Red Right Hand
- 2024
- 1h 51min
Cash essaie de mener une vie honnête et tranquille, mais lorsque Big Cat le force à revenir à ses services, il se montre capable de tout pour protéger la ville et la seule famille qu'il lui ... Tout lireCash essaie de mener une vie honnête et tranquille, mais lorsque Big Cat le force à revenir à ses services, il se montre capable de tout pour protéger la ville et la seule famille qu'il lui reste.Cash essaie de mener une vie honnête et tranquille, mais lorsque Big Cat le force à revenir à ses services, il se montre capable de tout pour protéger la ville et la seule famille qu'il lui reste.
- Réalisation
- Scénario
- Casting principal
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It is one thing to have a very good cast of stars (Bloom, McDowel,Dillahunt) to attracts viewers to your movie. It is another challenge to have a sensible, workable and engaging script that the viewer can follow with intent and delight. It is yet another aspect to have a production, directing and editing crew that ensures an engaging element to the viewing experience
Sadly, in this case, only the first aspect is present - great cast, thus the question : "Oh, Orlando... WHY!" It is heartbreaking to see such talent wasted on this triviality only for the crew to say "we had Mr Bloom in our movie!". Shame on you
It was with painful admission that I could not continue my viewing past the hour mark. It was that unhinged, uninteresting and quite simply BORING. With better directing (and editing) this movie could well have been a great 7.5. It is not about the story (we have seen this too many times) but the senselessness of wasted screen time where just nothing happens.... or the opposite to what humans normally do to be of assistance to family
As for that... if you want Mr Dillahunt to go through bottles of hard tac, then at least GIVE him some real stuff so that he can actually BE drunk and not sometimes appear quite sober after a few shots
It took me a few days to go back to see the second half.... I could not stay for the end.... Perhaps Mr Bloom's agents were a bit over eager to sign him up for this one. I am sure there are much better offers out there who would be able to work with this talented actor
Final statement : rather go watch Sesame Street with your popcorn.
Sadly, in this case, only the first aspect is present - great cast, thus the question : "Oh, Orlando... WHY!" It is heartbreaking to see such talent wasted on this triviality only for the crew to say "we had Mr Bloom in our movie!". Shame on you
It was with painful admission that I could not continue my viewing past the hour mark. It was that unhinged, uninteresting and quite simply BORING. With better directing (and editing) this movie could well have been a great 7.5. It is not about the story (we have seen this too many times) but the senselessness of wasted screen time where just nothing happens.... or the opposite to what humans normally do to be of assistance to family
As for that... if you want Mr Dillahunt to go through bottles of hard tac, then at least GIVE him some real stuff so that he can actually BE drunk and not sometimes appear quite sober after a few shots
It took me a few days to go back to see the second half.... I could not stay for the end.... Perhaps Mr Bloom's agents were a bit over eager to sign him up for this one. I am sure there are much better offers out there who would be able to work with this talented actor
Final statement : rather go watch Sesame Street with your popcorn.
No pun intended - and don't take everything literally ... talking more to myself of course. Orlando Bloom is in this to start off with the obvious. And I reckon after Pirates it is tough to find something ... I think he is underrated as an actor ... and I wish he was able to be in more diverse projects. But this is kind of fun - well action and tense, but you know what I mean.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
RED RIGHT HAND is a film I rather enjoyed, unlike a lot of reviewers here. Its a very small scale, low budget feel kind of movie, set in one of those rural towns in the American Midwest where an unlikely kingpin holds sway over the population. Andie McDowell, who I've never rated as an actress, does a fair approximation of evil in this against-type role, while Orlando Bloom also goes against type as the redneck hero unwittingly drawn back into her criminal schemes. Dillahunt has a fine supporting role as the town's preacher. The plot's familiar but the action is well handled and the film is admirably gritty. The final shoot-out in particular impresses.
Greetings again from the darkness. Regardless of how attractive the real estate prices seem, it's usually best to avoid small rural towns controlled by a violent crime boss nicknamed Big Cat. Especially when she doesn't hesitate to make an example of those who cross her, and she 'owns' the local Sheriff and runs drugs throughout the area. Even those who break away from her organization are likely to get dragged back in, 'do this or else' style, if Big Cat wants them back. It's a self-perpetuating cesspool of control and being controlled.
The SMALL TOWN CRIME (2018) directing team of brothers Eshom Nelms and Ian Nelms re-team to direct this surprisingly engaging backwoods crime thriller, with a screenplay from Jonathan Easley (his first). What's surprising about this is most movies of this genre are pretty simple and easy to predict. In this one, there are certainly some familiar tropes, but the depth of characters and the against-type performance by Orlando Bloom make this one quite a bit of fun. Also going against-type here is Andie MacDowell as Big Cat. It's her darkest role yet, and she seems to embrace the evil.
Mr. Bloom stars as Cash, a greasy, tatted, ripped dude with a Kentucky accent who is diligently working to keep his life on a good path. His past includes a beloved sister who passed away, severe alcoholism, and a life of crime while working as Big Cat's henchman. His life motto is "God-Family-Survival", and he's dedicated to his struggling brother-in-law, Finney (Scott Haze) and whip smart ninth grade niece, Savannah (newcomer Chapel Oaks). When Cash discovers that Finney has mortgaged the family farm to Big Cat, he quickly realizes he must cut a deal with his former boss to save what's left of his family. As Michael Corleone says, "they pull me back in." Big Cat values Cash's cool head under pressure - especially as compared to her other redneck lackeys. Her one misjudgment is in underestimating Cash after she has attacked his family. This leads to a blaze of violence and one crazy shootout on the grounds of Big Cat's estate. Supporting work is provided here by the always excellent Garrett Dillahunt (here as a rehabilitated preacher), Brian Geraghty as the Sheriff, Mo McRae as the good-intentioned Deputy, and Daniel David Stewart as Big Cat's ponytailed corrupt banker son. Johnny Derango adds some quality cinematography to this surprisingly intricate and well-developed crime thriller.
Magnolia Pictures will release the film in theaters and on VOD February 23, 2024.
The SMALL TOWN CRIME (2018) directing team of brothers Eshom Nelms and Ian Nelms re-team to direct this surprisingly engaging backwoods crime thriller, with a screenplay from Jonathan Easley (his first). What's surprising about this is most movies of this genre are pretty simple and easy to predict. In this one, there are certainly some familiar tropes, but the depth of characters and the against-type performance by Orlando Bloom make this one quite a bit of fun. Also going against-type here is Andie MacDowell as Big Cat. It's her darkest role yet, and she seems to embrace the evil.
Mr. Bloom stars as Cash, a greasy, tatted, ripped dude with a Kentucky accent who is diligently working to keep his life on a good path. His past includes a beloved sister who passed away, severe alcoholism, and a life of crime while working as Big Cat's henchman. His life motto is "God-Family-Survival", and he's dedicated to his struggling brother-in-law, Finney (Scott Haze) and whip smart ninth grade niece, Savannah (newcomer Chapel Oaks). When Cash discovers that Finney has mortgaged the family farm to Big Cat, he quickly realizes he must cut a deal with his former boss to save what's left of his family. As Michael Corleone says, "they pull me back in." Big Cat values Cash's cool head under pressure - especially as compared to her other redneck lackeys. Her one misjudgment is in underestimating Cash after she has attacked his family. This leads to a blaze of violence and one crazy shootout on the grounds of Big Cat's estate. Supporting work is provided here by the always excellent Garrett Dillahunt (here as a rehabilitated preacher), Brian Geraghty as the Sheriff, Mo McRae as the good-intentioned Deputy, and Daniel David Stewart as Big Cat's ponytailed corrupt banker son. Johnny Derango adds some quality cinematography to this surprisingly intricate and well-developed crime thriller.
Magnolia Pictures will release the film in theaters and on VOD February 23, 2024.
I have seen the featured reviews rating this one a 4. I have to disagree as I reserve 4 (and below) for films which I regard as technically incompetently made or for acting that is far below average. IMHO, that is not true for this film. Direction is adequate as well as the cinematography (in fact, some outdoor scenes are above average). Acting by the lead Orlando Bloom is so-so, but his acting is redeemed by his co-stars. Garrett Dillahunt as a former gang member, now a pastor, is effectively over the top as a pastor. And Andie MacDowell plays against her southern belle type as a vicious mobster who enjoys torture and murder. Finally, newcomer Chapel Oaks is fine as Bloom's niece. The rest of cast is OK as well although I would have liked to have seen more of Brian Geraghty as the Sheriff because I think he is a very good actor. The plot, of course, is predictable for films of this type, with a surfeit of guns and violence for action fans. Therefore, while this definitely not a 10/10, it is a 6/10 film perfect as an entertaining time killer on a rainy day or a 2-hour flight.
Le saviez-vous
- AnecdotesThe man on the phone in the parking lot when Finney is threatened, is the current Pastor of the church.
- GaffesAt 28:12, one of the characters takes a swig of "bourbon" revealing a full head of white bubbles as he does so, something no bourbon or whisky of any sort does. However, this is a characteristic of ice tea.
- Bandes originalesWhen I Get There
written by Dune Butler, Kate Dinsmore & Peter Donovan
performed by Up & Over feat. Kate Dinsmore
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- How long is Red Right Hand?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Pacto de sangre
- Lieux de tournage
- Lexington, Kentucky, États-Unis(Production Agent: Paracorp Incorporated 828 Lane Allen Road #219 Lexington, KY 40504)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 35 368 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 135 $US
- 25 févr. 2024
- Montant brut mondial
- 153 552 $US
- Durée1 heure 51 minutes
- Couleur
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What is the Canadian French language plot outline for Red Right Hand (2024)?
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