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My Old Ass is a coming of age story that merges elements of a stoner comedy with some low tech time travel to great effect. It's so funny and easy to like but its greatest strength comes from the emotional core and the beautiful messages which come from it. It's a winning argument about how life is messy, scary and full of extremely painful heartbreak however, that only makes it all the more important to take the risks and enjoy the best moments.

Maisy Stella gives an amazing lead performance, starting off unaware of what she's about to leave behind which allows her to grow over the course of the film and her internal struggles as she discovers new things about herself unfold in a really earnest fashion. Aubrey Plaza is only on screen for two scenes and it's so impressive how funny she is in the first one and how much emotion she brings to the second. Percy Hynes White nails his part as someone who is supposed to be a red flag but his actions only confirm the opposite.

As writer & director Megan Park delivers a breezily entertaining film that consistently looks nice thanks to its scenic locations and ability to hone in on the smaller details that mean everything before delivering a well earned emotional gut punch at the end. All the dialogue feels authentic without ever coming across as unintentionally awkward and there's a lot of fun to be had in catching the small details Aubrey Plaza lets slip about this version of the future.

My Old Ass is a genre-bending coming-of-age story with a wild twist, directed by Megan Park. The film follows free-spirited Elliott (Maisy Stella), a teenager whose life takes an unexpected turn during her 18th birthday when a mushroom trip introduces her to a time-traveling version of herself-her 39-year-old "old ass" (played by Aubrey Plaza). What begins as a surreal encounter quickly turns into a hilarious and heartfelt journey as Elliott's older self starts dishing out unsolicited advice on love, family, and life choices, forcing young Elliott to rethink everything she thought she knew.

Park, following up on her strong debut The Fallout, dives into absurdity with this sophomore film, blending stoner comedy, sci-fi, and emotional drama with just the right touch of Hallmark-style sentimentality. The small-town lake setting of Muskoka, Ontario, adds a postcard-perfect charm to the otherwise wacky narrative, creating a warm contrast to the film's offbeat humor and time-bending antics.

Maisy Stella's portrayal of young Elliott captures the essence of teenage uncertainty and angst, while Aubrey Plaza's older Elliott injects the story with her signature dry wit and offbeat energy. Plaza's performance, which could have easily overshadowed the film, instead complements Elliott's more earnest journey, striking a balance between humor and heartfelt moments. Together, the two create a compelling dynamic that elevates the film beyond its quirky premise.

While the film's surreal elements could have derailed into chaos, Park masterfully keeps things grounded, using the bizarre premise to enhance the emotional stakes. Elliott's internal struggles about growing up, love, and identity hit hard, and even though the film dips into melodrama, it maintains a level of authenticity that resonates.

The supporting cast adds depth to the film, though some characters feel underutilized. Elliott's best friend Ro (Kerrice Brooks) is unfortunately relegated to the role of a sounding board, and her story arc feels a bit underdeveloped. Percy Hynes White's charming portrayal of Chad, Elliott's summer love interest, brings added tension as Elliott's older self warns her against pursuing him, creating a tug-of-war between her past and future desires.

Despite a few familiar tropes, My Old Ass delivers a delightful mix of laughs, emotional beats, and chaotic energy. The film's exploration of identity, time, and the messy transition into adulthood strikes a chord, and Park's playful mixing of genres keeps the ride enjoyable, even if not every element perfectly lands.

With its mix of sci-fi weirdness, heartfelt moments, and stoner comedy, My Old Ass will appeal to those looking for something unconventional but relatable. It's a sweet, funny, and sometimes nostalgic trip that punches with emotional force, often without you even realizing it. Though the film wraps up a little too quickly, it leaves a lasting impression-a fun, surprising, and emotional journey into the complicated world of growing up.

My Old Ass is an emotionally authentic, fantastical trip on a wave of good vibes. Director Megan Park has done something special here, juxtaposing a surreal concept on some very real dynamics of a young Elliott (Maisy Stella) growing up; and it is a fun, scenic trip worth taking. Without offering any spoilers, this wonderfully crafted transportation into the "what ifs" in the rear view of life, is propped up by a stellar cast - with a ride on the suspension of disbelief expertly kept afloat by Aubrey Plaza. It has a feeling of nostalgia that resonates across generations. The authentic connections between Elliott, Chad (Percy Hynes White), and her friends (Maddie Ziegler, Kerrice Brooks), and family moments solidly hit home - poignant scenes with brother Max (Seth Isaac Johnson) as a social conscience, whimsical Spencer (Carter Trozollo) , and with her mom (Maria Dizzia) and dad (Alain Goulem), bring surprising emotional depths on a vehicle of relatable, and well delivered comedy. We came in for a short trip, and wound up wishing we could hang out longer inside this unexpected cinematic, treat.

Greetings again from the darkness. Eighteen-year-old Elliott is counting down the twenty-two days remaining until she leaves home for her freshman year of college. For anyone who was once 18 or has raised an 18-year-old, you know that 22 days is the future. Writer-director Megan Park follows up her excellent feature film debut, THE FALLOUT (2021), with a different tone, albeit another one that focuses on the stress of being a teenager.

Maisy Stella landed the role of Daphne on the series "Nashville" at a very young age, and even got to sing on the show with her sister Lennon. Her role as Elliott is her feature film debut, and she proves to be quite charming in front of the camera, with a nice screen presence. A camping trip with her friends Ro (Kerrice Brooks) and Ruthie (Maddie Ziegler) leads to a trip on mushrooms that has the friends hallucinating, while something altogether more extreme happens with Elliott. Coming face-to-face with one's future self while sitting on a log in the woods can only be described as fantastical.

Aubrey Plaza plays from-the-future thirty-nine-year-old (not 40!) Elliott, and though she doesn't have much screen time, her trademark snark fits well, and the scenes with both Elliotts are quite fun. However, this isn't the typical Hollywood body swap/share. The cool twist is that the situation allows for the age-old unsolvable dilemma: what advice would your older self give your younger self if that were possible? While attempting to walk a fine line, the wisdom passed along includes be nice to your mom and your family, and understand that "time goes by so fast". One final bit of counseling involves 'avoiding Chad'. At this point, young Elliott had no idea who Chad is or why she should avoid, but of course, she finds out quickly.

Chad (Percy Hynes-White, "Wednesday") turns out to be a college student working on the family cranberry farm. He's also exceedingly nice and Elliott struggles mightily against falling hard for him. Yes, this is the same Elliott who we've seen in intimate situations with local barista Chelsea (Alexandria Rivera). At its core, this is a contemporary story where a teenager is searching for identity and meaning. Other supporting cast members include Maria Dizzia as mom, Al Goulem as dad, and Seth Isaac-Johnson and Carter Trozzolo as Elliott's brothers - one addicted to golf, the other obsessed with actress Saoirse Ronan (complete with a funny visual).

Some cliches are almost necessary in this type of story, but a mushroom trip featuring a Justin Bieber sequence to "One Less Lonely Girl" is both funny and creative. Offering advice to one's younger self in an attempt to save her from pain is understandable, but can we figure out life at age 18 even if we cheat and get input from our 'middle-aged' self? In fact, what filmmaker Park has done is create a dual coming of age story - one for teens and one for adults. And if you don't like the messages ... well ... at least eat your salmon while it's still around!

In select theaters on September 13, expanded release on September 20, and wide release on September 27, 2024.

"My Old Ass" ain't what it might appear to be. Despite its low-brow title & silly central premise it's not a gawdy role-reversal comedy but an intelligent teen drama... in which Aubrey Plaza has a surprisingly minor support role while lesser-known Maisy Stella takes the lead (very well) as a Canadian farm-girl about to leave for uni, who on her 18th b'day does 'shrooms... 'hallucinating' Plaza as her 39yr old self, bringing advice from the future, especially about the disarmingly charming Percy Hynes White (good). With her second movie as writer / director Megan Park defies expectations, to deliver a gently enjoyable parable that'll doubtless be adored by its target teenage audience.

If you had the chance to speak with your future self, what would you discuss? That's the opportunity unexpectedly presented to 18-year-old Elliott (Maisy Stella), the daughter of a Canadian cranberry farmer who's about to leave her rural home to attend college in Toronto, a new chapter in her life that she anxiously awaits. To commemorate the occasion, Elliott and her two best friends (Kerrice Brooks, Maddie Ziegler) decide to celebrate by imbibing in festivities involving a brew of magic mushrooms. However, much to her surprise, while in her altered state of consciousness, Elliott meets her 39-year-old self (Aubrey Plaza), who provides the teen with an insightful look into her future. Much of their conversation focuses on things that her younger self could stand to work on, but, perhaps the most significant topic of discussion centers on a warning to avoid involvement with an as-yet-unmet young man named Chad (Percy Hynes White). Not long thereafter, though, Elliott meets this mysterious stranger, who just happens to be a field hand hired to work on the farm for the summer. She quickly becomes smitten with the charming newcomer and wonders why her elder self so vehemently cautions her from getting to know him, advice she promptly ignores. This, of course, raises many pertinent questions, such as must we obediently accept such supposedly prophetic proclamations as gospel? Is our future indeed written in stone? And, even if our destiny is allegedly unalterable, should we unquestioningly abide by any cautions associated with it, or should we follow our gut instincts even knowing what the consequences might be? These are among the themes thoughtfully addressed in writer-director Megan Park's second feature, a sweet coming of age tale with a twist, one punctuated with gentle humor, heartfelt emotions, astute realizations and more than a few intriguing revelations. The picture is also beautifully filmed in the picturesque lake country surrounding Muskoka, Ontario, providing audiences with views of some spectacularly gorgeous scenery reminiscent of "On Golden Pond" (1981). However, despite these strengths, the film feels a little underdeveloped in several regards, particularly when it comes to various supporting characters and subplots, as well as some back story aspects of the elder Elliott's future existence. Given this offering's relatively short 1:29:00 runtime, it's somewhat baffling why the filmmaker didn't take a little extra time to more fully flesh out these elements (after all, it's not like the picture is overlong or tiresomely tedious). Nevertheless, those shortcomings aside, "My Old Ass" is a pleasant, inoffensive way to spend some time at the movies watching an uplifting, enlightening little story that nicely warms the heart and tells a story with an earnest message about how to approach living our lives. And it's hard to find much fault with that.

This 69 year old straight white male absolutely loved this film. It has been years since I have been so moved by a film. I have never been a huge Aubrey Plaza fan. She has a lot of people that really love her. I just like her and she was very good in this, but the two young leads Maisy Stella and Percy Hynes White were just terrific.. I have always loved coming of age stories. There are going to be a lot of haters that give this a one cause they thought they were going to the Reagan movie in the theater next door, but I call this maybe the best Romantic Dramedy that I have ever seen . Truth be told I was grappling between a 9 and a 10 but decided to add the star tot counteract the haters. Sometimes with reviews I.worry that I am going to give spoilers. Let me just say that if you have a good heart you will love this film. I did not think much of Megan Park's first film "The Fallout" but she.wrote and directed a wonderful little film here and probably deserves the biggest kudos of all.

Not a bad movie, charming in parts, but I found the conversations between future self quite boring, quite often they are just talking about what we've just seen on screen, so it's quite repetitive. The whole chad mystery isn't particularly exciting either.

It's a little bit hard to care that much about her journey of discovery that her incredibly nice family are actually nice to hang out with. Or that her area is incredibly beautiful and that hanging out on a boat is quite fun and she might miss it.

That being said I didn't hate it, lots of charming moments, the actors are really good, the setting is beautiful.

A poignant film that transcends age, forging connections with parents, teenagers, and wanderers from hometowns. The profound impact moved the entire theater to tears, and Maisy Stella's exceptional performance left an indelible mark, sparking a desire for more films showcasing her talent. The authentic and well-portrayed connection between Chad (Percy Hynes White) and Elliot (Maisy Stella) adds depth, while the film's portrayal of bisexuality resonates with authenticity, making it relatable to a broad audience. Eagerly anticipating a repeat viewing and sharing this cinematic experience with my teenagers.

Wow. What can I say but wow. Seriously, I just came out of the theater having cried over such little moments in the show. I feel like it so accurately portrayed what a beautiful relationship between an older and younger version of someone could be. And such a great representation of this beautiful love that you absolutely weren't expecting.

It also so accurately portrayed people in this day and age, being a female in her very early 20s, I feel like I'm in the age range of young Elliot and can understand what she's going through, and at the same time see some of the lessons that older Elliot talks about in my own life already manifesting. I just wholly understood this movie and honestly feel understood. I know a lot of us at this age are grappling about stuff like this, and I feel like I definitely have had multiples thoughts about all the themes in this movie. I'd also love to watch this movie when it around older Elliot's age and see how much my perspective changes.

Also, the two main characters, idk I honestly feel like they fit so perfectly together. And the moment in the end, if you watched it you know what I'm talking about, it was just so beautiful. I cried much harder than I thought I would.

I really didn't know how the movie was going to pan out, I honestly thought older Elliot was always going to be in person but I love the way they incorporated that. They so flawlessly executed how a part of our generation acts and just different facets of it.

10/10 truly. You should watch in the big theaters, I loved it that way.

"My Old Ass" presents an interesting idea, exploring the quirks and challenges of aging in a unique way. The concept is original, with moments that offer a glimpse of something heartfelt and humorous, but the film doesn't quite live up to its potential. The pacing is sometimes slow, often lingering on scenes that feel drawn out, making it hard to stay fully engaged. While some moments of humor work well, they are scattered, leaving the film feeling inconsistent and sometimes dragging on without much to hold onto.

The lead actor's performance is decent, adding a bit of warmth to the character, but it lacks the depth needed for full development.

The movie's visual style and composition show some creative choices, but these positives aren't enough to elevate the experience entirely.

Overall, My Old Ass has an appealing premise and a handful of engaging moments, but it struggles to maintain interest throughout, making it a film that doesn't quite hit the mark, though it may resonate with viewers looking for something a little different.

Maisy Stella and Aubrey Plaza deliver standout performances that bring depth and charm to their respective roles.

The film's unique premise and clever exploration of self-discovery make it both entertaining and thought-provoking. The movie successfully blends comedic elements with heartfelt moments, creating a well-rounded viewing experience.

Megan Park's direction and the sharp, witty screenplay keep the audience engaged and invested in the characters' journeys.

Occasionally, the film leans into predictable territory, but the overall execution and strong performances more than make up for it.

"My Old Ass" is a delightful, must-watch film that offers a fresh take on the coming-of-age genre, leaving audiences with plenty to ponder about their own life choices and second chances. 🎬✨

Buckle in, this movie to put it in one word is endearing. It is hilarious and then it cuts you deep in those feelings. I didn't know what to expect, but it was such a pleasant surprise.

It's easy to become excited for upcoming prospects, and it is also easy to get caught up in the past. I won't put any spoilers other than to say we expect the older versions of ourselves to be wiser, but we possess wisdom as to how we want to lead our lives in each phase of our lives. We also can't always recognize the good old days in the moment, but the important part is we live on and hold those near to us close.

Ok, obviously the movie has made me feel all the feelings and I am becoming a hallmark card writer. Just take the time to go see this, you won't regret it.

Back in 2021, writer/director Megan Park made her debut with THE FALLOUT, released on HBO Max. It flew under my radar until very recently, and I loved it. It's about the emotional fallout of a school shooting, and how people cope differently. It's a hard watch, but I highly recommend it. Now, just 3 years later, Park has released MY OLD ASS. This is a coming-of-age rom-com that has a huge heart, that also really moved me. It's everything I need. 18-year-old Elliott (Maisy Stella) is leaving for college in 22 days. Her and her friends go camping, taking mushrooms in the hopes of having a good trip before her trip. While her friends are tripping out, Elliott meets her 39-year-old self (Aubrey Plaza). She asks all the logical questions one would ask if you met your older self. She is justifiably cagy in what she tells her for butterfly effect reasons, one of the only things she tells her is to avoid anybody named Chad, and to spend more time with her family. This is absolutely my kind of movie. It's very well-written, very well-acted (Maisy is going to go far), the onscreen chemistry is top tier, the story goes to emotional places you don't expect. I'm so happy writers are still thriving and can express their visions in the way they want. MY OLD ASS might be the most underrated movie of the year, but I hope I'm wrong. It just might be in my top 10 of 2024. Remember, tell the people you love, you love them. Time is the only thing we can't get back. Take your chances, appreciate the now. Go hug your mother!

I like movies that start with the question "What if...?" Those simple but profound plots at the same time. Those stories that develop in a peaceful context, that encourages the audience's thinking. I like them because these are the instances where you can get to know yourself a little better if you do the exercise that the movie poses to you. The script of My Old Ass is precisely that, simple but that invites you to think about yourself, to put yourself in the place of the protagonist and ask yourself "What would you do?".

The leading performances help everything flow well, despite the secondary performances, which do not all work as efficient support for the main roles. The locations are wonderful. The direction is on point, focused on the story rather than boasting with daring shots. Perhaps the soundtrack is a bit austere, especially with the small plot twist in the last act. Even so, it contributes its grain of sand.

The most sensitive moviegoers will receive this film like a tear-gas bomb to the chest, but will end up feeling good. It's my consolation to convince them not to miss this warm tale.

I saw this at a 'movie deal' just prior to it's full release. We didn't know what the movie was going to be until they played it. It started out a little slow for me, but got better. Stick with it and I think you'll come out pleasantly surprised.

There's one scene that WILL make you LAUGH OUT LOUD - if you've ever been a teenager that is.

Since I'm old now, I didn't really recognize the actors other than Aubrey Plaza. It's a fun coming of age story, a little slow at first, but gets much better as it goes along.

When we left the theatre we were all surprised at how much we liked it - I can't wait until I can see the one hilarious scene over and over again. The thought of meeting your older self and getting advise from your older self is quite a tempting wish. The scene where her older self meets her young boyfriend is very touching, and all of us wished that kind of magic could happen - to see a former love one more time.

I give this film a very mild recommendation. It's really not funny or enchanting enough to be considered worthwhile. But for its hour and a half runtime, I suppose young teenage couples could enjoy the theme of living in the moment. The countryside can evoke some memories of nostalgic summer vacations, as well.

Aubrey Plaza is exceptional here, but receives the supporting character treatment. Too much of the dialogue between young Elliott and her friends is politically motivated and the notion of a young kid meeting their older self isn't new (think of Disney's "The Kid", which is a defined and well-rounded movie).

I wasn't disappointed in this, yet it didn't really lift my spirits either.

Think what you will of the film, but Maise is incredible. So refreshing to see a new gen actor be so genuine and talented. Great, looking forward to seeing more of her.

Think what you will of the film, but Maise is incredible. So refreshing to see a new gen actor be so genuine and talented. Great, looking forward to seeing more of her.

Think what you will of the film, but Maise is incredible. So refreshing to see a new gen actor be so genuine and talented. Great, looking forward to seeing more of her.

Think what you will of the film, but Maise is incredible. So refreshing to see a new gen actor be so genuine and talented. Great, looking forward to seeing more of her.

This is Elliot's last few weeks at home, where her parents run a cranberry farm handed down for generations, before fleeing to university and the freedom of the big city. She celebrates her 18th birthday with a couple of gal pals, and trying out magic mushroom tea. Elliott's trip has her conjuring up her 39-year-old self, who she calls "my old ass", and they remain in sporadic touch after older Elliott puts her phone number into younger Elliott's phone.

Older Elliott gives younger Elliott generic advice, and refuses to give specific information, such as "What is the next Apple". One specific piece of advice OE gives YE is to avoid "Chad", which YE scoffs at, since she self-identifies as Lesbian. However, Chad does arrive - a temporary farm worker with ancestors in the area, seeking his roots - and YE falls for him, despite anticipating that something bad will happen.

The question of what advice you should give your younger self is always interesting. YE's confusion is palpable. The chemistry between YE and Chad is great. The drone-shot footage of boating in Lake Muskoka is wonderful, beating the sunsets of The Burning Season.

This was the opening gala film of the Inside Out 2SLGBTQ+ film festival, and I presume that it was chosen to be non-threatening to a general audience. The story arc seems natural to go from F to M attraction, but politically I wonder about the implications of "all she needs is a good man". I also keep wondering what gender preferences Elliott would have after Chad.