The Oath

I'm directing this at the creator, director, producer, lead actor Darin Scott, because he will clearly read these. I wanted to like this, I was telling all my friends to go see it, then I saw it. Other reviewers have been spot on with their negative assessments, so I'll try to be constructive as well.

1. Darin, it's nice you got into shape for this movie, but apparently the whole movie is just a glamor shot for you.

2. What's with the girl bosses? The sisters don't make sense as characters, and terrible actors.

3. What was the point of having another language spoke a little bit? The ones that speak the Nephite language don't have an accent, except for Billy Zane, who sounds like Mr. Krabs 4. The soundtrack. OMG. It's well done, but it is relentless, it never stops, it's this somber, overbearing sonic landscape that never gives you a break.

5. This story had almost zero to do with Moroni other than burying the plates.

6. Darin, your acting is one note. You use pregnant pauses and slomo for effect. You don't use it constantly.

7. The editing is weird as hell. Things just jump back and forth with no connection. Like, what's with the black dog? That didn't make sense.

8. Training montage? Really? Come on dude. I guess you needed to show the breath holding training to support your escape later, but I think you just want people to see you in a speedo.

Anyone interested in Mormonism, do NOT see this movie. It won't teach you anything. The story is total fiction. This looks like a high school film project. It might have worked as a 15-20 minute short, but if I'd been watching this at home instead of spending $30 at the theater, we would have turned it off. My wife flat out fell asleep and I almost did.

Do better.

The Oath

Like most films I've seen lately, I either don't know anything about it, or I've only seen a teaser trailer. I had no idea that this was a near literal interpretation of the believed texts that formed the Book of Mormon.

I have no problem with religious films. There are the most amazing theories posed in even the greatest of fiction that touch on divinity and faith, so why not enjoy a writer's perception of non fiction, and see where it goes?

Well, in this film, it goes absolutely nowhere. This movie could have been 10-15 minutes long. The overly dramatic acting of Moroni is so bad that even Billy Zane's character smirks and rolls his eyes. I don't really think he was acting when that happened.

The plot isn't bad, in theory. The usual Romeo and Juliet-esque love affair unfolds between two warring sects, ending in tragedy. It's really the acting and the cinematography in which lies the flaws.

I did enjoy the music as the composer did a great job working with a really bad script. I know that the lead actor, director, writer (all the same person) feels he did a heartfelt interpretation, because he says so before the movie starts, but my goodness did this flop.

Go and see for yourself, especially if you are of the Mormon faith. Maybe you'll see more than I did.

If you want to look at this movie on a technical level, I encourage you to move past this review and read the many other lengthy entries. I agree with most of the ones I have read personally. I really seek only to criticize the film on terms of its faithfulness to it's stated mission and the source material it is said to be based on.

To be frank, this is not a Book of Mormon film. While it claims inspiration from the events and people recorded therein, it does very little to communicate the message of the Book of Mormon. This film did not deserve to be associated with scripture and had very little reason to. This film could have substituted characters and places for others of similar but fictitious nature and the movie would have faired much better.

The romance was totally unnecessary and it totally sidelined the importance of the "message" of the film. In spite of being a faith-based film, it was devoid of anything spiritually-minded. God and Jesus are only mentioned in passing dialogue, not the central focus of the film. This film should have shouldered the purpose of showing "unto the remnant of the house of Israel what great things the Lord hath done for their fathers; and that they may know the covenants of the Lord, that they are not cast off forever-And also to the convincing of the Jew and Gentile that Jesus is the Christ, the Eternal God, manifesting himself unto all nations..."

If you are going to dramatize any portion of scripture, respect the purpose of the scriptures. These plain and precious things are precious pearls, and to make a film like this and claim association is to trample them under your feet and turn and rend the very men and women who devoted their lives to bringing truth to the earth.

Nice try, Darin Scott, you have my respect, but never do something like this again.

Like many, I backed this film and would love to see a Book of Mormon story brought to the big screen with broad appeal. I appreciate the director's efforts, and I know he was faced with serious obstacles in delivering this film. That being said, the script really needed some work.

I'll start with a few positives. The costume design, soundtrack, and filming location were all beautiful. That's why the three stars. The cinematography was fine, but there were too many tight shots. At times I had no idea what characters were looking at and kept hoping for a wide shot to give me context.

Unfortunately, one can't recommend a film based on music and visuals. Foremost, I first look for a compelling plot. I would've watched this had it been filmed on an iPhone and accompanied with stock music, if only the characters and plot had real substance.

The Book of Mormon explains next to nothing about this chapter in Moroni's life. But it does seem to be a sad and solitary time for Moroni. For a man who thinks he could die at any moment ("I wander whithersoever I can for the safety of mine own life" Moroni 1:3.), a romance was an odd plot to pick. I suppose it could've worked if the characters were fleshed out more. Yes, Moroni was physically alone, but why did he feel alone? What were his flaws, desires, or challenges? These things were either not clear or poorly conveyed, which leaves the character falling flat.

In short, the lackluster characters, shallow plot, some awkward dialogue, and even a couple uncomfortable scenes made me want to walk out of the theater. Maybe it was just me; the room was half full... Though I did count 3 different people checking the time during the movie.

I really want a good film adaptation of the Book of Mormon. I REALLY want to see one. Because this film is... not that.

On a technical level it's not terrible. I mean, the cinematography, blocking, and editing usually make things more confusing. And a lot of the visual effects are things I recognized as nearly-unmodified stock assets from After Effects. But moment to moment it doesn't look bad.

It's clear Darin thought he was making a powerful movie. After all, it wears its influences on its sleeve (especially the ending, ripping off Braveheart and Gladiator back to back). SO many slow shots of Darin staring wistfully into the sunset.

But everything just feels a little too, well, ego driven. The whole story and everything in it only exists to make the main character look like a chad. And, like, freedom stuff.

Ultimately, for all the times the main character mentions God or Jesus Christ, the movie feels strangely devoid of any real spirituality. It's never clear what "the oath" is meant to refer to, or what the plates mean to him, or how he is in any way a prophet. He's just... a guy with big arms and massive main-character syndrome.

The Book of Mormon deserves so much better than this.