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6,7/10
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Ajouter une intrigue dans votre langueMarisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.Marisa hates foreigners; she finds them guilty of the decline of her country. But her convictions will slowly evolve when she accidentally meets a young Afghan refugee.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires et 8 nominations au total
Sayed Ahmad
- Rasul
- (as Sayed Ahmad Wasil Mrowat)
Sven Splettstößer
- Uwe Trinkhaus
- (as Sven Splettstösser)
Najebullah Ahmadi
- Jamil
- (as Najebullah 'Najeb' Ahmadi)
Avis à la une
10jjr4
There are movies worth seeing and movies which need to be seen. This is both. It's a brilliant piece of acting by the whole cast, with a stellar performance from Alina levshin, and an understated but efficient directing from David Wnendt. But it is also a frighteningly cold and accurate view of neo nazism. The routine violence and hate carried by these young individuals echoes of all the fanaticism that surrounds us today. It is a very disturbing depiction of how society is step by step going to waste, turning back to tribal models.
Despite the fact that the movie gets watched without any slowing down or loss of interest, even if it can make one feel a little voyeuristic at times, this is no easy viewing, don't expect to come out of the theater with anything resembling a smile on your face. But at lest you'll be sure to have food for thought and both a new director/writer and actress whose careers you'll want to keep following.
Despite the fact that the movie gets watched without any slowing down or loss of interest, even if it can make one feel a little voyeuristic at times, this is no easy viewing, don't expect to come out of the theater with anything resembling a smile on your face. But at lest you'll be sure to have food for thought and both a new director/writer and actress whose careers you'll want to keep following.
Kriegerin/Combat Girls is the last film of a kind that has become one of Germany's finest exports. I am thinking of films like "Das Experiment" and "Die Welle" which, directly or indirectly, investigate what lies behind a dictatorship like Nazism and the dangers of falling into one again, which sometimes may seem far away. With this film, this time we are taken very close to the reality of a small (supposedly East) German town where far-right extremists rule the place and intimidate migrants. The point of view is entirely coincident with the main character, Marisa (award-winner Ukrainian-born Alina Levshin), who plays the passionate girlfriend of one of the gang's most violent and dangerous subjects. Her acting is amazing and, as already stated by another reviewer, it brings the film to a totally different level giving it the effectiveness of a documentary. The film is essentially about a girl who seems to know very well what she wants (to the extent that her whole body is covered in tattoos which are also political statements), while in fact some events will force her to reconsider not only her set of values, but also a relationship with a man whose deep love quickly turns into the deepest hate. On the background, there is a side story about Marisa's dying Nazi grandfather. She doesn't want to accept that he had been violent to her own wife before she was born, and that relates directly to the violence she in turn has chosen to surround herself with. A 15 years old seeking to be accepted into the gang is also dragged into this spiral of hate and violence - a consequence of her dominating father - until she understand what that really means. The third girl of the gang is always in the background, she's very passive and hardly talks and shows a melancholy which turns out to be a result of life's injustice. This is in my opinion the best German film since Gegen die Wand/Head On. Both educational and a piece of -literally- screaming art. A must see!
The film is not bad and conveys a clear message. It is authentic to a certain extent. Everyone who grew up in Germany knows the neo-Nazi scene, even if it is negligibly small and insignificant. However, the focus in the film is not on National Socialism, but rather on how one distorts one's view of the world through given circumstances and perhaps also wrong decisions in the youth. The plot could just as easily have taken place in the radical left scene or any radical religious scene.
At the end of the film, you'll learn why the main character slipped into the right milieu. Often it is just bad luck, for example when your caregiver and role model comes up with the wrong ideas in your childhood. But sometimes it's just the rebellion against the parents, while meeting the wrong people at the wrong moment, as the younger Svenja portrays. In the end, Marisa finally managed to create her own view of the world. The question remains whether Svenja can do this too.
The topic of right wing extremists in Germany is a very hot one. The movie tries to stay as real as possible with its depiction of the characters it portrays and the world they are living in. It's not an easy watch and it especially isn't easy to play. Main actress does a fabulous job here.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
The morality is clear and that is why the movie does not emphasize on certain things. You'll either like this approach or you'll think it's takes the matter too lightly. Whatever the case don't expect your usual mainstream approach. The movie will not resolve everything or not in a satisfying kind of way. The acting alone is worth watching it of course.
Stunning representation of the Neo-Nazi community, and the trauma they impose upon people
Le saviez-vous
- GaffesThe license plate of Sandro's car reads ABI-AH 88. German authorities would not issue such a plate for obvious reasons.
- ConnexionsFeatures Le péril juif (1940)
- Bandes originalesHate-Core
written & composed by Johannes Repka
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- How long is Combat Girls?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 718 808 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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