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IMDbPro

Disparue à Tokyo: L'affaire Lucie Blackman

Titre original : Keishichô sôsaikka rûshî burakku man jiken
  • 2023
  • TV-MA
  • 1h 23min
NOTE IMDb
6,4/10
4,1 k
MA NOTE
Lucie Blackman in Disparue à Tokyo: L'affaire Lucie Blackman (2023)
CriminalitéCrime véritableDocumentaire

Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.

  • Réalisation
    • Hyoe Yamamoto
  • Scénario
    • Shoji Takao
  • Casting principal
    • Katsuyoshi Abe
    • Jake Adelstein
    • Yasuhiko Asano
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    4,1 k
    MA NOTE
    • Réalisation
      • Hyoe Yamamoto
    • Scénario
      • Shoji Takao
    • Casting principal
      • Katsuyoshi Abe
      • Jake Adelstein
      • Yasuhiko Asano
    • 21avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos15

    Voir l'affiche
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    Voir l'affiche

    Rôles principaux23

    Modifier
    Katsuyoshi Abe
    • Self - Tokyo Police Superintendent
    Jake Adelstein
    Jake Adelstein
    • Self - Journalist
    Yasuhiko Asano
    • Self - Tokyo Police Assistant Inspector
    Lucie Blackman
    • Self
    • (images d'archives)
    Sophie Blackman
    • Self - Lucie's Sister
    • (images d'archives)
    Tim Blackman
    • Self - Lucie's Father
    Tony Blair
    Tony Blair
    • Self - Former Prime Minister of England
    • (images d'archives)
    Clare Campbell
    • Self - Journalist and Author
    Keizo Harafuji
    • Self - Tokyo Police Forensic Investigator
    Junichiro Kuku
    • Self - Tokyo Police Sergeant
    Tokie Maruyama
    • Self - Tokyo Police Assistant Inspector
    Akira Mitsuzane
    • Self - Tokyo Police Superintendent
    Tadashi Naito
    • Self - Tokyo Police Inspector
    Ryutaro Nakamyra
    • Self - Journalist
    Graham Norton
    Graham Norton
    • Self
    • (images d'archives)
    Yuji Nozoe
    • Self - Tokyo Police Assistant Inspector
    Suzy Quinn
    • Self - Former Hostess and Author
    Dave Russell
    • Self
    • Réalisation
      • Hyoe Yamamoto
    • Scénario
      • Shoji Takao
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    6,44.1K
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    Avis à la une

    1shkbans

    Utterly biased and shamelessly fooling.

    Shamelessly disregarding the clumsiness and stupidity of the Japanese police, never talking about the phone calls Philippe recieved on the first day of Lucie missing and police not bothering to trace ,nor about the £450,000 (in 2006) Tim Blackman received to "forgive" Obara. Why was no one else from Lucie's friends and family interviewed? Why was Caritas liver biopsied 15 years later? Why only the people that walked over her blood were there? Why was there no mention of the phone calls Lucie made on the day to inform her friend of her whereabouts which the police decided to ignore? Utterly biased and shamelessly fooling!
    6MeadtheMan

    Tragic Case. Less-than-Ideal Initial Behavior.

    This is obviously a tragic case, the anguish and desperation are perfectly understandable.

    However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?

    Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.

    Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
    1Jrmpgm

    Shameless & Eluding Facts

    Extremely biased story telling, eluding many important facts of the story, including the father receiving 450k£ from the killer to limit his sentence, or the existence of her friend and colleague who had received a phone call from the killer on day one.

    Only the father and cops are giving testimonies to re-write History, and skip all the aspects that could hurt Japanese police.

    When you check who the director is, you understand the story is told in a way to clean Tokyo police image only.

    Netflix should be ashamed of producing such content, without any fact checking, and depicting an absolutely misleading representation of the actual story.

    Go on YouTube or listen to podcasts, you will have better quality content to understand the full story instead of wasting your time with this piece of propaganda.
    7Erik_Surewaard

    It is interesting to see how a case is solved in Japan in the year 2000

    Internationally known as "Missing: The Lucie Blackman Csse", this is a feature-length documentary of a true crime case. Taking place in 2000's Japan, a 21-year british girl has gone missing in Tokyo. This documentary gives an overview of the facts that happened since she went missing.

    What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.

    The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.

    What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.

    What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.

    Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
    2caffeinequeen18

    Couldn't get through this

    I know this story pretty well already, having read a few books on it. Tokyo Hostess, in particular, was well written and gave a lot of detail.

    This documentary starts when Lucie has already disappeared, so there is no background to her life in Tokyo and her job working in the hostess club. It suffers greatly for this, as this is what would make the casual viewer care about her story.

    Instead, it's her father, who I find seriously arrogant, who is star of this show. Not playing down that he lost his daughter, and obviously what happened to Lucie was evil, but I just couldn't deal with him throwing his weight around in another country. I know this won't be a popular opinion. Reading that he accepted a cash payment in hopes of a reduced sentence from a friend of the killer makes him look even worse, honestly.

    Lucie took a silly risk to make easy money (again, in no way makes what happened to her okay). Father has the air of wealth, so not sure why he didn't just fund her holiday instead of letting her do that. Even a safe country has its issues.

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      Netflix's first documentary film from Singapore.

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    FAQ13

    • How long is Missing: The Lucie Blackman Case?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 juillet 2023 (France)
    • Pays d’origine
      • États-Unis
      • Japon
      • Singapour
    • Site officiel
      • Netflix Site
    • Langues
      • Japonais
      • Anglais
    • Aussi connu sous le nom de
      • Missing: The Lucie Blackman Case
    • Lieux de tournage
      • Tokyo, Japon
    • Sociétés de production
      • Beach House Pictures
      • Blue Mill Studios
      • Netflix
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 23min(83 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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