Disparue

A completely focused Performance highlights this somewhat familiar Tale of a Woman who has been severely traumatized by...that is the question. Is it all in her head, is she delusional, did something really happen to her or is she completely "Gone"?

This is played out throughout this competent Thriller as She believes that the source of her pain and suffering is back and has abducted her Sister. This unleashes Her barely pent up Rage and propels Her on an unstoppable quest to evoke Revenge and rescue Her Sis.

This is a bit above a routine exercise in Serial Killer Clichés as it focuses on a truly riveting and believable Amanda Seyfried as the troubled Heroine. Truth is that she is damaged and not really in complete control of her affliction and this lends a certain edginess to the Film as you never really know what She is going to do next, or what Lie She will fabricate, it seems at will, in a moments notice.

Worth a look for Fans of this type of thing and those who like strong Females willing to go the distance even if it means facing your most frightening fears.

I actually held off from watching this film, I guess because I have a thing against PG or PG 13 films, especially when is comes to horror, or thrillers. But guess what...'Gone' was really a good thriller as well as being a cool little mystery. I never heard of the Director (Heitor Dhalia) until this film and I must say I was quite impressed by the look and style of the film. Dhalia has a great eye, because the scenery in this film was simply breathtaking. A good pace was set and at times I found myself catching my breath due to some tense moments spread throughout the film. I was also impressed by Amanda Seyfried's performance, she held her own and delivered on all aspects of what her character was suppose to give in telling this story. My only grip was Wes Bentley's cop character. Bently's character wasn't really needed and didn't serve no actual purpose, although the film makers lead you to believe his character has some relevance to the story. 'Gone' is not a blockbuster type film, but holds it's own in the tradition of 'Kiss the girls' and other such film thrillers. So when you get a chance to see this film, get yourself, your date, or family a big bowl of popcorn and sit back, because you'll have a nice little viewing experience.

This movie was well paced and well acted by Seyfried. I really enjoyed the "road trip" she takes trying to track down her target. She is slick in her conversations and smooth in her charms to converse with people and get whatever puzzle pieces they have to offer. I really like the mystery the movie conveys as it leads to the end. I really felt like the path could have lead to multiple characters in the story, and as you watch Seyfried's pace you are constantly asking yourself how much of the story is she capable of creating herself. I hope the score for this movie rises about the 5.6 it is at currently. Other movies float in this range and do not bring nearly as much to the table.

Jill Conway (Amanda Seyfried) was kidnapped and escaped but nobody believed her. She was sent to a psychiatric facility. Her sister Molly disappears and she is convinced that it's the same kidnapper from two years earlier.

The production value is limited but the tension is maintained throughout this film. Basically, this is a damsel alone in danger against a serial killer. Amanda is great. The production does dip into more TV level of style at times. A bigger budget would help as well as a more imaginative eye. I'm not sure if there are any unfilled plot holes and the climax definitely needed more action. It's still a good watch mostly for Amanda.

I saw this one against the critics' recommendation at Rottentomatoes, and it was because of Amanda Seyfred, to be honest. She has those beautiful big blue eyes and blonde hair that one cannot look away from.

But after watching her in this movie, it is clear to me that she is much more than a pretty face, and she can carry a movie on her own.

I can see why the critics would hate it, though. The plot is overly simple, the cops have a cursory role, and none of the characters other than that of Amanda's are well-developed. And, the big 'confrontation' is dealt with as if the director wanted it out of the way as soon as possible.

But, to be honest, in retrospect, the film is about none of that. This is a suspense thriller, not a horror. There does not have to be a big confrontation, and there does not have to be jump shots. This is about the journey of the protagonist against all odds, and how she uses her alertness and her resourcefulness and her charm to get to the person she believes has her sister.

In this, it succeeds. I would watch this one again, and if a movie makes me think that, it has succeeded for me.