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IMDbPro

Disparue à Tokyo: L'affaire Lucie Blackman

Titre original : Keishichô sôsaikka rûshî burakku man jiken
  • 2023
  • TV-MA
  • 1h 23min
NOTE IMDb
6,4/10
4,1 k
MA NOTE
Lucie Blackman in Disparue à Tokyo: L'affaire Lucie Blackman (2023)
True CrimeCrimeDocumentary

Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.

  • Réalisation
    • Hyoe Yamamoto
  • Scénario
    • Shoji Takao
  • Casting principal
    • Katsuyoshi Abe
    • Jake Adelstein
    • Yasuhiko Asano
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    4,1 k
    MA NOTE
    • Réalisation
      • Hyoe Yamamoto
    • Scénario
      • Shoji Takao
    • Casting principal
      • Katsuyoshi Abe
      • Jake Adelstein
      • Yasuhiko Asano
    • 21avis d'utilisateurs
    • 15avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos15

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    Rôles principaux23

    Modifier
    Katsuyoshi Abe
    • Self - Tokyo Police Superintendent
    Jake Adelstein
    Jake Adelstein
    • Self - Journalist
    Yasuhiko Asano
    • Self - Tokyo Police Assistant Inspector
    Lucie Blackman
    • Self
    • (images d'archives)
    Sophie Blackman
    • Self - Lucie's Sister
    • (images d'archives)
    Tim Blackman
    • Self - Lucie's Father
    Tony Blair
    Tony Blair
    • Self - Former Prime Minister of England
    • (images d'archives)
    Clare Campbell
    • Self - Journalist and Author
    Keizo Harafuji
    • Self - Tokyo Police Forensic Investigator
    Junichiro Kuku
    • Self - Tokyo Police Sergeant
    Tokie Maruyama
    • Self - Tokyo Police Assistant Inspector
    Akira Mitsuzane
    • Self - Tokyo Police Superintendent
    Tadashi Naito
    • Self - Tokyo Police Inspector
    Ryutaro Nakamyra
    • Self - Journalist
    Graham Norton
    Graham Norton
    • Self
    • (images d'archives)
    Yuji Nozoe
    • Self - Tokyo Police Assistant Inspector
    Suzy Quinn
    • Self - Former Hostess and Author
    Dave Russell
    • Self
    • Réalisation
      • Hyoe Yamamoto
    • Scénario
      • Shoji Takao
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    6,44K
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    Avis à la une

    7tkdlifemagazine

    A Very Compelling Crime Doc

    This is a very well done and compelling true crime documentary about the disappearance of a British foreign National in Japan who becomes the linchpin for the investigation into sexual deviance and sexual crime in Japan. The case unveiled a look at how The Japanese police treated sex crimes and crimes against foreigners. The show features archival footage, contemporary interviews, and documents associated with the case. Jake Adelstein, the subject of HOB's Tokyo Vice, is featured as a Western reporter with intimate knowledge of Japan and the Japanese police. The show is good. It is sad, but good. The show has a lot of cultural undertones, and it is tight as far as documentaries go.
    7Erik_Surewaard

    It is interesting to see how a case is solved in Japan in the year 2000

    Internationally known as "Missing: The Lucie Blackman Csse", this is a feature-length documentary of a true crime case. Taking place in 2000's Japan, a 21-year british girl has gone missing in Tokyo. This documentary gives an overview of the facts that happened since she went missing.

    What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.

    The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.

    What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.

    What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.

    Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
    6phenomynouss

    About the case, not the victim

    There's been a sort of backlash against true crime sensationalism lately, to the sort of degree where there's been an intentional shift towards a focus on the victims of crime rather than the criminals or police. Though even that has gradually started to see this leading to exploitation.

    This documentary goes a very odd route by seemingly avoiding the victim to a large degree. Lucie Blackman's disappearance is the driving force here, but from the very start we are essentially following the police and their investigation. We don't know who Lucie Blackman is, what she was doing before she disappeared, who she knew, anything that a typical documentary would, setting up the person, brief backstory, then their disappearance and then the investigation.

    Instead we jump straight into the investigation. At the same time, focus is being given to Lucie's father who apparently has to harangue the police into actually investigating this as a crime.

    Even from there there's not much actually going on in terms of a narrative here around Lucie Blackman. We're shown her father railing against the cops and their apparent ineptitude but we never actually see or hear how they are mishandling the case at first.

    Once the cops start down the case, leads are picked up on and followed but we aren't very clear in terms of how said leads were picked up on and how they even relate to the Blackman case, possibly in large part because we skipped over the basic facts of the case and started the documentary with her already missing and without ever really looking back into the "who what where why how" of her actual disappearance.

    This is a documentary, so it's supposed to be informative first, with the entertainment aspect being a sort of uncomfortable pushed-aside element that is implied but never made obvious.

    Because of this, it's hard to review a documentary, since critiquing it for being boring or otherwise not entertaining is kind of missing the point and a lot like critiquing the news for constantly moving on to new topics of reporting and discussion.

    As a result, my problem with this documentary isn't with the entertainment but with the information given. Namely, we aren't given a lot of information. As mentioned, they start off 3 days after the disappearance, and don't give us the starting facts that almost every missing persons case starts with. As well, when we're being told about certain things, we aren't actually shown enough information that would support what is being shown.

    As an example, at one point we are told about a trial and the results of a trial. However we are not given any information as to why the result of the trial ended up how it went, particularly considering that we went along with the discovery of the key bits of evidence with the police. Why did this happen? Why did it fail? From just this documentary alone, we don't know.
    2caffeinequeen18

    Couldn't get through this

    I know this story pretty well already, having read a few books on it. Tokyo Hostess, in particular, was well written and gave a lot of detail.

    This documentary starts when Lucie has already disappeared, so there is no background to her life in Tokyo and her job working in the hostess club. It suffers greatly for this, as this is what would make the casual viewer care about her story.

    Instead, it's her father, who I find seriously arrogant, who is star of this show. Not playing down that he lost his daughter, and obviously what happened to Lucie was evil, but I just couldn't deal with him throwing his weight around in another country. I know this won't be a popular opinion. Reading that he accepted a cash payment in hopes of a reduced sentence from a friend of the killer makes him look even worse, honestly.

    Lucie took a silly risk to make easy money (again, in no way makes what happened to her okay). Father has the air of wealth, so not sure why he didn't just fund her holiday instead of letting her do that. Even a safe country has its issues.
    1Jrmpgm

    Shameless & Eluding Facts

    Extremely biased story telling, eluding many important facts of the story, including the father receiving 450k£ from the killer to limit his sentence, or the existence of her friend and colleague who had received a phone call from the killer on day one.

    Only the father and cops are giving testimonies to re-write History, and skip all the aspects that could hurt Japanese police.

    When you check who the director is, you understand the story is told in a way to clean Tokyo police image only.

    Netflix should be ashamed of producing such content, without any fact checking, and depicting an absolutely misleading representation of the actual story.

    Go on YouTube or listen to podcasts, you will have better quality content to understand the full story instead of wasting your time with this piece of propaganda.

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      Netflix's first documentary film from Singapore.

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    FAQ13

    • How long is Missing: The Lucie Blackman Case?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 juillet 2023 (France)
    • Pays d’origine
      • États-Unis
      • Japon
      • Singapour
    • Site officiel
      • Netflix Site
    • Langues
      • Japonais
      • Anglais
    • Aussi connu sous le nom de
      • Missing: The Lucie Blackman Case
    • Lieux de tournage
      • Tokyo, Japon
    • Sociétés de production
      • Beach House Pictures
      • Blue Mill Studios
      • Netflix
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 23 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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