Lorsqu'un vétéran du drame du 11 septembre répond à un appel d'une adolescente qui vient d'être enlevée, elle se rend compte qu'elle doit affronter un tueur de son passé afin de sauver la vi... Tout lireLorsqu'un vétéran du drame du 11 septembre répond à un appel d'une adolescente qui vient d'être enlevée, elle se rend compte qu'elle doit affronter un tueur de son passé afin de sauver la vie de la jeune fille.Lorsqu'un vétéran du drame du 11 septembre répond à un appel d'une adolescente qui vient d'être enlevée, elle se rend compte qu'elle doit affronter un tueur de son passé afin de sauver la vie de la jeune fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 11 nominations au total
Evie Thompson
- Leah Templeton
- (as Evie Louise Thompson)
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"The Call" is a tidy little thriller, modeled, in large part, on the movie "Speed." Halle Berry plays the Southern California 911 dispatcher who's in a race against the clock to rescue a teenage girl (Abigail Breslin) locked in the trunk of a serial killer (Michael Eklund).
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
The movie started off strong with a great premise, great characters, and a great story. It was all extremely tense and clever. The character was also extremly sympathetic and well developed. It was actually one of the best thrillers I've ever seen and with such a high concept idea. But the third act- it was awful. I have no idea what the writers were thinking. It went from a perfectly good thriller to a cliche gore fest. The third act completely made no sense, erased all previous characters and their development, and dragged on for way too long. The longer it went on the more I hated the entire story arc. Seriously, it gets more ridiculous and ridiculous by the second- as id it was written by two different people. The final line in the movie is so cringey and awful as well. I would have preferred just "the Hive" setting for the entire film. What a disappointment.
Jordan Turner (Halle Berry) is a skilled 911 operator. She gets a call from Casey Welson (Abigail Breslin) who has an intruder in the house. She tries to hide but she taken when Jordan reconnects after getting disconnected. Michael Foster (Michael Eklund) is a serial killer with a fetish for hair.
This is a great little thriller. It moves along well. The story is logical. Halle Berry may have overacted on a couple of occasions but her location keeps the movie restrained. Overall, this is a great little thriller until the last 20 minutes or so. The ending is pulled right out of a different movie. It tries to ramp up to a slasher porn horror. It doesn't make sense that Jordan would go there. It's too convenient and ill conceived. Before it turned, it's an 8 but 6 is all I have left for it.
This is a great little thriller. It moves along well. The story is logical. Halle Berry may have overacted on a couple of occasions but her location keeps the movie restrained. Overall, this is a great little thriller until the last 20 minutes or so. The ending is pulled right out of a different movie. It tries to ramp up to a slasher porn horror. It doesn't make sense that Jordan would go there. It's too convenient and ill conceived. Before it turned, it's an 8 but 6 is all I have left for it.
The Call is good solid entertainment for the first 2 acts. Until the girl is taken out of the car and into the basement, it all goes to hell. The ending makes no sense for the characters and makes me wish that I had left as soon as the hour mark hit, so I could make up my own ending. That way I wouldn't have to sit through ridiculous plot twists and generic meltdowns. Halle Berry was good but her performance in Cloud Atlas was so much better, and that is probably do to the writing and direction. Brad Anderson isn't talentless and perhaps his next film will be an improvement. But the final act just screws this movie up so much. Overall I like the film to the lowest rating I can go and still go positive but the film doesn't deserve anything higher than a 5.5/10
'The Call' is one of those movies where the feel dictates everything- Either you find yourself deeply engrossed,excitedly anticipating what's next or you feel disconnected and cant sit through it.With 'The call' it's the former.The movie wastes no time in getting things started and once they do,there's hardly a dull moment.The actors are well cast. Halle Berry plays a gutsy 911 phone agent who is desperate not to repeat a mistake made.Frankly she was amazing...way better than i expected.
The movie works because it has it's ingredients well cooked.The acting is superlative,the pace exhilarating.The background score is brilliant and adds another dimension to this thriller.The movie captures perfectly the horror and terror of being a kidnapped victim to a psychopath,the tension of being a 911 phone helper(Who needs to display equanimity,sympathize and be nimble-minded,all at the same time).It is a genuine tale,thrilling,intriguing .......and at times even scary.Definitely worth a watch.Go for it.
The movie works because it has it's ingredients well cooked.The acting is superlative,the pace exhilarating.The background score is brilliant and adds another dimension to this thriller.The movie captures perfectly the horror and terror of being a kidnapped victim to a psychopath,the tension of being a 911 phone helper(Who needs to display equanimity,sympathize and be nimble-minded,all at the same time).It is a genuine tale,thrilling,intriguing .......and at times even scary.Definitely worth a watch.Go for it.
Le saviez-vous
- AnecdotesIn the opening scene, one of the callers in the 911 center states "I think I'm having an overdose and so is my wife." The line was made famous by Edward Sanchez, a policeman who confiscated marijuana from a suspect and then made brownies with it. He called 911 when he thought he had taken too much.
- GaffesWhen Jordan stumbles upon the trapdoor access to the underground bunker, it is covered with leaves and debris. But Michael is already inside, so the debris would have fallen away when he opened the trap door.
- Citations
[last lines]
Michael Foster: You're an operator. You can't do this!
Jordan Turner: It's already done!
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #21.105 (2013)
- Bandes originalesPartly Cloudy
Composed and Performed by Ronald A. Mendelsohn (as Ronald Alan Mendelsohn)
Courtesy of Megatrax Music
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Línea de emergencia
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 51 872 378 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 118 745 $US
- 17 mars 2013
- Montant brut mondial
- 68 572 631 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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