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Elena

  • 2011
  • Not Rated
  • 1h 49min
NOTE IMDb
7,3/10
16 k
MA NOTE
Nadezhda Markina in Elena (2011)
When a sudden illness and an unexpected reunion threaten dutiful housewife ElenaÂ’s potential inheritance, she must hatch a desperate plan ...
Lire trailer1:42
1 Video
36 photos
CriminalitéDrameThriller

Lorsqu'une maladie soudaine et des retrouvailles inattendues menacent l'héritage potentiel d'Elena, une ménagère dévouée, elle doit élaborer un plan désespéré...Lorsqu'une maladie soudaine et des retrouvailles inattendues menacent l'héritage potentiel d'Elena, une ménagère dévouée, elle doit élaborer un plan désespéré...Lorsqu'une maladie soudaine et des retrouvailles inattendues menacent l'héritage potentiel d'Elena, une ménagère dévouée, elle doit élaborer un plan désespéré...

  • Réalisation
    • Andrey Zvyagintsev
  • Scénario
    • Oleg Negin
    • Andrey Zvyagintsev
  • Casting principal
    • Nadezhda Markina
    • Andrey Smirnov
    • Aleksey Rozin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    16 k
    MA NOTE
    • Réalisation
      • Andrey Zvyagintsev
    • Scénario
      • Oleg Negin
      • Andrey Zvyagintsev
    • Casting principal
      • Nadezhda Markina
      • Andrey Smirnov
      • Aleksey Rozin
    • 70avis d'utilisateurs
    • 135avis des critiques
    • 87Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 24 victoires et 23 nominations au total

    Vidéos1

    U.S. Version
    Trailer 1:42
    U.S. Version

    Photos36

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 30
    Voir l'affiche

    Rôles principaux47

    Modifier
    Nadezhda Markina
    Nadezhda Markina
    • Elena
    Andrey Smirnov
    Andrey Smirnov
    • Vladimir
    Aleksey Rozin
    Aleksey Rozin
    • Sergey
    Elena Lyadova
    Elena Lyadova
    • Katerina
    Evgeniya Konushkina
    • Tatyana
    Igor Ogurtsov
    • Sasha
    Vasiliy Michkov
    • Lawyer
    • (as Vasily Michkov)
    Aleksey Maslodudov
    • Vitek
    Ekaterina Tarkovskaya
    Ivan Mulin
    Ivan Mulin
    Nikita Slepchenkov
    Yura Borisov
    Yura Borisov
    Igor Yurtaev
    Yaroslav Zhalnin
    Yaroslav Zhalnin
    Vasily Prokopyev
    Dmitry Pavlenko
    Aleksandr Pasechny
    Anastasiya Sapozhnikova
    • Réalisation
      • Andrey Zvyagintsev
    • Scénario
      • Oleg Negin
      • Andrey Zvyagintsev
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs70

    7,315.7K
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    10

    Avis à la une

    10es_dp

    Fascinating ambiguity

    This movie is great, slow but beautiful, but the ambiguity is the best part, all the themes are condensed in the first and final frame, think about it, what is worth? the welfare of many aside his flaws or the coldness and sterility of few.

    The atmosphere is hypnotic.

    All the characters have reasonable grounds, all are ugly but very real.

    The synthesis to show the decadence and disillusionment of Russian youth is strong

    the performances are outstanding overhanging the main female character which we do not know if understand or condemn and even though the couple has some reason the mother instinct is prevalent, is simply a game of survival.
    7sergelamarche

    The devil you know

    The director makes the statement that the devil you know might strike any time. The darkness is present all around. This is not Disney.
    9sergepesic

    Crime and no punishment, or????

    After Zvyagintsev's first movie, "The Return", I desperately wanted to see more of his work. He made another movie that I couldn't find, and finally- "Elena". New Russia, few new rich, and not so new, many poor. The land of fake equality became a land of stunning disparity. And the same kind of ruthless, lacking conscience kind of person that thrived in communism, does ever so well in the pool of greed and self-absorption. It was always about money and power, anyway. Cruel world and cruel deeds. What would one do for those he or she loves, no matter how undeserving they are. Apparently everything, even kill. Human capacity for evil surpasses very few things, and the ability to justify evil tops everything else. Hence the world we live in. Very simple actually, but still beyond comprehension of billions.
    8christopher-underwood

    a most impressive ad involving tale

    Perhaps not quite as ravishing or intense as the director's earlier or later works, this is nevertheless riveting enough. From a beautifully observed and measured opening with wondrous light patterns falling within the interior of a luxury apartment in Moscow we gradually learn of the daily movements of Elena and her less active but wealthy husband. We learn too of the husband's grown up daughter, living a 'hedonistic' life and Elena's extended family living within cramped social housing. For such a modest and leisurely paced film it is extraordinarily impressive how captivating it all is. Markedly different from the other films of Andrei Zvyagintsev, this is still a most impressive ad involving tale.
    7Boba_Fett1138

    Well made but not the most interesting of movies.

    This is the sort of movie that will do well at film festivals and with certain critics but for me it's all a bit too familiar, though there is simply no denying that this still remains a very well made movie.

    Kind of funny but while watching this movie it kept reminding me of a different Russian movie that I had seen; "Vozvrashchenie". I only found out later that the movie indeed had been directed by the same director; Andrei Zvyagintsev. So he obviously is a person with a very strong and distinctive style but yet I wasn't as intrigued with this movie as I was was with "Vozvrashchenie".

    It's a movie that shows how one event can change everything in a family. That is good all but it's not exactly something that has never been done in any movie before. I did wish that the movie would had done some more interesting stuff at times with its story and characters but it instead makes the choice to be a simplistic and straightforward as possible, which adds to the realism perhaps but not to the originality and it doesn't make this the most interesting or effective genre example either.

    The movie definitely takes the time to setup things but it feels a bit pointless at times. Really, the movie too often is showing you absolutely nothing and some sequences are needlessly long. The movie wants you to fill in things for yourself mostly and doesn't just lay out everything. It's the reason why the movie also often has no dialog at all in it. The first part and the final part of the movie is like this. It seemed like things were developing- and starting to get interesting in the middle but it doesn't ever push through.

    Still I can't be very negative toward this movie. It's obviously a superior made movie, that is beautiful looking as well, with its cinematography, that helps to set up a nice mood for the movie. Also nothing wrong with its storytelling. I mean, it does what it does well, even though it just isn't my cup of tea and it really isn't the best, most original, or intriguing example of the genre that I have ever seen. It's great to watch still, if you are into these type of movies.

    A really good movie, you can still real easily do without though and is hardly the best that the genre currently has to offer.

    7/10

    http://bobafett1138.blogspot.com/

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The film was originally planned to be made in English under the name "Helen", with Elena, Vladimir and Sergey called Helen, Richard and Dan, respectively. Andrey Zvyagintsev dropped the idea when he realized working with an English producer meant "overcoming the issues of the creative method, of the language of cinema." Soon he proposed the script to Alexander Rodnyansky and the next day after Rodnyansky read it, he phoned Zvyagintsev and said, "Let's start." Zvyagintsev thanked Rodnyansky in a later interview for sharing his views.
    • Citations

      Katerina: Shit's gotta be tasty, because millions of flies can't be wrong.

    • Connexions
      Featured in Eshenepozner: Vitaly Mansky (2020)
    • Bandes originales
      Symphony No. 3: Movement No. III
      Written by Philip Glass

      Performed by Bournemouth Symphony Orchestra, conducted by Martin Alsop (as Marin Alsop)

      Courtesy of NAXOS RIGHTS INTERNATIONAL Ltd.

      © DUNVAGEN MUSIC PUBLISHERS Inc.

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    FAQ18

    • How long is Elena?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 mars 2012 (France)
    • Pays d’origine
      • Russie
    • Site officiel
      • Official site
    • Langue
      • Russe
    • Aussi connu sous le nom de
      • Mối Tình Tội Lỗi
    • Lieux de tournage
      • Biryulyovo Zapadnoye District, Moscou, Russie(power plant)
    • Société de production
      • Non-Stop Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 233 380 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 9 035 $US
      • 20 mai 2012
    • Montant brut mondial
      • 2 227 905 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 49min(109 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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