Conquest

The Age of Exploration (or age of Discovery). Those 200 years (more or less) from 1450 to 1650, when a few brave men coming from Western Europe, traveling in fragile wooden ships and armed with primitive fire weapons, basically conquered the world. It's strange that very few movies have been made out of that era. Perhaps this is so because this era is now a bit politically incorrect (since it many times involved Europeans invading and conquering Native people). But movies dealing with early polar exploration should not have such a problem, since there were few if any native people there. So here comes this fine film from the Netherlands that tells the true story of Willem Barents, the Dutch navigator that seeking a Northern route to China (Spain, being in war with the Netherlands at the time make it difficult for Dutch ships to go to the east through the Cape of Good Hope) reached in 1596 (more than three centuries before the North Pole was reached) the island of Nova Zembla in the High Arctic Sea, an island that is now a part of Russia. However, the ice soon broke the ship and the crew has to spend in the island a harrowing winter. Shot in 3D mostly in Iceland, this film is handsomely made, with a good, classic storytelling. The story is mostly told through the eyes of Gerrit de Veer, the young, inexperienced chronicler in the expedition. Famous Dutch model Doutzen Kroes has a small role, appearing mostly in flashbacks, as Gerrit's fiancé back in Holland (she was obviously hired because she was believed to be a box office draw, not because her character was really needed in the story).

The very clever thing about this picture is that Reinout Oerlemans got so much money for making it, and so much praise for having made it, when - as seen by the result - he had no idea what he was doing. If he actually did direct the performance of the actors, he steered them in the wrong direction. From the looks of it, he just let them do whatever they could think of. Many a time not the best way to go. Reinout seemingly never watched a technically good production, as aired daily on televisions around the world, because technically this film is a dud. Lighting is very much below par. Dutch films of the seventies got away with it, maybe even eighties. But nowadays this is a big no no. As far as editing it concerned: I don't know what stake Reinout had in that part of the post production process, but it is worse than any amateur could have done. Maybe I am too close to this subject, being an editor myself. But someone with some sense should have stopped this senseless shredding of scenes. So: no directing of actors, no directing of cutting, and no directing of lighting are the obvious drawbacks that immediately catch your eyes. In fact, this picture scores so badly on these points, that I too could not keep watching. Too bad, because the story itself has all the hallmarks of a great picture.

The movie starts interesting and one might be hoping for an interesting adventure. But unfortunately it totally breaks down. Nothing is happening anymore, it gets only extremely boring and predictable. All the characters are so blunt and uninteresting. You do not care at all for the characters and approximately in the middle you just start to skip further and further and still, you do not miss anything. I do not want to spoil something here, but the ending is totally predictable and cliche. No character development at all, it is really sad to produce something like that. It should have been totally foreseeable, just by reading the script to understand, that this can only go south (although they are going north actually).

Nova Zembla doesn't hold up to the promises made. In fact, it fails utterly, which, truly, is a shame. An adventurous story, a beautiful setting and (for Dutch standards) good acting but all that cannot make watching this film bearable.

The storytelling is unbelievably slow. While being promised an action-packed heroic story it instead halts drastically every time a little climax should be due, resulting in the opposite. And if your film is to be made for a Dutch audience based on a classic Dutch history lesson almost every Dutch person will remember, you just can't get away with it. Not even with showing random scenes of Doutzen Kroes' breasts.

The cast was fine though and the acting wasn't particularly bad. The lines didn't seem forced and it all had a genuine feel, which is often lacking in Dutch films. The technical side of this film wasn't bad either and the effects, costumes, locations and props are a rare perfect blend.

It is clear this film lacked the experience of a great captain and should be a learning opportunity for inexperienced director Reinout Oerlemans. Nova Zembla fails to hoist the colours and sail full speed ahead and instead feels more like a rowing boat without oars. A typical trailer-beats-film.

There are a lot of things that can be said about this (typically Dutch) movie. Without a doubt, the adventures of Willem Barentz during his third voyage to find a way around "the North" and his stay on Nova Zembla merited an epic movie.

Even though Reinout Oerlemans is a very inexperienced director the quality of the production is mostly "acceptable". Great camera-work in general and pretty decent acting.

The biggest problem with the movie, however, is the script.

It deviates from what really happened in so many places it defies belief. Why Reinout Oerlemans and Hugo Heinen would have strayed so far from the truth is difficult to understand as much of the real story would have added to the tension.

They completely missed the reason for Barentz to become stuck in the ice contrary to his previous two attempts in sailing through the arctic, for instance. There are many more examples of "truth is stranger than fiction" to be found in this movie.

In the end the movie is dull and not very engaging. Constantly giving the viewer the sense of missed opportunities by the script.

The true story of Willem Barentz' voyage could easily have beaten "Titanic" in terms of suspense and majesty. Instead, this attempt can only be called a mediocre, unnecessary and (in places) simpleminded distortion of reality.