Rosewood Lane

The psychiatrist and host of the radio talk show Talk Line, Dr. Sonny Blake (Rose McGowan), returns to Rosewood Lane, in Stillwater, one year after the death of her father to live in his house. Sonny was raised with brutality by her father and is a traumatized woman that was submitted to therapy by Dr. Cloey (Lesley-Anne Down). Sonny's boyfriend, the DA Barrett Tanner (Sonny Marinelli), helps her to bring her things to her new home.

On the arrival, her next door neighbor advises Sonny that the paperboy (Daniel Ross Owens) is a dangerous weirdo. Sonny finds that the paperboy has broken in her house and might have killed her father, but Detectives Briggs (Ray Wise) and Sabatino (Tom Tarantini) do not believe on Sonny and think that it is her imagination. When Barrett is attacked and is missing, Sonny and her friend Paula Crenshaw (Lauren Vélez) call the police but he is not found in the house. Is Sonny freaking out or is the paperboy an evil being? "Rosewood Lane" is a laughable horror movie with terrible story and screenplay with many plot holes. I have already spent my time watching this garbage and it does not worth to spend more time writing about this awful film. If you do not believe on my words, do the same I did to feel how bad a movie can be. My vote is three.

Title (Brazil): "A Vila do Medo" ("The Villa of the Fear")

"Hickory Dickory Dock..." Talk radio psychiatrist Dr. Sonny Blake (McGowan) is moving back in to her father's house one year after his death. Her neighbor gives her a warning about the neighborhood paperboy. After meeting him she begins to notice that he is very strange and may have actually killed her father. When she goes to the cops they don't believe her stories and she is left to discover the truth on her own. I have to start by saying that overall this was a pretty creepy movie. It was pretty tense and interesting but began to repeat itself after 45 minutes and seemed like the same 2 scenes were being done over and over. The kid in this is very creepy and he makes the movie. This is the kind of movie that makes you want to scream at the people on the TV to turn around. All that said the movie is a little slow in parts but still not a bad watch. Very much worth renting. Overall, tense and creepy and worth seeing. I give it a B-.

This is a comment not a review. Knowing Victor Salva's history, how on earth did Rose McGowan end up cast in it?!?

Rosewood Lane has a premise that would be a sheer nightmare to experience first hand. To see it happen to shallow characters lessens the overall experience into a drab, ineffective muddle from a director clearly capable of churning out suspense on demand. Perhaps he works better with a higher budget and atmospheres that do not mirror those of soap operas.

Despite being surrounded with controversy regarding his molestation case on the set of Clownhouse, one of his first films, I've always respected writer/director Victor Salva in the field of suspense and ideas. The original Jeepers Creepers is a truly suspenseful horror film with solid writing, aware directing, and credible, memorable suspense. Its sequel is a tad hokey, with many flaws in its plot points and aesthetics, but overall, a capable horror film able to at least erect aspects that have made past thrillers successful. I didn't thoroughly despise it.

Rosewood Lane feels like a work in progress. Its actors are well-fitted for the roles, but everything else is the slowest of slowburn, only it isn't building to much of anything. Take Ti West's Innkeepers, a horror film released earlier this year. The film was self-aware of its atmosphere and completely capable of creating smart characters and intelligent, realistic dialog. Rosewood Lane feels cold and tone deaf, never achieving any suspenseful heights nor does it ever appear to be fully trying. Slowburn horror is one thing, but a film that progresses slowly as a distraction to show it doesn't totally know what it wants to do or what it's doing is an unfortunately lethal blow to a film's attempt at likability. The needless cat murder doesn't help its reputation either.

The plot: Dr. Sonny Blake (Rose McGowan) is a talk radio psychiatrist, working the late shift, giving random callers life advice and direction. Dr. Blake decides to move into to her childhood home after her alcoholic father dies, and upon moving in, meets the deeply inept, sociopath paperboy Derek Barber (Daniel Ross Owens), who lives next door. The paperboy, who may or may not have had some sort of relationship with her father, pesters Blake into oblivion, but the results are not taut and scary, but almost inherently laughable. Her first clue that something strange is up is when she sees that her dresser of nick-nacks has been rearranged by someone not herself. For a TV horror film made for a network like USA, or even Lifetime, perhaps that would be mildly frightening. For an audience hungering for tricky tactics of suspense from the man behind Jeepers Creepers, this is pretty third-rate material.

The performances are clearly gifted. Rose McGowan is admirably convincing in scenes that rest on her shoulders, and one of my favorite character actors, Ray Wise, is present, playing a detective hellbent on convincing Dr. Blake that nothing is happening. Despite something clearly being up, he persists that there isn't, and scenes following ones of that nature continue to play out this long, winded excursion of, strange kid does something, victim notices, victim contacts boyfriend and detectives, they say she's crazy, etc.

One wonders if Victor Salva aspired to make something more frightening, and one contemplates if the clearly miniscule budget paralyzed him to work with just the bare basics of horror filmmaking. If life is kind to him, he will make more films. Ones more impressive than Rosewood Lane, hopefully. And hopefully ones that don't feel gridlocked to conventions.

Starring: Rose McGowan, Daniel Ross Owens, and Ray Wise. Directed by: Victor Salva.

If you recognize the line in my title then you might want to turn away because you won't be able to sit through this movie with a straight face. Through no fault of "Rosewood Lane" which otherwise is a good thriller, it dives into a plot that seems so preposterous that it became the running gag in the hilarious 80s dark comedy "Better Off Dead". That plot is, of course, that a supernatural psycho paperboy terrorizes the town.

Excuse me, I just spewed milk out my nose.

OK getting serious for a minute, "Rosewood Lane" handles itself very well. It should be noted that it is NOT a horror movie; it's a thriller. And, as the filmmakers explain in the "Making Of" feature, that means it has a slower pace, more character development and more atmospheric investment than the average slasher. Aside from a death in the opening scene, half the movie focuses on the main character's psychological complexities (growing up abused, dealing with newly surfaced demons of her past, a failed relationship, issues of professional ethics, and perhaps a slight nod to her OCD). While this side of the movie doesn't provide many popcorn spilling shockers, I thought it was a new & interesting angle of approaching the protagonist. In a sentence: she's just 1 psychology degree away from the looney bin, herself.

So when she starts seeing a psycho paperboy stalking her around every corner, we're not quite sure how much is real and how much is delusion. I think Rose McGowan did an excellent job of playing a tough, mentally guarded character who is overcompensating for deep, suppressed issues which she probably hasn't conquered as she'd like to claim.

Another good acting job comes from Daniel Ross Owens (creepy paperboy) who, though perhaps looking too old for the role, pulls off the psychotic thing really well, particularly in an awesome "laugh" he delivers toward the end. You'll know the one I'm talking about.

So in the end I recommend this movie to anyone who is not expecting a horror flick but rather a slow moving thriller with some good momentum. In style/feel alone (not in story!) I might compare this to "The Sixth Sense" because it has an atmosphere of darkness with a surreal quality lighting the main actors. In other words it has a dreamlike quality to it, not stark realism. I thought that was a nice choice considering the psychological spin. In the interviews, the director mentions Hitchcock (in particular "Psycho") as perhaps a strong influence, and I can definitely see that, the way the house at Rosewood Lane becomes a sinister character itself, like the Bates Motel.

But... oh lordy help me, I just couldn't get those 80s paperboys out of my head. If you see this movie, then just for laughs afterwards, AFTERwards so not to spoil it, go to YouTube and search for "Better Off Dead two dollars" and you'll see what I mean. Even the foot-in- the-door gag is there, making me wonder if it was a direct homage. Well you know what they say... ghoulies & ghosties & long legged beasties & paperboys who go bump in the night...