you've seen the original it pails in comparison. The original had style, it had first class acts and personalities that felt real and the situations were scary and threatening. This remake is tame and embarrassing to watch. Hearing the old lines delivered with British accents completely kills the script...even seeing Milo back was uncomfortable! Trust me, the original is a 10 out of 10 for me but this...this is lame...almost laughable BUT it did still hold up as a decent crime thriller but only just and I feel I'm being generous!

I can't think of any reason to see this other than boredom...or curiosity! ...just watch the original... ;)

PUSHER was a strong and vivid little Danish crime thriller, made by Nicolas Winding Refn back in 1996. It was the start of what has become a successful Hollywood career, and obviously at some point somebody had the grand of idea of shooting an English-language remake. Unfortunately, this remake is completely redundant for anybody who's seen the original. It's a scene-for-scene copy, one of those which I hate, and other than the different backdrops and actors everything plays out almost exactly the same. And, somewhat inevitably, it's an inferior product to the first film in every respect.

The cast just don't scream authenticity here as they did in the original film. Richard Coyle is a selfish, mean-spirited protagonist and I found myself actively wishing for his demise. Bronson Webb takes the Mads Mikkelsen role from the first film and is absolutely awful, going way over the top without any attempt at restraint. The only decent performance comes from Zlatko Buric, making a welcome turn from the Danish film and playing the same role.

Inevitably the sex, violence, and profanity are ramped up from the original movie, but the script feels lowbrow and director Luis Prieto is no Nicolas Winding Refn, that's for sure. His attempts at style, with the camera speeding around his protagonist while thumping music plays, just feel dated and very 1999. Not a good film at all.

I have to say this 'remake' was incredibly disappointing. well to say that i was expecting much is not quite accurate, in fact, i was expecting not very much. however, what i saw with this film was utter mediocrity by this director with poorly directed scenes which if properly produced would not have made the final cut. overall it's an amateur production of this cult film remake. around the halfway point it did in fact start to pick up its pace and there were some memorable scenes. overall though i have to say most scenes were unmemorable. the cliché British techno/house score did not help matters. a big plus was seeing the actor who portrays Milo in this film, as he starred in 2 of the original pusher films by refn. he actually made the film enjoyable to watch at times by his performance. ultimately, Refn had far less of a budget to make his pusher film compared to the budget Luis Prieto had to work with. So to create such a lackluster effort all around by Prieto and the crew is quite a disappointment. Refn had stated early on he did not want to interfere with this remake, though I think he should have considering it does reflect on him somewhat, albeit indirectly.

5.5/10