Love and Other Lessons

I liked this warm hearted and intelligent comedy, written and directed by Josh Radnor, a lot more than his first film "Happythankyoumoreplease'.

Radnor also stars in the movie as Jesse Fisher, a 35 year old well read nice guy working as an admissions interviewer at a New York City college. He receives a call from his favorite former college professor, portrayed by the skilled veteran actor Richard Jenkins. Jenkins asks him if he can come to Ohio to attend his retirement party at his university, where he's stepping down after 37 years of teaching.

Radnor accepts and while there meets Zibby, played by the superbly talented Elizabeth Olsen. She's 19 years old and a student there, as well as the daughter of friends of Jenkins. They're attracted to each other but Radnor hesitates at starting a relationship with her due to the age difference.

Subsequently, what happens between them takes some unexpected twists and turns. I'll leave that to the viewer to see what happens.

There are some wonderful supporting performances as well. Allison Janney is a hoot as a jaded imperious former English Romantics professor of Radnor's. Zac Efron, in a small but important role, plays a Zen-like philosopher who proffers up some interesting advice. Plus, Elizabeth Reaser adds well to the mix as a bookstore employee who may be a potential love interest for Radnor.

All in all, not everything works in the film, sometimes going off the rails, but overall I enjoyed this quirky, intelligent comedy whose genre seems to be getting rarer and rarer in today's films.

The hyphenate that is this Josh Radnor guy presents a somewhat thin but ultimately rewarding film with LIBERAL ARTS. The story is a charming one—jaded New Yorker makes an excursion back to his alma mater in Ohio and meets a much younger and gorgeous kindred spirit who forces him to self-reflect. But unfortunately, it's also a story that provides enough material for an 80 minute film which Radnor stretches out to around 97 minutes. Thus, some of the film drags a bit. Luckily, Radnor casts actors with incredible talent who breathe life into the film when it begins to deflate.

Elizabeth Olsen, specifically, is an ace. In a character reversal from her breakthrough in MARTHA MARCY MAY MARLENE, she is beautiful and funny, effortlessly natural. The scenes featuring her make the film. Watching her this early in her career and contemplating just how much potential she has and what she'll be able to do with it is exciting for any movie lover. Richard Jenkins is wonderful as always, as is Allison Janney. Even Zac Efron, making a humorous cameo appearance, helps liven things up a bit. The bond shared between Radnor's character and a depressed, anti-social undergrad, played by John Magaro, is particularly sincere.

The film seems to be a meditative-lite work. It's brooding and thoughtful, but it's not something that will permeate your thoughts or stick with you days after watching. But it isn't supposed to be. (At least I don't think so.) The film is probably significantly more appealing to a select group of people—mainly those with a "liberal arts" background, or those able to register all of the literary references—but that is not to say the film is only for some. The pleasant romantic-comedy-ish-drama story and the aforementioned acting is enough to create a film anyone can enjoy if they try. If the viewer tries to get past the somewhat pretentious collegiate talk, tries to hold on for the somewhat slow moments, tries to watch the film as a light and entertaining piece to pass 90-something minutes, it's highly recommended. Seek it out.

First of all, I have to say, Josh plays himself. At least it is the same Josh that is in "How I met your Mother" and his other great effort Happythankyoumoreplease. Normally that would be a criticism,but he is so likable and so watchable you don't care. Sort of like James Stewart. Also, I guessed that he wrote it himself as the dialogue and the emotions (or lack of) were very realistic. The only thing that wasn't believable about Elizabeth was her age as they probably should have made her character a little older. Otherwise, she was outstanding and her personality was seductive giving credibility to his infatuation with her. Richard Jenkins was great as usual and Zac offered some oddball humor. I loved the movie and all the characters which is a nice change with some of the depressing movies out there.

Oh, and watch the deleted scenes. I'm not going to argue for their inclusion but they are enjoyable.

"And binding with briars my joys and desires." William Blake, from Songs of Experience

Liberal Arts is a small, endearing film about idealism, the reality of life, the complicated nature of aging, and the beauty of experience. The briars play a part, but mostly it's about the romanticism of academia versus the reality of growing old. That's quite a bit for 97 minutes, but writer/director Josh Radnor does an admirable job setting straight the hopes that a superior education like his at Kenyon College can foster.

This lyrical film, like the simple poem that opens this review, makes no grand demands as it juxtaposes the beauty of undergraduate reading and writing with the reality of love not quite mature enough and maturity not ready enough. New York City college admissions counselor Jesse (Josh Radnor) at 35 returns to his college to visit a retiring professor, Peter (Richard Jenkins), and falls for a 19 year old coed, Zibby (Elizabeth Olsen). Radnor's alma mater, Kenyon College in Gambier, Ohio, is the beautiful location although not identified.

The complications may be obvious given the differences in their ages, but the issues are spot on—and because I lived that plot as a youngish college administrator I congratulate Radnor for neither over-romanticizing nor condemning youthful idealism and the encroachments of "life," described as "happening" after graduation and mitigating the romanticism a college English major fosters. That the pop cult ascendance of the Vampire Trilogy may trump the lofty literature of college does not subvert the notion that everything is good given the right place and time.

The sweetness of the film reaffirms Mr. Radnor as a dreamer of quality, a thinker who confirms life's ambiguities and its promise to those who "say yes" to everything. Again, Blake in Songs of Innocence confirms the efficacy of positive thinking, in this case of feeling the godhead's presence:

He doth give his joy to all;/ He becomes an infant small;/ He becomes a man of woe; / He doth feel the sorrow too.

"It's not Tolstoy, but it's not television, and it makes me happy," Zibby says about reading a vampire trilogy. The same could be said of this simple romance underpinned by Blake's realistic optimism.

I am not the type of guy who would watch this movie. In fact, I don't even really know why I did. It was just a tough day and I didn't want to watch a movie that was in the triple digit minutes, so I went with this one. Usually I watch action movies, or political dramas. I don't like to read books or romantic movies, even less I like Arts, hence there is nothing that would make me appreciate it, I thought. But I was wrong. This movie is surprisingly great. I caught myself laughing and thinking about life. It was just a beautiful piece of art. A piece of art even I appreciate. On top I never write reviews, but this was just extraordinary.