The Raid

This is no doubt one of the greatest action movies I have ever seen. This is a violent movie with very little dialogue so know that before going in. The hand to hand fighting in this film is the best to ever be put on the big screen. This movie seriously blew me away. The one flaw would be that it doesn't have the greatest plot but it's enough to keep the action interesting. Please do yourself a favor and watch this movie! .............................................................. THE RAID: REDEMPTION QUOTES Let's clean this city's mess!

OK, let me start by praising Iko Uwais. Of all the actors, this guy fits the character flawlessly and is a highly likable actor. I thought I'd root for Joe Taslim (Jaka) better because of his better looks and taller figure but Iko is perfect.

The movie in terms of story: interesting. The premise is very simple, a bunch of cops trapped in a hellish building filled with the devil's men who knows silat and dead set on killing the cops. However, I can't really tell whats going to happen next, and there's enough twists that actually works, even if they were rather cliché (the rookie, the corrupt officers, the help from a friendly neighbor, the .. i should stop.. or i'd spoil the movie). There's nothing new in terms of plot, but that's not really a big problem. I sure do hope Gareth can find better writers to write the story next time.

What I do like is the pacing. It goes boom boom boom boom! and then it rests a bit before going into suspense mode, scary mode, and then boom some more.

Line delivery? Not very good. Some lines were obviously translated from English (it's written by Gareth himself) and some sounds quite cheesy (overused in other movies), like A: "Why us? why now?" B: "Why not?" Or "I need to get in, my wife is sick" And a bunch of others..

Secondly, some of them are not professional actors and as an Indonesian watching an Indonesian movie without subtitles, I couldn't catch most of the things they said! I wished there were subtitles!! I wished there were Indonesian or English subtitles so that the foreigners in indo can enjoy the movie as well! (although there's one guy with a manado accent who talks funny, obviously a joke which will not be noticed by foreigners) They either talked really quickly, or had poor articulation/enunciation that I couldn't hear what they said and had to ask my sister, who also didn't catch what they said, and had to ask her boyfriend. The only one actor whom I can hear clearly even when talking fast is the gang boss (Ray Sahetapi).. A veteran actor, obviously trained for acting.

By the end of the movie we also concluded that the Indonesian vocabulary in terms of curse words is so very limited. The word "anjing!" (means "dog") is used over and over, by everybody.. And the word "bangsat" (a bedbug) a few times.. "Babi" (pig) once, "kampret" (a small bat) once... They all basically means the same thing "Bastard"... So, this either means we are a really polite culture.. Or that they're trying to avoid censor.. Or that the translator for gareth's script has not enough vocabulary list... or maybe I really didn't get the badness of those animal curse words..

I mean I can think of many English curse words that is not too dirty.. Like.. Scum, filth, bastard, jerk, son-of-a...., prick, damn, what the heck, slime.. OK I don't really know how to translate those words into spoken Indonesian either so...

The fights were great. I can't comment on the choreography because I'm not a professional, but it puts you on the edge of your seat, so I think that speaks for itself. They hit hard, they fall hard, they kill hard, they die hard. I thought that some fights could be sped up a bit, as some moves looks like it lags a bit in terms of syncing, but only by a bit. If not, it adds a real touch to the physicality of the movie.

Most of the girls shrieked and made wriggling sounds during fight sequences (yes, one really shrieked out loud), and many sighed a relief, almost awkward laugh, when those fight sequences end. Which, in my opinion, means that the fights were a great success.

As an animator I felt the CG was a bit...hmmm... CG blood is slightly overused, but still acceptable, but one shot stuck out like a sore finger to me, the one where one guy falls over and lands on a balcony ledge. I really wanted to fix that animation.. Hahahaa... But again, that's because I'm a trained animator, as other people in the cinema gasped in their seats thinking that was real etc.

All I know is, it lived up to my expectations (a minimal story fight movie). I look forward to Iko, Yayan, and Gareth's next collaboration, which is this: http://www.youtube.com/watch?v=G0hYVksfyrQ Again, if you're an action movie fans, you'd probably like it.

This is a relentless and very impressive action/martial arts movie. The fight scenes are probably from the best ones I have ever seen and the understated performances of the protagonists fit perfectly here. I m wondering how did I miss this 10 years ago...probably because it's Indonesian! Written and directed by a Welsh guy -who discovered the Indonesian lead Iko- together with a tight editing and insane fight scenes (mostly Indonesian and some mixed martial arts) makes this a must to watch for fans of the martial arts genre and not only. If you want to stay bolted at your seat while watching an action film -and you don't mind of course the violence- then check this out. From the top 10 contemporary martial arts flicks out there, 9/10.

The Raid, a new non-stop cornucopia action film, comes from the most unlikely of sources – Indonesia. But don't let the country of origin fool you. The Raid is jam packed with some of the best action sequences we've seen in years and audiences are sure to walk away with an adrenaline rush punch to the gut that far exceeds their forked (over) entertainment dollar.

Starring a bunch of actors we can guarantee you have never heard of and written and directed by Gareth Evans (another name you are surely not to recognize), The Raid offers big time action sequences chalked full of gunfights, knife fights and enough hand-to-hand combat to rival any movie in recent memory.

The idea behind The Raid is remedial. A group of well armed police officers enter a 15-story apartment complex overflowing with a group of better armed drug dealers and bad guys intent on holding their ground. The police are lead by an over anxious Lieutenant who leads his squad of mostly rookies into the apartment complex where they are quickly over matched and out gunned. Their objective is to find the drug lord who resides on the 15th floor and bring him to justice. Easier said than done.

Bodies on both sides of battle fall to the ground like rounds from a Gatling gun in an Arnold Schwarzenegger movie. The police – those that survived the opening shootout – are split into two groups with Jaka (Joe Taslim) fighting alongside the Lieutenant and a rookie officer, and Rama (Iko Uwais) who tries to protect an injured officer while battling the hordes of oncoming baddies.

What ensues over the course of the next 80-minutes is a rip-roarin' blast of gratuitous bloodletting. The gun battles are more intense than the bank robbery scene in Michael Mann's Heat, the apartment hallway battles make the scene in Oldboy look like a Pixar film and the cops are as overmatched as U.S. Army Rangers were against an entire Somalian town Black Hawk Down.

Director Gareth Evans clearly wants you to leave your brains at the door and celebrate in violent beatings and fight sequences that were stylishly choreographed and continue with such relentless regularity that you almost want to pause the projector to catch your breath before the next group of bare-fisted bruisers hit the screen. Our two main leads take more body blows than John McClane did in all four Die Hard films and their resilience and ability to be beaten to a pulp and yet have the ability and the strength to continue fighting is beyond this reviewer's comprehension.

If there was but one small issue we had with the film it was that everyone who lived in the apartment complex had the fighting skills of an UFC righter or karate expert. Young, small, big or tall, they hall knew how to deliver a multiple high-kicks or at least take one and get right back up for more.

There is a small twist in the film that is clearly evident a reel before the actual reveal on screen, but it hardly takes away from the fun filled excitement leading up to the plot turn.

The sum of all its parts makes The Raid a must-see for anyone appreciative of non-stop battles where machetes are luxury and where a broken fluorescent tube can send a packed theatre into jubilant applause. It may lack the sophistication of The Departed, but it catered to an audience that couldn't get enough by the half-way mark and then was left gasping for air like a prized fighter in the 12th round towards its conclusion.

www.killerreviews.com

My number one list action movie is The Matrix because it balanced the depth of the story with the action. Somewhere among the top list, there was also The Dark Knight for the same reason. However, when speaking only 'action', I used to choose a Hongkong movie, Flashpoint, starred by Donnie Yen. Before Flashpoint, I'll choose a Thailand movie, Ong Bak which launched Tony Jaa career internationally. Now, when I speak an action movie that speak for the action, I will choose an Indonesia movie, 'THE RAID', choreographed by Iko Uwais and Yayan Ruhiyan and starred by them.

The problem with Donnie Yen's Flashpoint was you need to wait about one hour and fifteen minutes to get the action really start but when it started, it was really worth to wait. The fight between Donnie Yen and Collin Chou, inspired by MMA especially BJJ was so well choreographed and made audience hold their breath and asking "are this sh*t a real thing?". In Evans' latest, THE RAID, you won't need those one hour and fifteen minutes because he already made the audience gasps in the first fifteen minutes.

I wouldn't say a thing about Ong Bak because in my opinion, Merantau was more superior than Ong Bak. The problem with Merantau was Gareth was trying to bring audience to understand the culture of Silat first because showing the full action.You can said, Merantau was like Yamakasi doing for parkour while The Raid was the B-13 of silat.

It is useless to review this movie from the plot because there wasn't any significant plot. The plot was made only to bridge between one action scene to other action scene. But d*mn! Even with the weak dialog and cliché plot, Gareth executed it well so we, the audience, didn't have time to analyze this or that. What we know, we were flooded by f*cking awesome action movies from infiltration scene, massacre scene, and of course, martial art scenes when the characters have run out of bullets.

I remember when one of Merantau review said Merantau was Ong Bak when handled professionally. The same can be said with THE RAID. The Raid was Flashpoint with larger actions and handled professionally from the music, cinematography, and even the visual effect.

The music composed by Aria Prayogi and Fajar Yuskemal was like a combination between Hans Zimmer's Joker theme and Rage Against The Machine. It brought the audience immediately to the brutal tone of the movie. In some scenes, those music suddenly disappeared, leaving uneasiness to the audience. I wonder how Mike Shinoda of Linkin Park will interpret the scene to his score because Prayogi and Yuskemal score was perfect for the tone of this movie and it was really different with any Linkin Park score.

The sound effect, oh my, I hardly believe this is Indonesian movie. Even Hongkong movies are rarely have this good sound effect, You can differentiate between the bullet shot next to you to the bullet shot from the next room, The sound of knife slashing was so beautiful to listen and combined by the beautiful art of Silat, the scene was a masterpiece of a brutal dance of angel of death.

THE RAID has little visual effect but when they did, it was done amazingly and effectively. Frankly, prior to watch this movie, I was a little bit disappointed when I heard there will be slow-motion scene in the movie. However, Gareth proved me wrong. He was not Zack Snyder. The slow-motion was done only in one scene and perfectly executed which I hardly imagined how it should be done in other way.

Matt Flanery and Dimas Subhono as DOP played camera creatively and yet it captured all the motion perfectly. In fact, some scenes was like a scene taken from art movie due to their creative angle but it didn't reduce the brutal tone of the movie, didn't make the impact of every punch and kick weaker, in fact, in some scenes, it enhanced the "BAM!" factor.

The choreography was the factor which made this movie popular. I have said previously that even the fight scene between Donnie Yen and Collin Chou in Flashpoint had been surpassed by almost every fight scene in the movie. In Merantau, Gareth didn't want to show the brutal image of silat due to the main character of that movie was a naive and kind young man from village. In this movie, the characters are cops and bad guy, so either be killed or kill. Both Iko and Yayan have choreographed it so well so even one reviewer said "I didn't know there was so many ways to kill people until I saw this movie" and he was right. Jeff Imada (Bourne Identity) and Yuen Woo Ping will recognize these people from Indonesia and you'll probably hear about them in coming years among the top list of fight choreographer.

After watching this movie, I found myself lost my appetite to other action movies. For me, other action movies was a snack before I can watch the next Gareth Evans project, BERANDAL.

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