NOTE IMDb
5,2/10
3,7 k
MA NOTE
Trois ans après avoir témoigné le meurtre de sa fiancée, un homme reste effrayé, jusqu'au jour où dans un cinéma parisien il voit une actrice qui ressemble beaucoup à son amour mort, et fina... Tout lireTrois ans après avoir témoigné le meurtre de sa fiancée, un homme reste effrayé, jusqu'au jour où dans un cinéma parisien il voit une actrice qui ressemble beaucoup à son amour mort, et finalement il trouve la vérité sur sa fiancée.Trois ans après avoir témoigné le meurtre de sa fiancée, un homme reste effrayé, jusqu'au jour où dans un cinéma parisien il voit une actrice qui ressemble beaucoup à son amour mort, et finalement il trouve la vérité sur sa fiancée.
- Réalisation
- Scénario
- Casting principal
Karl E Landler
- Thomas
- (as Karl E. Landler)
Nicole Ansari-Cox
- Jean Outerbridge
- (as Nicole Ansari)
Pasha D. Lychnikoff
- Karl Ristani
- (as Pasha lynchnikoff)
Gregory Cook
- Fyodor
- (as Gregory Cooke)
Avis à la une
With the right actors. Most of the acting fell flat for me and it really left me wishing I'd seen it again with a different cast.
The script had promise, but the actors were so dry and dull. Throughout, I thought of other films I had seen and wished any of the actors in them could have had the roles.
The mob people are SO stereotypical, the lines are delivered so flatly, especially the lead male character. I do like the ending, and some of the little turns, but in general, give me Rear Window or Vertigo so I can see passionate, high-level acting in play.
Not the most horrible film, but could be so much better.
The script had promise, but the actors were so dry and dull. Throughout, I thought of other films I had seen and wished any of the actors in them could have had the roles.
The mob people are SO stereotypical, the lines are delivered so flatly, especially the lead male character. I do like the ending, and some of the little turns, but in general, give me Rear Window or Vertigo so I can see passionate, high-level acting in play.
Not the most horrible film, but could be so much better.
The producers of 'Last Moment of Clarity' must have been absolutely stoked when they managed to land Samara Weaving in their film. She's certainly a rising star and is getting some pretty good credits attached to her name. The problem they found themselves with though was that Weaving isn't really the star of the movie, or at least her character isn't. Instead the much lesser known Zach Avery is the star of the show and sadly he doesn't quite have the acting chops to do that just yet. The result is a bit of a wasted opportunity. You can see the potential the script had and why Weaving was enticed to sign on, but the actual final product is a messy shadow of what it could've been.
The first half of the film is a mystery, followed by the second half which is more a regulation thriller. If I had to pick which half I preferred more it was probably the first half. It at least had some curiosity behind it and had you wondering what tricks the film had up its sleeve. The second half, while not bad, does feel a little more run-of-the-mill and like you've seen it a thousand times before.
The film moved at a good click and I never really felt bored by it. There were a lot of technical flaws and if that sort of stuff bothers you then you might struggle a little with this film. If you are able to put that sort of stuff aside though and just enjoy the story for what it is then you might enjoy this one. It's not a film I suspect I'll remember, but while I was watching it it was a decent enough time.
The first half of the film is a mystery, followed by the second half which is more a regulation thriller. If I had to pick which half I preferred more it was probably the first half. It at least had some curiosity behind it and had you wondering what tricks the film had up its sleeve. The second half, while not bad, does feel a little more run-of-the-mill and like you've seen it a thousand times before.
The film moved at a good click and I never really felt bored by it. There were a lot of technical flaws and if that sort of stuff bothers you then you might struggle a little with this film. If you are able to put that sort of stuff aside though and just enjoy the story for what it is then you might enjoy this one. It's not a film I suspect I'll remember, but while I was watching it it was a decent enough time.
Movie is meh, nothing you haven't seen before.
What you surely haven't seen before is Samara Weaving in full nude appearance. She is mesmerizing and the only reason for watching this - mediocre - movie.
What you surely haven't seen before is Samara Weaving in full nude appearance. She is mesmerizing and the only reason for watching this - mediocre - movie.
Good actors and actresses but very bad scenario. Just like Turkish movies. I just watched it for Samara. She was bad also. I just give 3/10. Sorry.
I didn't love it but I didn't hate. A perfect example of its okay.
I thought it to long to set it up and not enough time spent on the finale.
Decide for yourself.
I thought it to long to set it up and not enough time spent on the finale.
Decide for yourself.
Le saviez-vous
- AnecdotesThe protagonist, Zachary Avery (real name Zachary Horowitz) is, as of 8/2024, serving a 20-year sentence in federal prison for stealing over $220 million dollars through a Ponzi Scheme in which he claimed to purchase and resell rights to low budget movies for distribution in Latin America via Netflix and other streaming services. In 2021, he was arrested and eventually convicted of 1 count of securities fraud.
- GaffesIt makes no sense for Georgia to change her name and hair color for fear of her life, and then go high-profile, appearing in movies where she risks being recognized.
- Bandes originalesMad at the Cloud
Written by Christopher Richard
Performed by CRASH
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- How long is Last Moment of Clarity?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Bajo la misma piel
- Lieux de tournage
- Montmartre, Paris, France(Initial cycling scenes)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 30 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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