Parker
Un voleur au code d'éthique professionnel unique est trompé par son équipe et laissé pour mort. À l'aide d'un déguisement et en formant une alliance incongrue avec une femme, il cherche à s'... Tout lireUn voleur au code d'éthique professionnel unique est trompé par son équipe et laissé pour mort. À l'aide d'un déguisement et en formant une alliance incongrue avec une femme, il cherche à s'emparer du dernier casse de son ancien gang.Un voleur au code d'éthique professionnel unique est trompé par son équipe et laissé pour mort. À l'aide d'un déguisement et en formant une alliance incongrue avec une femme, il cherche à s'emparer du dernier casse de son ancien gang.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Ohio State Fair Accounts Manager
- (as Carl Walker)
Avis à la une
Well, the script is probably the weakest part of the movie: too much predictability, excessive sections (e.g. Parker-Claire, prolonging the duration to almost 2 hour 15 minutes) and trivial ending (unlike in movies by Guy Ritchie, for example).
Nevertheless, Parker is still an above-average A-movie, qualifying well for a sociable entertainment.
The acting, the action scenes, and the eye candy (Statham for you XXs, and J-Lo for us XYs) are all great. Oh...and a word about J-Lo. While I've never been a great fan, the poor reviews she received made me curious. Well, she was excellent...and hot as a pistol. That woman has more sex appeal than 5 centerfolds. Patti Lupone plays her mom...very well, I might add.
Statham plays Parker and Parker-like characters in an intrinsically believable manner; that is, marginal characters who live on the edge of the law or beyond it (think "The Transporter" series) with an honorable streak. He slips into this part easily, and like his "Transporter" character, Parker seems little interested in sex. No...he has a singular purpose here as he has had in previous movies: get the job done, and no time for recreation. And once again, his singularity of purpose rings true.
There is, of course, violence, but we all have seen worse; my wife only had to look away twice, and she does not enjoy these types of movies, but goes to humor me (I agreed to see that dreadful "Moonrise Kingdom" after all). But she liked "Parker"--her direct quote was "It kept my interest"--and that was high praise for this kind of flick.
And as Tosh might say: "And for that, we thank you."
Alas, it was not to be. And it has almost nothing to do with J-Lo being in the movie. The characters are bland, illogical in almost everything they do, even Parker, the Statham's character. Worst than that: they are unsympathetic. You have a lot of greedy people, some of them evil, some of them stupid, and apart from them is Parker, who is not greedy, just stupid. He puts everybody at risk for his own principles, he gets beat up and shot a few times and somehow he still walks. It's like Crank, but without anything fun in it.
I have to say I am a fan of Michael Chiklis, from Vegas, but his role was small and two dimensional. One dimensional, really, but I was going with the cardboard metaphor. You wanna know who was the most clear cut character, the one that did the job and was consistent? Daniel Bernhardt in the role of the Mafia killing machine.
So, bottom line: a waste of time and of good actors.
And while this might not be one of the better works of Hackford, it still is good action cinema. Michael Chiklis has been better though, although he doesn't get much to play with here. Jennifer Lopez gets to play in a good movie too for once (after U-Turn and Out of Sight), but don't expect to see too much of her here. This is the Statham show and that is pretty obvious.
Le saviez-vous
- AnecdotesThis is the first adaptation of a Richard Stark/Parker novel to use the character name Parker, the name from the novels. Although the following movies are based on the "Parker" novels, the name was always changed: Le point de non-retour (1967) (Walker); Le crime, c'est notre business (1968) (McClain); Echec à l'organisation (1973) (Macklin); Slayground (1983) (Stone); and Payback (1999) (Porter).
- GaffesWhen the fireworks at the auction go off, a woman in a black dress runs down the center aisle twice.
- Citations
Leslie Rodgers: How do you sleep at night?
Parker: I don't drink coffee after 7.
- ConnexionsFeatured in Bringing the Hunter to Life: The Making of 'Parker' (2013)
Meilleurs choix
- How long is Parker?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Tay Trộm Chuyên Nghiệp
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 35 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 17 616 641 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 008 222 $US
- 27 janv. 2013
- Montant brut mondial
- 46 922 566 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1