Une femme de confiance

Serial killers are thankfully rare, and almost by definition not normal. But Fred West was particularly peculiar, and is brilliantly captured here by Dominic West in the television drama 'Appropriate Adult'. The drama tells the story from the perspective of a woman (Janet Leach) who acted as a lay adviser to West during his interrogations; it's a way of avoiding the grizzly schlock inherent in the subject matter, although it also removes much of the dramatic potential - Leach had an ordeal in the witness box, owing to her contact with a national newspaper, but fundamentally did not have so much at stake as the Wests themselves, or the families of their victims. But if not that dramatic, the story is certainly compelling. Gordon Burn wrote a book on the case called 'Happy Like Murderers'; the appropriateness of this bizarre title is conveyed here as well. If it hadn't really happened, you couldn't have made it up. The grimmest truth is that there may still be further bodies out there

I was very moved by this dramatisation. Brilliant acting which left me with chills. I had to keep reminding myself that these events actually happened, because it's so stomach churning. This is definitely a must-see!

After conquering stage and screen and making them her own with a talent both exquisite and overwhelming, Ms. Emily Watson assaults the small screen and is once again victorious. She is absolutely stunning as she assays the role of Janet Leech, interpreting a character so sublimely that it takes the breath away from the unprepared casual viewer who is somehow unaware of Ms. Watson's incredible acting genius. Ordinairly, she alone would make this film a personal gem in her crown but she bows to the rest of the cast and humbly assists them in giving performances well worth her association. Watson inspires others to greatness, as she almost did even with Adam Sandler in Punch-Drunk love. In that film, neither her lovely presence and creative power could quite achieve the impossible with Sandler. However, what she does with the more substantial material of West here and with a brilliant script is amazing. She was awarded the BAFTA for her accomplishment and of course lost the EMMY to a Hollywood airhead tootsie of limited ability but a casting couch regular. True magisterial talent is usually unrecognized by Oscar and EMMY and the outrage one feels at Watson having neither been awarded the recognition she more than deserves speaks for itself. More than an outrage, it is a disgusting and repellent act of ignorance and cowardice for her to have ever left any ceremony empty-handed. Britain, however, could not in this case turn their eyes away from a performance so powerfully moving, a performance that will live for all time, and define the artistry of a gifted, supreme actor. Emily Watson's performance in Appropriate Adult is one of the finest ever recorded on film and will forever serve as an example of the national treasure she continues to be as she assays one brilliant role after another. This is simply not to be missed by anyone appreciative of an artist at the pinnacle of her career and a beautiful genius whose very presence is beyond price. Emily Watson is a rare gift to literate theater and film audiences everywhere and the finest actor of her own generation as well as all others.

A lesser production about the West's story would have probably gone for Se7en style moods and grisly gory details. A horror.

Fortunately, and far more rewardingly for any engaged viewer, the story focuses on a human relationship story whilst allowing the imagination to piece together events in the background.

The dynamics of the relationship are fascinating, more-so because they are true. In the final analysis, that Janet (the appropriate adult) allowed herself to be manipulated and seduced by Fred West is a chilling illustration of the true nature of what we are dealing with here. The thought that this same psychological treatment would have led countless others into his trust, and ultimately their deaths, is far more terrifying in its cold reality than any conscious attempts at "horror" could have been.

Janet doesn't only represent the victims but also the vast majority of normal human beings - vulnerable to emotional needs, a willing and optimistic mindset, and the inability to always separate imagination from reality.

A very fascinating angle on a difficult subject.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Given popular culture's fixation with crime and particularly topics such as serial murderers, it was an inevitability that eventually a film (a TV movie, at least) would be made about the crimes of Fred and Rose West. It was even more inevitable that there would be an out cry that it would glamorize and thus cheapen the real life murders. But, the producers of Appropriate Adult took a novel approach and chose to focus not on the actual murders themselves, but, as the title suggests, the AA that it was felt needed to sit in during Fred West's police interviews on account of his apparent 'learning difficulties.' That woman was Janet Leach, played here by Emily Watson, who went on to sell her story to the tabloids but who also appeared to suffer a certifiable breakdown, after seemingly forming a bond with West, falling under his dark spell. In doing so, it casts an interesting light on the case, bringing up facts that I certainly didn't know before seeing it (i.e. Rose West being a prostitute) and serving to make an unpleasant tale even more unsavoury.

As West, Coronation Street star Craig Charles had been in the running to play the role, but it appears to have gone to The Wire star Dominic West. I've never watched that show, so I can't compare him with what he's probably known best for, but he manages to bring West to life with an eerie darkness all of his own, interspersing his usual barrage of matter of fact recollections of his heinous crimes with the occasional emotional breakdown that reveals a vaguely human side to such a monster. It's his everyman appearance in general that makes him such an unnerving character. In support, Watson also seems like an eerily credible person, a woman desperately trying to stay professional in spite of hearing first hand accounts of crimes she can't accept are humanly possible, while still forming a bond with the perpetrator of these sick crimes.

A drama about West was always going to be in the pipe line for one day, and this is a sensitively handled and none voyeuristic handling, that is relevant, enlightening and of course, very disturbing. ****