Spotlight
- 2015
- Tous publics
- 2h 9min
L'histoire vraie du Boston Globe et de la façon dont il a dévoilé le scandale de pédophilie et sa dissimulation au sein de l'archidiocèse catholique local, ébranlant l'Église catholique tout... Tout lireL'histoire vraie du Boston Globe et de la façon dont il a dévoilé le scandale de pédophilie et sa dissimulation au sein de l'archidiocèse catholique local, ébranlant l'Église catholique tout entière.L'histoire vraie du Boston Globe et de la façon dont il a dévoilé le scandale de pédophilie et sa dissimulation au sein de l'archidiocèse catholique local, ébranlant l'Église catholique tout entière.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 124 victoires et 145 nominations au total
Résumé
Avis à la une
This is such a powerful, thought provoking movie, often difficult to watch, some of the content is truly sickening, but a very well made film, very well acted, the truth of how a story that needed to be told, came out, despite the efforts of many establishments to keep it suppressed.
It's not often a film makes me feel angry, Spotlight certainly did that.
Superbly acted by all involved, Stanley Tucci, Mark Ruffalo, Rachel McAdams and of course Michael Keaton.
There was one scene in particular that stood out, having spoken to The Priest who openly admitted to child abuse, Sacha looks down the road, and hears the innocent sound of children playing, that sent a chill down my spine.
That closing sequences were chilling, cover ups across the world.
9/10.
Perhaps because this is so well known, the film is compelling because it focuses on the story of the story, focusing on the journalism. This gives the film the challenge that in terms of action it is mostly people typing, people on the phone, and lots of talking. This it manages really well, building a compelling but robust drama that builds well and takes the viewer along with it. The subject matter means that the emotional side is not left behind either, and the film deftly reminds us of the people (not just the facts) in ways that are natural and integrated, not sentimental or manipulative.
McCarthy directs with professional control, and standards are high – mostly noticeably in the casting. It is not easy to point out one lead, because so many famous faces are here, and all of them do their job in a way that integrates with the rest – there are no really showing moments, no moments where you feel someone is pushing for an Oscar; it is a real ensemble piece, with too many good turns to start to name them all. The end result is that strong writing, and respect for the process of journalism, combines with the importance of the true story and the strong delivery of all aspects to produce an engaging story which carries emotional and professional weight.
The film does a good job not only focusing on the main cast of characters, but also spends some time focusing on the sub-supporting characters, like the 'survivors' in the film and spends a good amount of time on the investigative part of the whole story as well... journalism like this didn't just fall out of the sky... it took months and months of hard researching and interviewing many many different people...
They obviously took some creative license wrt. the events and timeline of certain parts of the film, but overall about 90% of the events shown in the film actually happened. And overall it's a good film and a fantastic docu-movie that should be viewed by all at least once.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Le saviez-vous
- AnecdotesMichael Rezendes, Sacha Pfeiffer, and Walter Robinson are visible in the background during the baseball game.
- GaffesThe New England Style IPAs Mr. Rezendes drinks are from Harpoon, which has been around since the early 1990s.
- Citations
Marty Baron: Sometimes it's easy to forget that we spend most of our time stumbling around the dark. Suddenly, a light gets turned on and there's a fair share of blame to go around. I can't speak to what happened before I arrived, but all of you have done some very good reporting here. Reporting that I believe is going to have an immediate and considerable impact on our readers. For me, this kind of story is why we do this.
- Crédits fousImmediately before the end credits roll, there is a brief summary of what repercussions occurred after the initial story was published, including numbers of stories, priests accused, and survivors in Boston, as well as a note on the continuing cover-up via reward of abusive priests. There is also a list of 203 cities in the United States and around the world where other major abuse scandals have been uncovered.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- En primera plana
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 45 055 776 $US
- Week-end de sortie aux États-Unis et au Canada
- 295 009 $US
- 8 nov. 2015
- Montant brut mondial
- 98 690 254 $US
- Durée
- 2h 9min(129 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1