Ajouter une intrigue dans votre langueA Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.
- Réalisation
- Scénario
- Casting principal
Chloé Bello
- Translator
- (as Chloe Bello)
Leticia Brédice
- Dalmacia
- (as Leticia Bredice)
María Abadi
- Olinda
- (as Maria Abadi)
Mario Alarcón
- Gonzalito
- (as Mario Alarcon)
Héctor Díaz
- Pacheco
- (as Hector Diaz)
Avis à la une
Warm little movie. A collage of digressions and partial thoughts, no apt for who is looking to be caught in a melodrama. To see great actors playing with such a freedom, makes me think on the cynical and shallow part of this art form.
As soon we have the chance to liberate our mind, we dream, and snore. As soon we seat front of the TV, we are forced to dream the dreams others, sometimes just money makers
This movie have much of a dream, but is enough imperfect, rough, and sometimes nonsensical, that you can hear your own mind without feeling being used.
As soon we have the chance to liberate our mind, we dream, and snore. As soon we seat front of the TV, we are forced to dream the dreams others, sometimes just money makers
This movie have much of a dream, but is enough imperfect, rough, and sometimes nonsensical, that you can hear your own mind without feeling being used.
Pacino's character was right in this film. It's lais·sez-faire approach makes it poignant, up close and real and makes modern feel modern all over again. It's nice to see American actors getting to be like in European movies, talking back about American politics like that, without being lazy-cynical or nihilistic, just saying what is, and keeping it playful-real. Friendly, like it's supposed to be, even though all the darkest themes are on the roster. This is the dialogue America needs to be having. I loved all the songs too. They sport classic pop/rock undertones, with some of Hipp's Philly cheese steak grease warps in just the right places. Lyrics! Melody! I feel like I got to hang with the boys on this one, and watch them play at life, however daunting the playground.
I love Argentina, finally a film from that beautiful country discusses sad historical topics in a relaxed, humorous way, without making a pamphlet, or using so much suffering in a commercial way.
In a time when cinema is violence, rape, drugs or narcissistic pose, to see people like Cusack and Pacino so close to us and themselves, talking politics and art, with no fear of being disconcert by our times, makes of this movie something very special.
In a time when cinema is violence, rape, drugs or narcissistic pose, to see people like Cusack and Pacino so close to us and themselves, talking politics and art, with no fear of being disconcert by our times, makes of this movie something very special.
That's why I give it a 10 from Uruguay. As a normal movie it probably would have deserve only a 6 or 7. But this is another kind of "thing". Personally made me feel close to the characters, as never a movie made me feel before. I could call it an ODE to friendship. The "thing" never tried to manipulate me, from the start shows that taste of parody, makes you part of a crazy party, full of contradictions, drinks,different points of view, and space for personal thoughts...
Anyway, Cusack shows his best, or a my say himself after so many forgettable films. I wish it could be a serial, with those friends saying what come to their minds. After watching the last Argentine blockbusters designed to be that, like The Clan etc., or the "artistic movies", that are film school pastiches of old classics, overall french, No Somos Animales got my heart. Makes me believe that cinema could be something different that manipulation and money, something more simple, and participatory.
Anyway, Cusack shows his best, or a my say himself after so many forgettable films. I wish it could be a serial, with those friends saying what come to their minds. After watching the last Argentine blockbusters designed to be that, like The Clan etc., or the "artistic movies", that are film school pastiches of old classics, overall french, No Somos Animales got my heart. Makes me believe that cinema could be something different that manipulation and money, something more simple, and participatory.
Was far much better the version I saw in the BAFICI festival, I miss that music and some scenes that are not there. This is now a kind of "making off" of what had far more sense and story, plus atmosphere. But, anyway, even if is not a real work of Agresti, and the Americans touched it like know all-know nothing typical spoiled, colonialist kids some are over there, I still I enjoy the freedom that exudes from the director's original. Hope Netflix could show us the original!!!
Le saviez-vous
- AnecdotesThe film is loosely based on John Cusack's take on Hollywood creativity according to interviews and Looper.
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- How long is We Are Not Animals?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 1 902 $US
- Durée
- 1h 30min(90 min)
- Couleur
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