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IMDbPro

11 settembre 1683

  • 2012
  • R
  • 1h 54min
NOTE IMDb
4,4/10
2,3 k
MA NOTE
11 settembre 1683 (2012)
DramaHistoryWar

Ajouter une intrigue dans votre langueIn the summer of 1683, 300,000 warriors of the Ottoman Empire began the siege of Vienna. The fall of the city would have opened the way to conquer Europe. On September 11. was the main battl... Tout lireIn the summer of 1683, 300,000 warriors of the Ottoman Empire began the siege of Vienna. The fall of the city would have opened the way to conquer Europe. On September 11. was the main battle between the Polish cavalry and the Turks.In the summer of 1683, 300,000 warriors of the Ottoman Empire began the siege of Vienna. The fall of the city would have opened the way to conquer Europe. On September 11. was the main battle between the Polish cavalry and the Turks.

  • Réalisation
    • Renzo Martinelli
  • Scénario
    • Valerio Manfredi
    • Renzo Martinelli
    • Alessandro Leone
  • Casting principal
    • F. Murray Abraham
    • Andrea Iaia
    • Enrico Lo Verso
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,4/10
    2,3 k
    MA NOTE
    • Réalisation
      • Renzo Martinelli
    • Scénario
      • Valerio Manfredi
      • Renzo Martinelli
      • Alessandro Leone
    • Casting principal
      • F. Murray Abraham
      • Andrea Iaia
      • Enrico Lo Verso
    • 55avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos10

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    Rôles principaux39

    Modifier
    F. Murray Abraham
    F. Murray Abraham
    • Marco D'Aviano
    Andrea Iaia
    Andrea Iaia
    • Giovanni Cristofori
    Enrico Lo Verso
    Enrico Lo Verso
    • Karà Mustafà
    Jerzy Skolimowski
    Jerzy Skolimowski
    • King Jan III Sobieski
    Alicja Bachleda
    Alicja Bachleda
    • Duchess of Lorena
    • (as Alicja Bachleda Curus)
    Piotr Adamczyk
    Piotr Adamczyk
    • Leopoldo I
    Claire Bloom
    Claire Bloom
    • Rosa Cristofori
    Matteo Branciamore
    • Eugenio of Savoia
    Marius Chivu
    • Father Cosma
    Antonio Cupo
    Antonio Cupo
    • Duke of Lorena
    Giorgio Lupano
    • Count Stahremberg
    Federica Martinelli
    • Lena
    Gianni Musy
    • Carlo Cristofori
    Daniel Olbrychski
    Daniel Olbrychski
    • Katski
    Isabella de Ligne-La Trémoïlle
    Isabella de Ligne-La Trémoïlle
    • Leila
    • (as Isabella Orsini)
    Borys Szyc
    Borys Szyc
    • Sieniawski
    Yorgo Voyagis
    Yorgo Voyagis
    • Abu'l
    Hal Yamanouchi
    Hal Yamanouchi
    • Murad Giray
    • Réalisation
      • Renzo Martinelli
    • Scénario
      • Valerio Manfredi
      • Renzo Martinelli
      • Alessandro Leone
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs55

    4,42.3K
    1
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    10

    Avis à la une

    Vincentiu

    honest

    not about politic or military victory but about force of faith. not about Vienna but about the Church. a film like a honest confession. not great, not impressive, not original. only a story about few people, a danger and the only solution for resist against it. result - not a bad movie but a different one. and it could be a surprise because not the low budget is its sin. the real cause - the chosen public. it is not a documentary and far to have the purpose to become a blockbuster. only to present a fruit of deep faith. that is all. so, it is not right to criticize it in serious manner. only see it without the ordinaries expectations for a historical film. and, maybe, it could represent an useful image about a fundamental episode from Europe past .
    7matteo-cortigiani-1

    What did you expect?

    I know, the movie is bad. All the critics hit the nail. But...This movie is, how do they call them? Indie. this movie is the real "V for Vendetta". This movie did not receive any funding from the state, from the EU, from anyone, because it is not politically correct. It has no lesbian scenes, no incest, no sex among clergypersons, and tackles a topic too many European politicians would better seen buried under the thickest and farthest away carpet.

    After "masterpieces" of the like of "Kingdom of Heaven", or that Turkish movie on the siege of Constantinopolis (at least, righteously bashed by everyone), this movie was at least something to root for.

    I am still waiting for a decent movie on the siege of Malta, but I know I'll die without seeing it - so be it, one can't have everything in this life.

    Why 7 out of 10? That's why: I sympathize with all the Polish reviewers who killed this movie. You deserved a lot, but an awful lot, better. But really, at least this movie's heart is on the right side, and I am giving my 7 to its heart.

    Ciao
    4psainc

    Oops! they got the wrong staff...

    Not a complete review, although I think the film was modestly entertaining, it's hard to do a sweeping epic style film on a very modest budget of only $12 MM.

    So, my offering is a bit of trivia, an "oops" in the film. About 2/3 through or thereabouts, we see F. Murray Abraham carrying/holding a papal-like silver staff. It has a slightly down-turned cross, with a crucifix of a very thin and stretched out Jesus attached.

    The problem, although a beautiful and imaginative design, is that that particular staff was designed by Lello Scorzelli, from Naples Italy, in 1965—just about 300 years later than the time of the historical period!

    The Scorzelli Staff has been carried by the last 3 Popes, among other ferula, not counting the other staffs. I just think they chose it for the beauty, but I recognized it immediately, did any of you?
    Kirpianuscus

    not great but...

    without special effects. without the ingredients of blockbuster. a film about hope and faith and an Europe front to a great danger more than a historical movie. because it is not exactly portrait of an episode from past but a remember. a film about change of a world. reflection about power and about ambition. maybe, the speeches of the characters are not always inspired. maybe, the siege from 1683 must have a most inspired adaptation. but it remains an useful film. as beginning search for the story of one of greatest events from the XVII century. for the discover the last centuries's source for Ottoman Empire. for admire the history not as a story but as a kind of mirror for present. because, the Vienna's siege , like many other great moments from the past, is not exactly one lesson. but a seed for our every day life.
    6CelluloidDog

    Epic falls below norm

    Really I would give a 5.5 since the ratings are 3.4 which is lower than it should. It's clear people want gory battles but this historical drama lacks that. Like some, I just saw it on netflix and that's where it belongs, quite an average film. Most epics are good films and few go wrong but this one falls short.

    Acting is average. F. Murray Abraham is overbearing as Marco D'Aviano. He just spends a bit too much time shouting. Did the real Marco D'Aviano shout? I doubt it since he was revered as a skill negotiator. Enrico Lo Verso plays Kara Mustafa which is fine since the real Mustafa was Albanian. A pleasant surprise appearance was Jerzy Skolimowski as Jan Sobieski, the King of Poland. He wrote the screenplay for Knife in the Water, a 1962 Polish gem by Roman Polanski. He also directed some unusual cult films like Moonlighting and Torrents of Spring. Personally I take a liking to his bizarre King, Queen, Knave and Adventures of Gerard (mostly due to Gina Lollobrigida and Claudia Cardinale). But yes, you get the point. Day of the Siege is an Italian-Polish production that falls into a sort of cult-like realm. A more religious cult-like realm.

    So complaints by modern standards: No blood, special effects do look like a war video game at times, the sky never seems to be real, dialogue is stiff and formal, acting is over the top or stiff except a few moments where Lo Verso and Skoliminowski shine. Direction is very average, nothing special and predictable. The low ratings may be due to expectations that this would be a gory film about the battle. Battle choreography falls short by today's standards. Polish nationals might be disappointed that King Jan Sobieski's appearances are limited. People are not going to cheer for a monk unless it's Sean Connery in The Name of the Rose. Some of the low ratings may be due to turn- off with a religious tone. Some don't like the references to September 11 and the concept of defending the faith. So some complain about historical inaccuracy.

    But actually, in researching this interesting siege of Vienna, the film could focus on King Jan Sobieski but Marco D'Aviano was a real key character. Perhaps he was made too zealous in the film with a weak script and direction - how could a monk win a battle? This part of the film was a bit fictional. But in reality Marco was a key diplomat who was a skilled negotiator in bringing the remnants of the Holy Roman Empire back together against the encroaching Ottomans. The real Marco had quite high standards and even several hundred captured Turks went to him to beg for mercy knowing his skills in helping others. But in terms of filmmaking, it's not that interesting and may involve deeper character development. Another person complained that Kara Mustafa prostrated before the Sultan and in Islam, one never prostrates unless before God. Actually that is incorrect, as it is traditional to prostrate before very high rank. And it is tradition that a failed Grand Vizier is executed by strangulation by a silk cloth. So some feel it makes the Ottomans look evil or inhuman. But on the other hand, the only family we see in the movie is Kara Mustafa's. Therefore he is a central figure who has a human touch.

    It is an average film but below average for an epic. It lacks the excitement that a bloodier epic might have, such as Braveheart or the Last Samurai. But it is far more accurate than people suggest especially compared to most epics.

    The strengths of the film was as some say, soundtrack was fairly strong, costume design was good. Just a bit too glorious and shallow. Like a nice piece of cake that looks good but a bit bland.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      The siege is presented as a battle between Catholic Christianity and Turkish Islam. In the real war there were Protestant, Eastern Orthodox and Muslim states and mercenaries (including a small number of Turks) supporting the Holy League and Christian states supporting the Turks. The Principality of Wallachia, an Orthodox Christian vassal state of the Ottoman Empire, secretly sabotaged the Turkish siege and was providing intelligence to Austria.
    • Citations

      Marco D'Aviano: [Speaking to the council] Your Majesties, Excellencies, I am only a poor monk. I know nothing of strategies or plans of attack. But I do know that Vienna represents the survival of Christianity. I know that if you have faith, you will win. If you remain united, you will win. So if the King of Poland says he knows how to win this battle, let him explain it to us.

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    FAQ

    • How long is The Day of the Siege: September Eleven 1683?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 octobre 2012 (Pologne)
    • Pays d’origine
      • Italie
      • Pologne
    • Site officiel
      • Official site (Japan)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Day of the Siege: September Eleven 1683
    • Lieux de tournage
      • Royal Castle, Old Town, Sródmiescie, Varsovie, Mazovie, Pologne
    • Sociétés de production
      • Martinelli Film Company International
      • Agresywna Banda
      • RAI Radiotelevisione Italiana
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 € (estimé)
    • Montant brut mondial
      • 2 143 479 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 54 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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