Frankenstein's Army

During the World War II, a Russian troop in Germany receives a distress call in the radio from a group of Russian soldiers under siege by the Germans with the respective coordinates. The leader Sergeant Novikov (Robert Gwilym) decides to seek out the soldiers through the countryside of Germany. The soldier Dimitri (Alexander Mercury) is filming the troop to make a documentary and while they walk, they find weird bodies, slaughtered nuns in a convent burnt to the ground and open graves in a cemetery. They arrive at a deserted church where they meet a lethal army of undead with implanted weapons and tools. Soon they learn that the deranged but brilliant grandson of Dr. Viktor Frankenstein with the same name (Karel Roden) has a secret laboratory in the church and is responsible for those monstrosities. Further, they discover that their troop has been secretly assigned by the government to find and kill or bring the mad scientist to Moscow.

"Frankenstein's Army" is a campy horror movie with a silly storyline for fans of trash and gore. The creatures are original and funny and there are entertaining and bloody situations. Unfortunately the option for the hand camera as if it were footage upsets me despite the good explanation for its use. My vote is six.

Title (Brazil): "O Exército das Trevas" ("The Army of the Darkness")

First and foremost, I rated this a 7/10 for creature design alone! They are truly unique and remarkable, even if the movie itself falls short. The acting is sub-par and there is no real character development at all. Some of the characters were so disgustingly horrible that I was begging for them to be taken out by the zombots immediately and all but cheered the moment they were.

If you want to see some fantastic creature design, give this movie a try. My husband and I paused the movie several times just to take in the whole creature design aspect. It is entertaining enough from start to finish to warrant a viewing. It's not really thought provoking, but if you are looking for some mindless fun then give this flick a go!

The only difference between this found footage film and footage that may have actually been taken by a real Russian soldier is that the real Russian soldier probably would have been able to hold the camera without shaking it and would have kept it in focus.

Enough of this found footage technique. If it brings nothing to the storyline, then it's not worth the pain of watching it. To me the filming technique was overbearing and outweighed anything the movie might have been. It is just annoying to watch. And again there is zero character depth or development, partly due to the filming technique.

Alright, the monsters are great, good enough to rate all the five stars. If you want to see good monsters, then watch it. The acting is dodgy, the plot minimal, and you just won't care who gets gored because again there is no depth to the characters. If you're plain tired of found footage, give this one a pass.

It took quite a while for Richard Raaphorst to have his first feature length film canned but now we can all enjoy "Frankenstein's Army", which debuted at the International Film Festival Rotterdam. The film had its world premiere at a sold out screening of the International Rotterdam Film Festival. And at long last the audience had the chance to have a look at Raaphorst's creation(s) in full splendour. I think a lot of horror fans have been looking forward to the debut of "Frankenstein's Army"; we've been teased by some excellent trailers of his "Worst Case Scenario" and when that project got stuck in development hell, artwork and teasers for his new film surfaced.

In "Frankenstein's Army" everything's filmed from a first person perspective, that person being the soldier Sergei, who's part of a Russian squad that is slowly moving further in Germany. He has the task to document the march of Mother Russia into Germany. So yes, you've read it right: this is a found footage film. When the squadron goes further into the countryside some weird skeletons and soldiers are found. When they pick up a radio signal from some comrades the trail leads them to a church / factory and then shits starts to hit the propeller.

The first half builds up slowly towards the second. Starting off with quite some shots of running and some occasional shooting, it gets more interesting when they come up a village where things don't seem right. The part where they start to encounter the first zombots (as Richard has named his creations) almost reminded me of a mix of the video game "Return to Castle Wolfenstein" and more steampunkish elements. Zombots suddenly appear and create havoc amongst the Russians. The second half steps down a bit and offers a better look at Raaphorst's monsters. The encounter of Viktor -the creator of the monstrous nazi soldiers- provides the director to go all out with special effects in the 'laboratory'. This is a place where a gorehound's heart starts beating faster: there are some geeky references, all the monsters and gory effects are real (so almost no computer effects) and that choice pays off. The effects feel real, the zombots are brought to life in a weirdly, wicked way, most of them wearing working mechanical features that gives each of them a unique look.

Raaphorst reaps I was a bit thrown off because of this film being another one in the 'found footage' style. Even though it doesn't bring nothing new to this way of drawing the audience into the film, it is well done: you know you don't get these lame something-was-there-and-now-there-isn't kind of things but you will be treated with some in-your-face gore and great zombots. Also it was hard to get over the accents used by the actors throughout the film, that is always a hard choice to make. Raaphorst his strength is his vision, visuals and details. I expected the film to be a bit more sinister and dark because of the teasers but in the feature itself there is more focus on gore than tension. Luckily he knows his gore and all the effects are really well done. It's great to see his sketches come alive on the big screen and they work well in all their bizarre glory.

I really hope this film will give Richard Raaphorst a chance to create another feature film in which he can explore more of his directional skills outside the found footage genre and is able to provide us another look in his bizarre, creative mind.

This was a movie that could have gone either way. The idea of it could have easily been executed a little tediously with a CGI created zombie army going around causing perturbation and despair. However, the good news is that Frankenstein's Army has been made by a team with a great deal of imagination. And this one should attain considerable cult value I reckon.

The basic set-up for the story is typical enough in that this is a found footage movie. It has a group of Soviet soldiers entering Nazi Germany during the final days of the Second World War. They wind up at a dilapidated factory where they discover bizarre creatures that appear to be half human half machine. It's these monsters that are the real angle for this film. Named as zombots in the credits, these creations are extremely original in design. They have a definite steampunk styling and pleasingly each creature has a completely different look. Knives for hands, propeller-heads, head-crushing heads, stilts legs, face-drills…you name it, these monsters are nothing if not original in design. What makes it even better is that this is a movie with a lot of proper physical effects and costumes – it's not rammed to the gunnels with CGI effects. This ensures that the look is more convincing. The factory location has a suitably grungy feel too, which works well alongside the creatures.

Things eventually move into the lair of the mad scientist Frankenstein. It's at this point we get to see some of his insane experiments, including combining half a Communist brain with half a Nazi one! Yeah, there is a lot of crazed imagination in this one. Surely there must be a sequel...Dracula's Army anyone?