Elle s'appelle Ruby

In an age of cheesy, predictable, and sometimes simply stupid romantic comedies, let's thank the romcom gods for the work of brilliance known as Ruby Sparks. The films stars Paul Dano as a man with a a huge amount of genius when it comes to writing fiction and an equally large amount of ineptness when it comes to relationships. He finds strong inspiration in a dream about a girl and quickly writes many pages about her, only to find the living, breathing, figment of his imagination in his kitchen. Although she seems the perfect girl in every way (he made her that way, after al), having a girlfriend that he can totally control with a few strokes of a keyboard comes with a price. As a writer myself, I have found a few books and movies in which I look at the basic idea of the plot and wonder, how did the writer come up with that? This was one of those plots. On top of it, brilliant quirkiness of both Dano and Kazan plays up the wonders of this film. To some this review up in two words: see it.

What do you do if you're a struggling actress searching for the right part that will help separate you from the hungry pack of millions of other starving wannabes? Well…you write one for yourself of course. Zoe Kazan, who has made a living with smaller supporting roles in a variety of films, (Revolutionary Road, Happythankyoumoreplease, It's Complicated) writes and stars as the title character in Ruby Sparks, a role that is bound to officially put her on the map. She doesn't allow you to take your eyes off her, and has loads of fun playing with the mass amount of emotions that come from being the figment of a possible crazy person's imagination.

Ruby Sparks is creative, original, highly entertaining and one of the best films of the year. Directors, Jonathan Dayton & Valerie Faris, team up for the first time since 2006's breakout film, Little Miss Sunshine, and provide the same zeal and love that made it a huge success.

The rest of the cast is nothing short of phenomenal. Paul Dano (Cowboys & Aliens, There Will Be Blood) continues to build on his reputation as one of the strongest actors of his generation. Great actors make great choices with their role selection, and Paul once again shows he has fantastic taste. Chris Messina, who seems to appear everywhere (Film…Julie & Julia, Greenberg, Away We Go, Devil, Like Crazy, TV…The Newsroom, Damages) is strong as the side man once again, and is more than ready to be major star. Acting legends Annette Bening, Antonio Banderas and Elliot Gould jump in for short periods of time making huge waves and leaving long lasting impressions.

Unlike most romantic type movies, Ruby Sparks doesn't feel like a retread Kate Hudson…Sandra Bullock…Katherine Heigl cheese fest, and is filled with a fun, creative energy that is too often missed in rom-com's. Ruby Sparks is superb on all fronts, and as a movie of the year candidate shouldn't be missed.

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The film is a lot different from the trailer. It's very good, brilliant actually, fun and enjoyable but much darker. The film shows it as a light weight,playful film, not as a psychotic man who needs to control every small detail in his life including the woman he loves. It is truly brilliant, but go in with an open mind, don't leave the trailer to guide you through the film. I sound like I'm giving it a bad impression. I don't mean to, I came out with my dad and I absolutely loved it, we spent most of the journey home contemplating what we had seen. And in all truths, I want the mum's house, and their water slide, and more!

Greetings again from the darkness. Well it took six years, but co-directors Jonathan Dayton and Valerie Faris finally deliver their follow-up to the smash hit Little Miss Sunshine. With a script from first time screenwriter Zoe Kazan (granddaughter of legendary director Elia Kazan), we get an odd mash-up of would-be Woody Allen, Charlie Kaufman, Stranger Than Fiction, and a Twilight Zone episode.

The story begins almost as a whimsical fantasy. Paul Dano plays Calvin, a blocked writer 10 years after writing the next great American novel, while he was still a teenager. The necessary comparisons to JD Salinger are made, and we witness Calvin as a socially-inept type who was never comfortable with his early success, and now can't find a way to move on with life. Given a writing assignment by his shrink (Elliott Gould), Calvin discovers the true power of the written word.

After a dream of meeting a lovely girl in the park, Calvin's fingers tear through his manual typewriter and develop a story around his literal dream girl. And literal means literal. He runs into her downstairs. His creation has become his creation. Once he realizes they aren't going to lock him away for insanity, Calvin and Ruby begin a real relationship. Well as real as it can be with a girl who is not really real and whose actions can be changed simply by typing words on a page. If you think this sounds like a male fantasy, then you are in agreement with Calvin's brother (Chris Messina).

A trip to visit the brothers' mothers (Annette Bening) and her boyfriend (Antonio Banderas) adds some humorous scenes while also signaling the beginning of trouble for Ruby and Calvin. It turns out that bringing your invented dream girl into the real world doesn't always work so well. Who would have thought? There is much humor in the film including Steve Coogan as Calvin's mentor. Deborah Ann Woll has a scene as Calvin's ex-girlfriend and it is probably the best written scene in the film. Really good insight into how two people's view of the same relationship can vary greatly.

The story can be looked at from different perspectives. It certainly serves as insight into how a writer's mind can work. Many writers need a muse ... but few get to create their own! More importantly, it makes a statement on how we (well, not me) often try to control and manipulate the other person in our relationships. This is a sterling reminder to be careful what you ask for ... you just might get it. www.moviereviewsfromthedark.wordpress.com

The storyline is original and very well written. I thought it was great. It's not about superheroes or an action movie or a thriller or a blockbuster. So who would enjoy it? Geeks, smart people, romantics, sci- fi lovers ... Regarding the latter, I'm sure the writer was not thinking in terms of sci fi, but it meets my #1 criterion for great sci fi, namely, it changes one aspect of ordinary reality, preferably the here and now and not the distant future, and through that change gives insight into that ordinary reality that we live in. Despite its' being about impossible fiction, it seemed more real than most movies. A lot of the best writing has a writer as the main character - so maybe it's true that one should write about what one knows best. Of course, it's about romance and objectification as well and that's well done as well.