The VelociPastor

Don't worry, the spirit of the filmmakers are sitting next to you as you watch The VelociPastor winking and nudging and laughing the entire time. In other words, they're in on the joke and you should be too. The VelociPastor is as ridiculously fun as you'd hope it would be with a boyish, soft spoken priest (a perfectly cast Greg Cohan) obtaining the ability to turn into a vicious, flesh eating, and very corny looking dinosaur. The film plays out like a Saturday morning cartoon meets Troma, which makes it the perfect midnight movie with some weed or beer. Alyssa Kempinski is so good as Carol, the hooker. It's a limited role, but her performance is surprisingly very sweet and touching at times, and she shows some real talent here. Some of the many highlights include a workout montage featuring very short shorts, a ridiculous, multiple split screen love scene, a pimp with an epic comb over, a hilarious Vietnam War flashback, and ninjas. Just sit back and laugh, The VelociPastor is wonderfully dumb and very funny.

I've seen a ton of B-movies with absurd premises like this. They mostly suck, even for a B-movie. But this one knows exactly what it's doing.

This is the perfect kind of ridiculous. As I write this, I'm still laughing and shaking my head at some of the scenes. And it's not just randomly stupid. So much of it is strategic, subtle and clever. I laughed a lot.

When it was almost over, I was thinking it was fun but didn't cross the line into amazing. And then the payoff happened. I'm in such awe that the scene was actually filmed. In real life. On earth. By a professional movie crew and actors.

If you liked this, check out Zombeavers. (2 viewings, 2/4/2022, 12/16/2022)

This was glorious. Pure batsh** cheese. So much better than I could have even hoped for.

Brendan Steere, Alyssa Kempinski, and Greg Cohan are a dino-mite team in The VelociPastor. Pretty much everything about the movie was perfect; if you're a fan of low-budget horror-comedies, it's a must-see. It has everything you could ask for - perfectly timed, groan-worthy lines, props that look like they came from a school play, and actors that embrace every bit of the cheese potential.

This had me roaring with laughter several times. It's the type of movie that, honestly, if you don't look at the poster and go "Oh, my God, I need this" then you need to just back away slowly. It's crude, loud, and ridiculous and amazingly good. Steere manages to bring the feel of the 70s to the screen in the best way. And when you add ninjas and a VelociPastor, really, there's nothing else you dare ask for.

Part of (okay, most of) what makes The VelociPastor so great is that Kempinksi and Cohan (a better-looking version of Benedict Cumberbatch) act the hell out of it. It's stupid cheesy, and yet they manage such solid performances that you can't help but admire them.

Overall, this is a near perfect movie and I (and Sam, who also watched and gave her input here) recommend it to everyone. Lots of action, lots of laughter, lots of fun.

Disclaimer: I received a screening link to this movie from the publicist for review consideration.

This is nothing but a hilarious ride from start to finish, a mangled heap of god-awful props, dialogue, costuming, lighting, special effects, and acting jammed into an inexplicable plot by a genius director who manages to make a very bad movie on purpose without any shred of pretense or shame. The ninja fight scene is what Mortal Kombat would look like if it got hijacked by a kindergarten drama class.

Watch this movie. It's terrible. It's schlocky. You'll love it.

There's horror comedies, (Cabin in the Woods), comedies with horror, (Freaks of Nature, Pirhana 3D), or there's a special breed of film, like "Birdemic" that are comedies that are supposed to be horror, and don't know that they're comedies. Like 'The Room', 'Fateful Findings' or the aforementioned 'Birdemic' what makes those films so great, is that they're not intentionally setting out to make something 'so bad it's good' - it's just a happy, miraculous accident. Films like 'Velocipastor' or 'Sharknado' seem to exist in an uncanny valley, a mirror version of the former three films. They're a cheap imitation, and don't work.

Velocipastor was made on a shoestring budget, and that can actually work to some films' benefit - Clerks, Paranormal Activity, and the Blair Witch project were made on the cheap, and they're smart, often terrifying, or in the case of Clerks, hilarious films. A good story and clever filmmaking can overcome any budget issues. Here, an explosion is shown as plain text that says "insert exploding car VFX" that elicits a minor chuckle the first time, and just annoys every time after. When you're intentionally missing cues, inserting boom mic's overhead, having 'editing' mishaps it's not funny. It's like a planned blooper. Bloopers are funny precisely because they're unplanned. Here it just makes the filmmaker look like a self-saboteur, so uninterested in their own story they're cutting corners wherever they can to be "meta", when in reality it's just laziness. There's a goofy idea here, that maybe could have worked better as a straight faced horror comedy, without the winking at the camera. The filmmakers here are in on the joke. The problem is, is that the joke just isn't funny.

That being said - the two main actors do a fine job in their ridiculous roles - and deserve some better work in the future. And the soundtrack is killer. A scene midway through the film looks like a music video, and that's maybe what this should have been - a goofy, three minute punk rock music video. At 70 or so minutes - it feels like an eternity.