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When Signe's artist boyfriend finds fame for the sculptures he makes out of furniture he's stolen from businesses, she will stop at nothing to get the attention of the crowd back on her. Munchausen's syndrome: that's what they call it when a person makes an art-form out of malingering. Or when they go so far to fake illness that they're no longer really faking.

"Sick of Myself" is a comedy so dark it's almost a horror story. Not only a horror story: a *body* horror story. I wonder what David Cronenberg or Clive Barker would think of it.

It's also a challenging viewing experience. The tone is so troubling and uncomfortable that it reminded me of another Scandinavian flick from last year, "Speak No Evil" - but that one certainly wasn't a comedy.

I often had to take breathers while watching it.

It also reminded me of "Ingrid Goes West", another dark comedy about a mentally ill young woman and the place society holds for crazy people, which it finds easy to exploit. The difference is that "Ingrid" had a stronger sense of plot and I always knew what it was trying to say. "Sick of Myself" feels more organic and unstructured, which gives you the feeling that anything can happen.

This is very uncomfortable viewing for any human being who has ever been ignored and wants to be seen and recognized; so probably most in the 7 billion + will be triggered here out of humanity :]

• It truly is a comedy which shows flaws and unbalances in couples and also in society at large
• It makes fun of The Art World The World of Fashion; it makes fun of TV programs Newspapers The Realm of The Internet; nothing is left out ...
• It is clever funny disturbing but not too much of either of these 3; it also has that odd Scandinavian detachment which probably Scandinavians do not perceive and non-Scandinavians do not comprehend.

• I thought that it would be too serious but then the humour started to seep in and out like the main character's face at times; the acting was adequate but not striking
• Is it a comedy; a social commentary; a horror tale? A bit of all of those in a bright nicely furnished story

• Watch it for yourself and decide ...

There is a lot of social commentary to be found in this film, which revolves around a young woman named Signe, who cannot deal with her pathological need for attention. It not only brings a character portrait of someone suffering from Münchhausen syndrome, but it also highlights topics like how we choose our beauty standards, even with "imperfect" beauty to be politically correct, or how we portray ourselves to the outside world.

A funny dynamic is her relationship with an equally attention hungry boyfriend Thomas: he asked for her help stealing furniture which he makes into his "art" and takes all the credit for himself. The more attention he receives, the more revolted she becomes and vice versa.

The movie starts off fantastically with increasingly absurd social situations and how far people are willing to go for a second in the spotlight. However, the speed decreases halfway through the movie and instead focusses more on the actual sickness Signe forced on herself. Even though her state of being gets worse and worse, the initial lighthearted yet dark humor that worked so well is kind of forgotten. The ending was felt anticlimactic and out of place for a movie that borded on the absurd and extreme during the first half.

The ideas and the script are really great, but all in all I feel the makers did not exactly know how to end the story. It would have been better - in my opinion - if it went out with a bang or at least a bit more on par with the intensity delivered in the beginning.

I watched the entire movie speechless, I had to watch 2 episodes of "bake-off, the professionals" right after to smell the flowers... I do not agree with some reviews here which empathize with what they describe as a human who wants to be seen and recognized. To me, this is all about attention-obsession and the lack of basic morality and self-respect - everyone else is to a degree victim, but not the 2 lead characters in this movie.

The impact it has on the viewer makes the movie successful, and I recognize it is bold and courageous also because it touches the subject of the superficiality of social media and diversity models (although I find the hint of humor in the blind-assistant scenes not acceptable). Technically, the acting was good (convincing and natural a lot), the plot is keeping you engaged from start to finish, and it was well worth the time (and money if applicable) somebody spends to see it.

I recommend watching this movie either alone or with people who are equally willing to sit and watch carefully and discuss it afterwards. Its not a light Saturday night movie to "enjoy with friends" while ordering pizza and beers.

I didn't expect it to be THIS good. There's a lot of film talent in Scandinavia lately. If you're reading this and the combo "drama, comedy, horror" sounds appealing you can't go wrong with this one (I recommend watching it alone). It does those three genres well with great timing. It's funny, it's horrific, it's devastating and beautiful. A lot of films - most of them really - nail the beginning and then fall apart, or resort to generic formulas for the ending, but a good ending makes it all worth it, gives meaning to the whole thing, I believe it's the most crucial part of a film.

This is really great stuff, a descent into madness presented with intelligence, sensitivy and style, it's up there close to heavy weights like Cronenberg's The Fly or Polanski's Repulsion; and Kristine Kujath Thorp is outstanding, without her there is no film. Besides, she is absolutely gorgeous. This deserves much more attention (ha!).

This movie, about a woman who hatches a vicious plan to reclaim her rightfully deserved attention, is quite a unique story with interesting content, and is definitely something different. I think it was smart to add some humor here and there, which made the movie very alive. Narcissism is the core theme here, and the brutality was almost frighteningly strange. The crazy thing about this is that there are actually people out there doing the same kind of action like in this movie. A very interesting topic! I think the camera and the lightning work wasn't to good, which made it sometimes feel like a homemade movie, but at the same time, I think the script and the editing was great. Also, time and reality were well used. Recommending for those who wants to experience something different!

Watching "Syk Pike" I felt amusement, puzzlement, aversion and compassion. The pursuit of easy glory, a sense of uniqueness and a life for the audience, but still nothing important to show or say. Sounds familiar? All the above aspects are very relatable in our age of social media. The actors did their job very well, and I had no doubts for a moment that they did not fit their characters. The whole movie was well composed, neither too long nor too short. After the movie, I remembered the saying: "stop making stupid people famous" and in my opinion that's the punch line of "Syk Pike".

All kinds of emotions guaranteed and food for thought. A good movie!

There's a girl who likes to exceed expectations, just to grab, grasp, claw, pluck, seize, the world's attention, a girl whose boundaries are so wide, it's hard to even give a guide, as she smashes, crashes, bashes her foundations.

Original for sure, as Signe, superbly performed by Kristine Kujath Thorp, captures the eye, refocuses your gaze, turns your head at an angle and distracts with dismay, all for the sake of the brainwashing world so many have come to be seduced, deceived and ensnared by, and the rewards it invariably fails to deliver, as the clock tik toks and the masses fail to take stock, lock and flock.

What an interesting character study of an attention-seeking masochist at heart. The lead is wonderfully performed by Kristine Kujath Thorp and the directing and editing by Kristoffer Borgli is impressive. Shooting on 35mm is no easy task, but he makes it not only look seamless, but also has a visual flair that I'm looking forward to seeing again in the future. I can see why Ari Aster is producing his next project. I do think there are some minor flaws with the picture, especially with its depiction of certain disabilities, but overall, the themes work in terms of the context of this story. If you like interesting character studies, I would definitely recommend checking this one out.

Syk Pike (or Sick Of Myself for the English title) is a Norwegian movie about a couple with severe narcissistic personalities and what they are willing to do to get the attention they so crave. I found it interesting to follow as I know at least two friends like that. Lying to everyone, making up stories so they become the center of attention, I've seen it all. In this movie it's of another level and that's why you could classify it as a horror movie. In my opinion it was more a dark comedy/drama than a horror but I get it that gross might look like horror to some. Good acting from the to me unknown Norwegian actors. All in all a good watch, easy to follow, and entertaining if you know people like them as you can compare their personalities a little bit.

Nice Scandi drama / dark comedy that will - deliberately - make you feel quite uneasy. It explores some twisted and absurd concepts of the modern-day human that many are unable to acknowledge in themselves. Both Eirik Sæther and Kristine Kujath Thorp portray their roles very well. At the end, you might walk away from the screen feeling disguisted or thinking 'why did I watch this film', though, - in my opinion - that is exactly what it aims to do. The unpleasantness might not be for everybody, but if you tend to enjoy typical Nordic rawness, give this film a shot. The story is vicious, satirical, intentionally disturbing and cringe-inducing, and darkly funny.

I don't think this film works particularly well as a commentary on society, beauty standards, media, fame, etc., as some reviewers have noted. I think the film works better as a commentary on extreme mental illness: specifically, extreme selfishness, jealousy and narcissism. I couldn't buy it as a satire because I constantly found it so unbelievable what this woman would do to herself for the sake of fame and attention from her boyfriend: brutally disfiguring herself and potentially ruining her health. As if she didn't think that her boyfriend would probably leave her after disfiguring herself so badly: which, let's be honest, that is the most likely outcome here, like it or not.

I think we have all wanted fame at some point or another; it's a common desire. Everybody can relate to that on some ego level. But I couldn't relate to the over-the-top extremity that this chick resorts to. Yes, all satire involves some exaggeration, but to a point. It should still be believable.

The film certainly has some strong points. Specifically, the photo shoot sequence in the museum is quite well done and creates a lot of tension. There is a certain style to the editing that reminded me of "The Limey" (1999); it's a bit unusual but works well overall. I wouldn't say this movie is a comedy; I chuckled at maybe one or two scenes. I found it to be more of a psychodrama that was, often, quite uncomfortable to watch, and I suppose the film succeeds on that level.

Thomas is an aspiring artist who uses stolen furniture to create artistic items and is on the cusp of fame when his waitress girlfriend Signe, decides to draw attention to herself.

After a magazine article make Thomas a minor celebrity who mostly ignores his girlfriend, she reads an article on the internet of a Russian drug that causes unintended skin conditions.

Through a shady friend, Signe obtains the dangerous drug and proceeds to down large amounts of the pills and soon suffers the consequences, as her face soon looks like the elephant man.

Her sad story picks up steam and her fleeting moments of fame exceed those of Thomas.

Maybe I missed something here as an American who just does not understand the Norwegian sense of humor.

The movie is a social commentary about how we always have to one up each other and can't seem to be happy for other people's success, not even your closest friends or your partner. Signe and Thomas are the perfect example for this, because since Thomas is becoming kind of a breakthrough artist, Signe feels like she doesn't get enough attention. So in order to get the attention back she takes some kind of drug which gives her a big rash on her skin. Now she gets the attention she always wanted and even becomes a model which is not to the amusement of Thomas who also wants the attention. I think this is a really important subject matter because especially young people are never satisfied with themselves and always just look at other more successful people and can't seem to enjoy themselves or what they have reached in life.

The movie has little to no horror at all, it's more of a social drama with tiny pieces of body horror from Signes rash. And even though drama movies are definitely not my favorite, this one was definitely able to set free emotions and even makes you empathize for Signe, which is weird because she is the crazy narcissist. Like I said, I really don't like these kind of movies very much but I think everybody involved did a really great job in this. [5,6/10]

No pun intended - we are talking about two individuals who need to be the center of attention. And while that may sound like a match made in ... well not heaven, but also not hell. Their attitude though ... especially hers ... the title suggests that she hates herself - but it is the perception of herself that she hates.

On the other hand, if someone goes to the lengths she goes through ... if you have seen the trailer you know what I mean. If not, don't worry I won't say what I mean. Suffice to say it is something amazingly crazy. And if you thought she was unlikeable before ... well let me tell you, you will not like her more after that inciting incident. That of course as anyone can guess spirals out of control.

The introduction the director gave (video message) before the movie began was funny. Suggesting that only smart people will understand and like the movie. That said, of course he is not insulting anyone not liking the movie. There are quite a few reasons why some may at least mildly annoyed at the movie. Or at least the characters and their poor decision making.

Make up is really good, the diving into the head of the main character and seeing a version of what she thinks her future holds for her appears as sudden as it goes away. And you can't always tell when it begins - you can mostly tell that it is a dream sequence though.

Suspend your disbelief and go on a ride with a person that thinks she deserves attention ... remember: this is just a movie and do not try this at home.

Well, i would say the movie is somewhat refreshing but kinda in a uncomfortable way. I think it's a pretty common feeling to feel wanted, notice or taken care of. But what happens when it gets to the point that you make yourself so sick and it's only to get atttention? Obviously the movie answear that question. Also i kinda wanted more back story, like why are you the way you are now, what happend to you Signe? For me it's exaggerated image of longing that is probably in each of us. And it's good to reflect on that. I think the movie is for older audience and not everyone will get the point, but its worth it.

Sick of Myself: while this is satire, social commentary and the blackest of black comedies, it is also horror in the same way that many of Cronenberg's films are. Signe (Kristine Kujath Thorp) and Thomas (Eirik Sæther) are both narcissists, they compete for attention, at a dinner to honour Thomas for his first gallery exhibition, Signe pretends to into anaphylactic shock after eating a nut. Thomas wants to continue his speech outraging other diners. Thomas's art consists of weirdly arranged chairs which Signe helps him steal. Nothing is off limits in Sick of Myself, be it self help groups or specialist model agencies, holy cows are slaughtered on an industrial scale. Signe's narcissism leads to her taking medication which results in severe skin disorders. This is where the horror really starts to set in with many disturbing scenes. Truly reaching the levels of Cronenberg's body horror tropes.. Again though, some of these are darkly comical. Outstanding performance by Thorp, ably aided by Sæther. Written and Directed by Kristoffer Borgli. 8/10.

Good acting, good story but almost too absurd.

This film is about Signe a 20 something year old from Oslo that craves attention in a way that is ridiculous and outright dangerous. She and her boyfriend are both obsessed with attention, competing continuously with who can get more, not even sharing an ounce of happiness for the succeses that the other might have. But Signe takes it to a level much further than her boyfriend and is even willing to risk her own health for it.

This absurd film is memorable. It is funny at some points but mostly absurd, an absurdity that i cannot even explain. You will feel disgusted, shocked and ask yourself why is she doing this to herself, you will know the answer but it will still be hard to wrap your head around it.

But after all it is an interesting film, as it dives into a person that isn't seen that often, especially a person that takes it so far. With good acting and with pretty good timing except for the end when it feels like it stops without a real ending. The cinematography was nice and with an overall nice vibe. The film was confusing at times, as it was hard to tell the difference between the scenes that were Signes dreams and the reality that she was actually living in. Which made it harder to focus on the story and film.

Overal this is a good film that is worth a watch, and something you won't see again soon.

The film focuses on the drama of a young girl. Raised without a father by a selfish mother. The closest person is her boyfriend - a full spectrum narcissus. The girl has no self-awareness, and at the same time she has huge emotional deficits - the result of neglect from the past, all this gives an explosive mixture. Her desperate cry for attention and love is disastrous. No one sees him, and she finds herself completely alone. Full destruction. The girl's tragedy is also a farce for today's world of art, media and interpersonal relations. A great, powerful movie. Bravo to the director and screenwriter, I will be looking forward to more productions.

One of my biggest pet peeves in a film is unlikable characters. Which is an interesting conundrum for 'Sick of Myself' because the entire point of this movie is just how unlikable and flawed everyone is. You're certainly not coming into this movie to be charmed. Luckily it's entertaining enough to pave over this flaw - just.

The movie takes "body horror" very literally. The make-up is done in a terrific way. It never feels over the top but it is very effective. There is some very disturbing imagery at different points in the film.

The film has a lot of "dream" sequences that aren't real which can be quite frustrating. As previously mentioned as well the film is completely void of charm. It has its moments though and is watchable enough for the most part. 6/10.

I started watching it like "ok, let's see what it is about", and it was a great surprise. Creative, different with a great message without a dramatic perspective.

An interesting point of view for those who are always complaining and playing a victim role. If you feel bad, they feel worst. If you have a headache, they have a headache + stomachache. The movie is a critic for that situation, but as I said, without drama, you can understand the girl in some way, the way she thinks, reacts, and does the things she does. Also the decisions she makes.

This is not a movie for everyone, I wouldn't recommend it to all the people.

Getting yourself sick because you need attention. Conciously taking pills in large amounts to cause severe side effects to make yourself ill. That is the synopsis of this story. An interesting story indeed and it is known to be a officially diagnosed psychological disorder.

The bad: this movie stayed stuck in just one gear of this girl keeping on using pills to damage her own health and then afterwards swallow in self pity and the attention she gets for her self induced painful sickness.

The bad: There is no real dramatic arch though, no satisfying final, it's just 90 minutes long popping pills to make yourself sick. May sound dramatic, but I felt it was missing a plot turn that would turn this into a more dramatic story.

Promising start of a movie that unfortunately petered out slowly but steadily...

The Norwegian dark humor drama with a touch of body horror brings us the story of a non-charismatic girl who is so eager to be at the center of attention that she doesn't shy away from anything. Her life is constant lies and manipulation that do not bring her the desired results, so she resorts to measures so drastic that any normal person's stomach will turn upside down.

If the film was based on a true event, it would be a pretty good character study of a serious psychiatric patient, but from the point of view of film quality and entertainment, it offers next to nothing. The protagonist is an extremely repulsive creature with whom it is impossible to sympathize, which kills the drama. I found humor only in the genre classification of this film on the Internet, and only someone who did not sleep for a month after watching "Gremlins" can call it a horror.

It is watchable, but I sincerely regret that I didn't spend that hour and a half on something better or at least more entertaining.

5/10.

"In Oslo, Signe (Thorp) and Thomas (Sæther) is a young couple bound in a toxic relationship. Signe is the often ignored one while Thomas is a rising artist with a kleptomaniac penchant. Working as a barista and desperate needs validation, Signe's antics to get attention, including stealing the limelight from the self-absorbed Thomas, become increasing awkward and radical. From faking an allergy to voluntarily abusing a drug which can cause skin abnormality, Signe finally gets what she wants, attentions not only from Thomas, but also from the society at large. Her dysmorphia - a thunderstruck achievement from the make-up and prosthetics team (headed by Dimitra Drakopoulou and Ida Astero Welle), she shall be roundly cast in the re-re-booted Fantastic Four from Marvel - attains its newsworthy coverage and gets her a modeling opportunity for an unorthodox agency, but all is not well, the drug's pernicious effect begins to take a toll on her health. Borgli's satire takes an ambivalently unregenerate stance in the end after Signe comes clean with her self-destructive jiggery-pokery."

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