Shor in the City
- 2010
- 1h 52min
NOTE IMDb
7,2/10
4,3 k
MA NOTE
Ajouter une intrigue dans votre langueVarious residents and career-criminals face challenges in crime-laden Mumbai.Various residents and career-criminals face challenges in crime-laden Mumbai.Various residents and career-criminals face challenges in crime-laden Mumbai.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 15 nominations au total
Dev Singh Gohar
- Dev
- (as Dev Gohar)
Avis à la une
Instantly liked the movie. Unarguably, one of the better Bollywood movies of the year. I would count "Phans gaya re Obama" and "Shor" as some of the finest products of coming of age Indian cinema.
If I may take the liberty, I perceive "Shor" as a "Dhobi Ghat" (DB) on crack. While DB is very subtle, understated and subdued, "Shor" is pulsating, vibrant, chaotic and tantalizing. Snippets of dark humor here and there, but nothing surmounting to the backdrop of Mumbai. Again, unlike DB the story lines never cross, nor do the characters inter-wine. However, the crisp editing and repeated cuts to cyclical plots make it seem that way. The film essays eleven days worth of events in the lives of three different sets of inhabitants trying to slug it out in Mumbai City leading up to the festival of Ganesha Chaturthi.
Three bootleggers (Tilak, Mandook and Ramesh) live off cheap thrills, carrying out petty crimes, and following up with debauchery in local bars. An expatriate Abhay, relocates to Mumbai to start a business. And an aspiring cricketer, Sawan, looks to make a big name for himself. It is hard to say weather these guys seek out troubles or is it the other way round. Abhay faces local turbulence in the form of street ruffians who demand protection money, and cannot seem to make the city welcoming. He wants to like it, but can't seem to like it. The cricketers' despair is to overcome the extraordinary competition by bribing the officials with money. And Tilak has a plan for future and sees his business expanding if he takes up more responsibilities.
The only common thread which resonates with the" Shor in the city" is the metamorphosis of these inhabitants. Abhay, does he what he has to do; grows out of his mainstream sophistication and grabs the bull by its horns. Sawan, disowns the loot, that he so meticulously plans, for something better than his obsession. Tilak gets a breather and walks out unscathed, as he watches the kid dance to the tune of Ganesha in full glory. Mandook and Ramesh, cannot seem to let go of their tomfoolery, which leads to their predicaments. In doing so, all of them find themselves closer to their hearts and lovers.
The music is quite good. Most of the tracks play when people are running around or riding their bikes. Then there is beautiful depiction of disorder, as the city itself morphs into a loud and tumultuous world. Edgy direction and low-key actors, excluding Tusshar Kapoor, bounce off the screen as every day folks which are very identifiable in sync with the script. Sendhil Ramamoorthy (Abhay) looks radiant and very different from his Mohindar of "Heroes". Shor is a different movie in a very real sense and a very decent watch.
If I may take the liberty, I perceive "Shor" as a "Dhobi Ghat" (DB) on crack. While DB is very subtle, understated and subdued, "Shor" is pulsating, vibrant, chaotic and tantalizing. Snippets of dark humor here and there, but nothing surmounting to the backdrop of Mumbai. Again, unlike DB the story lines never cross, nor do the characters inter-wine. However, the crisp editing and repeated cuts to cyclical plots make it seem that way. The film essays eleven days worth of events in the lives of three different sets of inhabitants trying to slug it out in Mumbai City leading up to the festival of Ganesha Chaturthi.
Three bootleggers (Tilak, Mandook and Ramesh) live off cheap thrills, carrying out petty crimes, and following up with debauchery in local bars. An expatriate Abhay, relocates to Mumbai to start a business. And an aspiring cricketer, Sawan, looks to make a big name for himself. It is hard to say weather these guys seek out troubles or is it the other way round. Abhay faces local turbulence in the form of street ruffians who demand protection money, and cannot seem to make the city welcoming. He wants to like it, but can't seem to like it. The cricketers' despair is to overcome the extraordinary competition by bribing the officials with money. And Tilak has a plan for future and sees his business expanding if he takes up more responsibilities.
The only common thread which resonates with the" Shor in the city" is the metamorphosis of these inhabitants. Abhay, does he what he has to do; grows out of his mainstream sophistication and grabs the bull by its horns. Sawan, disowns the loot, that he so meticulously plans, for something better than his obsession. Tilak gets a breather and walks out unscathed, as he watches the kid dance to the tune of Ganesha in full glory. Mandook and Ramesh, cannot seem to let go of their tomfoolery, which leads to their predicaments. In doing so, all of them find themselves closer to their hearts and lovers.
The music is quite good. Most of the tracks play when people are running around or riding their bikes. Then there is beautiful depiction of disorder, as the city itself morphs into a loud and tumultuous world. Edgy direction and low-key actors, excluding Tusshar Kapoor, bounce off the screen as every day folks which are very identifiable in sync with the script. Sendhil Ramamoorthy (Abhay) looks radiant and very different from his Mohindar of "Heroes". Shor is a different movie in a very real sense and a very decent watch.
Completely Different Type of Movie In Bollywood.
DK and Raj Direction is Very Good.
Narrated 3 Different Story Lines and Intersected Those 3 Stories in the Climax is Very Good.
Technically Very Good Movie .
Could see Rawness in the movie .
Go Watch it if you are bored of routine Bollywood Movies .
DK and Raj Direction is Very Good.
Narrated 3 Different Story Lines and Intersected Those 3 Stories in the Climax is Very Good.
Technically Very Good Movie .
Could see Rawness in the movie .
Go Watch it if you are bored of routine Bollywood Movies .
The movie is a cock-tale of three stories simultaneously taking place in Mumbai within the span of 11 days of Ganesh Chaturthi. The narration consists of three different class and tastes having different background struggling in one or the other way to get a place in the heart of India.
Let me mention one name first of all, Pitobash Tripathy. I remember him right from the 3 Idiots. I knew the man has got the talent and he has accorded himself very well in the character. He brings in the gags in each and every scene he is featured.
The film has got one of the strongest end credits and all thanks to the brilliant scene in the end credit.
Rensil has a descent debut and is same with Preeti Desai.
Stories,though simple, are well narrated. Screenplay is engaging.Writing team comprising Raj Nidimoru, Krishna D.K., Sita Menon has done a good job.
Editing is good.The track fails to show the third story connecting with the other two in the end. Tusshaar Kapoor's track could have been chopped a little.
Music is unconventional.All songs are used in the background score which boosts the movie in a positive way.
In the end, this "Shor" is a must watch!
Let me mention one name first of all, Pitobash Tripathy. I remember him right from the 3 Idiots. I knew the man has got the talent and he has accorded himself very well in the character. He brings in the gags in each and every scene he is featured.
The film has got one of the strongest end credits and all thanks to the brilliant scene in the end credit.
Rensil has a descent debut and is same with Preeti Desai.
Stories,though simple, are well narrated. Screenplay is engaging.Writing team comprising Raj Nidimoru, Krishna D.K., Sita Menon has done a good job.
Editing is good.The track fails to show the third story connecting with the other two in the end. Tusshaar Kapoor's track could have been chopped a little.
Music is unconventional.All songs are used in the background score which boosts the movie in a positive way.
In the end, this "Shor" is a must watch!
Another slick Mumbai stories about a bunch of people trying to make things work in this mad city. The story has five main characters a small time publisher of pirated books, couple of small time thugs, an NRI trying to start a business in India and a young boy trying hard to make his name in corrupt cricket world.
The lives of all the characters intertwine during the course of the plot. Tushar kapoor's acting is just on par at best and so are most actors, including Senthil Ramamurty who plays NRI Abhay in fact seems to be overacting in parts. The surprise element was Pritosh Tripatht playing 'Mandook' he is a revelation very believable in his role of a dumb goon/ sidekick.
The movie has a fresh feel and the song 'Saibo' very melodious. Overall a good attempt by directors Raj Nidimoru and Krishna DK.
The lives of all the characters intertwine during the course of the plot. Tushar kapoor's acting is just on par at best and so are most actors, including Senthil Ramamurty who plays NRI Abhay in fact seems to be overacting in parts. The surprise element was Pritosh Tripatht playing 'Mandook' he is a revelation very believable in his role of a dumb goon/ sidekick.
The movie has a fresh feel and the song 'Saibo' very melodious. Overall a good attempt by directors Raj Nidimoru and Krishna DK.
Shor in the city is one of the finest movies released in 2011 from the usual trash producing bollywood. The treatment is more like babel but mumbai as the location adds color to the story. It indeed lives as a character in the movie! Wonderful performances from everyone and the script is well executed. Its damn right funny at times and pretty intense when it has to be. The crooks, the mafia, tushar & radhika apte brings life to the story. The dialogs are hilarious and there is a small sweet melody which bleeds nothing but romance.
If you like Guy Ritche films or you just want to see something other than the usual run of the mill films, this would be a good choice.
If you like Guy Ritche films or you just want to see something other than the usual run of the mill films, this would be a good choice.
Le saviez-vous
- AnecdotesThe film was previously titled " Shor", but Manoj Kumar refused to part with the title. Manoj Kumar has the rights to the title " Shor".
- Bandes originalesSaibo
Music by Sachin Sanghvi-Jigar Saraiya
Lyrics by Sameer, Priya Saraiya
Performed by Shreya Ghoshal, Tochi Raina
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- How long is Shor in the City?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 804 211 $US
- Durée
- 1h 52min(112 min)
- Couleur
- Mixage
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