Chien de la casse

This is the type of movie that you need to just chill out at the end of week with a nice story who can talk about a lot of people who get through this thing of manage the time of spending time with friends and girlfriend and usually there a lot of jealousy and issues in these situations and this movie talk about that and it's very interesting !!!

The script was nice and didn't feel annoying in font of it it was masterpiece anyway but it's cool movie on Sunday week with nice story...

Directing wasn't great but it's enough for a movie like that !

But the performance from the cast was good, all cast did his job mainly the leading role by Raphael Quenard he is still great good confidence on him that the reason why he is a good actor, deserves his trophy for best revelation !!!

Soundtrack was nice for this kind of project too!!!

So, I have to say this film seems, on paper, to be the sort of thing that would bore the life out of me. The theme of young people drawn into dissolute lifestyles and criminal activity are two-a-penny and usually rely on hyperbole and desperate attempts to make "this film" more hard-hitting than the (almost identical) previous film on the same subject.

On that basis, I approached "Junkyard Dog" with a degree of scepticism. I WAS WRONG.

This is a small gem which, despite it's size, scintillates. The characters are unlike anything I've seen before in this genre. They are rounded, intelligent and engaging characters; entirely unlike the characters from more cliched films (I'm looking at you, the UK's abysmal and self-regarding "Ill Manors", "Kidulthood" and "My Brother the Devil").

The story revolves around the intense relationship of a taciturn (voluntary mute?) young man waiting to join the armed forces and his best friend - a garrulous bully who treats his friend with the same level of respect as he treats his dog. Gaslighting is the gobby friend's stock-in-trade. Into this arrives a young woman, who becomes involved with the quiet half of the friendship. What follows is more about the dynamics of disenfranchised young people and their hidden depths, than about choreographed scenes of irate youths waving knives about (when they aren't in a recording studio rapping).

This is a total surprise of a film that combines social commentary with affectionate insights into its three protagonists.

I'm delighted to have had the opportunity of seeing this film (on MUBI in the UK at the time of writing). It would be a real pity if this film disappeared from MUBI in a month or two and never found a wider UK audience. Just saying.

Just when you thought you knew where the movie is headed, as you come upon an obnoxious young man, the story opens up, and roles shift. And you're reminded that humans are interestingly grey. Excellent perfomance from the lead - you'll know who it is when you see it. A story about co-dependency, enmeshment, toxicity, growing up, growing apart, reconciliation, youth, life, humans, animals, friendship; and some music, food, business, enemies, nature, beauty, art too. I loved a scene wherein light falls alternately on a man's face, in a pub, to convey his pull of emotions. In fact, I loved almost every frame of the movie. Quite enjoyable!

I understand that many people will find this small French drama very poignant, touching, engrossing if you watch it closely enough. This is not exactly JULES AND JIM, but the scheme is not so far from the François Truffaut's gem. Excellent character study, analysis, far from clichés, despite the classical basic plot. Not for too wide audiences, not a millions euros gross maker, but who cares? It sounds so real, so authentic. I love discovering such films, and the French industry offers us many of them. I am lucky. Yes, this is a true good curiosity to find out. So shame that the release was too confidential.

Here's a nice surprise. It's a story of friendship between two childhood friends who make a living from petty crime. One (Anthony Bajon) is mute and speaks little, while the other (Raphaël Quenard) is cultured, talkative and takes up space, harassing his willing childhood friend. Jean-Baptiste Durand manages to make these characters touching, or at least human. He doesn't judge them. Through their behavior, he shows their deeper malaise.

This little harmony of a buddy duo evolves when one of them falls in love with a young woman. They also have to deal with drug suppliers.

These are lonely characters. We follow them in their daily routines, between the villagers, the mother of one of them, their buddies, and the suppliers of the small traffic they do.

It takes place in the sun (Languedoc region), but at night, or the picture is darkened by tonal choices that don't evoke a sunny region. For this is a drama, the progression of which is difficult to guess, while the sequences that follow are easy to guess.

There's also a good use of music, not very present given the choice of naturalism, but which densifies the images.