NOTE IMDb
7,2/10
9,1 k
MA NOTE
Cinq amis toxicomanes décident de simuler un enlèvement afin de soudoyer un agent de police pour dissimuler un accident de délit de fuite.Cinq amis toxicomanes décident de simuler un enlèvement afin de soudoyer un agent de police pour dissimuler un accident de délit de fuite.Cinq amis toxicomanes décident de simuler un enlèvement afin de soudoyer un agent de police pour dissimuler un accident de délit de fuite.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 15 nominations au total
Shiv Panditt
- Dash
- (as Shiv Pandit)
- …
Rajkummar Rao
- Malwankar
- (as Raj Kumar Yadav)
Avinash Badal
- Bhai Jan
- (générique uniquement)
Trushant Ingle
- Chanda boy
- (as trushant)
Avis à la une
We all have some inner demons which we keep suppressing inside us. Some of us succeed and some of us don't. Shaitan, the movie, is also a tale of some entities fighting their inner demons while they are involved in a web of events that unfold as a result of a self-inflicted horror on their lives. Shaitan is a contemporary cinematic experience that explores the dark sides of humans belonging to different backgrounds.
It's difficult to draw parallels of Shaitan with movies we have seen before. A road accident ala 'I Know What You Did Last Summer', a young girl staging her own kidnapping ala 'Khiladi' and wild youth ala 'Rung De Basanti' maybe, but that's all there is in comparisons. When the debutant director Bijoy Nambiar combines these stories with other intriguing elements of Shaitan, they become a completely innovative experience never told to the Indian audience before. Luckily, Shaitan does not rely solely on these events. It offers much more to the audience in story and not just story, it simply excels in other departments too. It does have some gruesome details of torture and substance abuse, hence, the A certificate, but it's definitely not a Rakht Charitra. At times, it even got the audience into fits of laughter.
Kalki, as Amy, is a mother-less teenaged daughter of a rich engineer, who despises her step mother. She befriends a gang of outrageous youth and together with them gets involved in a crime. Enter Rajiv Khandelwal (Aamir and Sujal Garewal fame) as the belligerent, underpaid, hard-hitting cop who is also going through troubled marriage. It's a gripping story that has been told very well. By far the best work in 2011. Bijoy drives straight from Mani Ratnam way of film making. Authentic and intense.
Shaitan features the group of youngsters as the main cast; however, it never expects the audience to sympathize with them. The treatment and screenplay is spellbinding right from the introduction of the cast. The film is very strong on technical grounds. Madhi has done a phenomenal job with the camera. Watch out for the scenes in the church, views from inside a beer bottle from the center of a cricket bat etc. Sound design and Kunal Shamra's background scores are simply brilliant. 'O Yaara' is a beautiful song. 'Hawa Hawaii' of Mister India has been featured in a unique way but good old 'Khoya Khoya Chand' on a gun fight sequence is just mind blowing. That gun fight sequence itself is the best part of the entire film and something that has never shown in Hindi cinema before.
On performances, Shaitan a power house. Kalki steals the show with her genuine portrayal of a disturbed child. She is unbelievably good in drugs scenes and in her portrayals of insensitivity. Rajiv is not far behind either, although, his role is lesser than Kalki's. Kashyap and Binoy have gathered a wonderful ensemble cast for this project. Pawan Malhotra, Shiv Pandit, Gulshan Devaiya and Neil Bhoopalam etc. have done their respective jobs with sincerity. Nitin of MTV is a pleasant surprise. The actress playing a cameo as the divorce lawyer in the court scene is remarkable.
The film does have some low points which could have been handled in a better way. The repetitive emergence of Kalki's mother's sequence could have been avoided at some places. It was overdone and not explained well, although shot with utmost appetizing camera work. Kirti Kulhari who plays young actress in the group could have done a better job. Even her character towards the second half, lacks the intensity it showed in the beginning sequences. The humor sequence of an informer's Nikah was unnecessary. The reason why Rajiv and his wife are having troubled marriage has not been explained. These things have little impact on the overall film and story but could have improved it further.
Anurag would not cast a KHAN in his productions and will probably never sign up Pritam for the music. Kashyap brand of Indian cinema will always be unique but is also expected to have a limited audience. He experimented with a debutant director for Udaan and created a masterpiece. He has almost done it again with another debutant director Bijoy and has created another modern day classic. Anurag has little left to prove to the world that he can make beautiful films. What he does still need is to prove is that his films can do wonders on the box office. Shaitan, is a colossal attempt, however, it's still unlikely to set box-office ablaze. Watch it before it's off the cinemas already.
It's difficult to draw parallels of Shaitan with movies we have seen before. A road accident ala 'I Know What You Did Last Summer', a young girl staging her own kidnapping ala 'Khiladi' and wild youth ala 'Rung De Basanti' maybe, but that's all there is in comparisons. When the debutant director Bijoy Nambiar combines these stories with other intriguing elements of Shaitan, they become a completely innovative experience never told to the Indian audience before. Luckily, Shaitan does not rely solely on these events. It offers much more to the audience in story and not just story, it simply excels in other departments too. It does have some gruesome details of torture and substance abuse, hence, the A certificate, but it's definitely not a Rakht Charitra. At times, it even got the audience into fits of laughter.
Kalki, as Amy, is a mother-less teenaged daughter of a rich engineer, who despises her step mother. She befriends a gang of outrageous youth and together with them gets involved in a crime. Enter Rajiv Khandelwal (Aamir and Sujal Garewal fame) as the belligerent, underpaid, hard-hitting cop who is also going through troubled marriage. It's a gripping story that has been told very well. By far the best work in 2011. Bijoy drives straight from Mani Ratnam way of film making. Authentic and intense.
Shaitan features the group of youngsters as the main cast; however, it never expects the audience to sympathize with them. The treatment and screenplay is spellbinding right from the introduction of the cast. The film is very strong on technical grounds. Madhi has done a phenomenal job with the camera. Watch out for the scenes in the church, views from inside a beer bottle from the center of a cricket bat etc. Sound design and Kunal Shamra's background scores are simply brilliant. 'O Yaara' is a beautiful song. 'Hawa Hawaii' of Mister India has been featured in a unique way but good old 'Khoya Khoya Chand' on a gun fight sequence is just mind blowing. That gun fight sequence itself is the best part of the entire film and something that has never shown in Hindi cinema before.
On performances, Shaitan a power house. Kalki steals the show with her genuine portrayal of a disturbed child. She is unbelievably good in drugs scenes and in her portrayals of insensitivity. Rajiv is not far behind either, although, his role is lesser than Kalki's. Kashyap and Binoy have gathered a wonderful ensemble cast for this project. Pawan Malhotra, Shiv Pandit, Gulshan Devaiya and Neil Bhoopalam etc. have done their respective jobs with sincerity. Nitin of MTV is a pleasant surprise. The actress playing a cameo as the divorce lawyer in the court scene is remarkable.
The film does have some low points which could have been handled in a better way. The repetitive emergence of Kalki's mother's sequence could have been avoided at some places. It was overdone and not explained well, although shot with utmost appetizing camera work. Kirti Kulhari who plays young actress in the group could have done a better job. Even her character towards the second half, lacks the intensity it showed in the beginning sequences. The humor sequence of an informer's Nikah was unnecessary. The reason why Rajiv and his wife are having troubled marriage has not been explained. These things have little impact on the overall film and story but could have improved it further.
Anurag would not cast a KHAN in his productions and will probably never sign up Pritam for the music. Kashyap brand of Indian cinema will always be unique but is also expected to have a limited audience. He experimented with a debutant director for Udaan and created a masterpiece. He has almost done it again with another debutant director Bijoy and has created another modern day classic. Anurag has little left to prove to the world that he can make beautiful films. What he does still need is to prove is that his films can do wonders on the box office. Shaitan, is a colossal attempt, however, it's still unlikely to set box-office ablaze. Watch it before it's off the cinemas already.
Ohh.. What a day yesterday, I had few tight sales meetings with the customers and was running between locals, auto and taxis across Mumbai. Also, it was raining heavily and I regretted not carrying an umbrella as I got drenched in rain and reached home by 9.30 pm. Back home , I badly wanted to refresh my mind from the day's events and decided to go for Shaitan, night 10.15 show and it turned out to be a perfect decision to wind myself from work and enjoy the time. Well, Shaitan opens up with Kalki Koechlin as Amy meeting Gulshan Devaiya as KC in a party. KC is a rich industrialist son and have 3 other friends – a struggling actress played by Kirti Kulhari , a sex obsessed computer geek Parsi played by Neil Bhopalam and a restaurant waiter cum drug peddler played by Shiv Pandit. Amy who had a tough childhood and has traits of mental disturbance becomes friends with these four characters and here starts the event of being naughty, being evil, being wrong but right in their own terms Their adventures and mischief's finally lands them in a trouble one fine Mumbai night when they accidentally run their Hummer over two scooter riders while flying high on speed and drugs. They try to forget it when a corrupt cop approaches them and asks them for 25 Lacs bribe to shut the case. These young kids don't want to go to their parents for certain reasons and plans the fake kidnapping of Amy. This brings in the entry of an honest but a very aggressive police officer Rajeev Khandelwal who is given the charge to solve this high profile kidnapping case and rest is what follows is a series of gripping incidents. The direction by debutant Bejoy Nambiar is really good. The way the events are created in the movie matching with real life incidents are the some of the best moments of the movie. There is one shot of gun fight battle between the cop and underworld agents in a chawl amidst the attempted rape of one of the friends and a dead body of a German tourist with "Khoya Khoya Chand" remixed version being played in the background. This scene is so well crafted and the screen play is mind boggling and is one the finest shots in the recent Hindi cinema. The song "Fareeda" which often plays in the background after the second half gives the pace to the movie and keeps you on your seats, if ever you feel too much violence and dark events. The only time the movie makes you feel boring is few sequences when Amy remembers her mother quite often. Rajeev Khandelwal as a tough cop makes his statement that he is such a fine actor and his talent is still unutilized by the industry. All the other actors have also played their role well. I can say that this is an out and out a Director's cut and kudos the debutant Bejoy Nambiar , who had assisted Maniratnam in Guru as he lives up to the expectations from an Anurag Kashyap's production. Go and watch Shaitan because it's dark and bitter but yet gripping and you will like it if you are not only an emotional drama lover and like watching different genre.
I learned about this movie couple of weeks ago through a facebook page. The storyline caught my attention and decided to watch it.and am glad i did.It is dark,dramatic and a bit of humor.I had to mention humor because it wasn't like those comedy scenes that you find in other Bollywood films.It made sense and that went with the story.'Shaitan' is realistic in every sense.
Movie has five main characters and the whole story revolves around the 'events' that they did.It shows the life of 5 young friends who is living life like hell.They drink,they shop lift,they fool around,pretty much everything that makes you feel alive.But a bit too much adrenalin rush followed by some unwise decisions turns their life around.
I absolutely loved the cast.Especially Kalki Koechlin and Rajeev Khandelwal.The direction was different and amusing.Although it was directed by Bejoy Nambiar, one can really see the hands of Anurag Kashyap behind this film.Its also said that this is an upgraded version of Kashyap's 'Paanch' which actually has to go through a lot of trouble with the sensor boards because 'it was too dark'.'Shaitan' has everything that i love in a movie.and i am so glad that they didn't destroy it with the cheesy songs and dances.I expect to watch more like these from Bollywood. Such movies can create a respectful place for Bollywood In Indian Cineam.
Movie has five main characters and the whole story revolves around the 'events' that they did.It shows the life of 5 young friends who is living life like hell.They drink,they shop lift,they fool around,pretty much everything that makes you feel alive.But a bit too much adrenalin rush followed by some unwise decisions turns their life around.
I absolutely loved the cast.Especially Kalki Koechlin and Rajeev Khandelwal.The direction was different and amusing.Although it was directed by Bejoy Nambiar, one can really see the hands of Anurag Kashyap behind this film.Its also said that this is an upgraded version of Kashyap's 'Paanch' which actually has to go through a lot of trouble with the sensor boards because 'it was too dark'.'Shaitan' has everything that i love in a movie.and i am so glad that they didn't destroy it with the cheesy songs and dances.I expect to watch more like these from Bollywood. Such movies can create a respectful place for Bollywood In Indian Cineam.
Newbie director Bejoy Nambiar certainly has got himself an impressive if not a mind-blowing debut. And the young actors have done justice to his quirky script & storytelling technique.
You can recognize new age cinema with its 'hatke' script, youthful actors and edgy storytelling / narration. And when you go see Shaitaan you can see all of it there.
The story opens with brief introductory scenes of the lead characters that give you an insight into what each character's personality is like. The story unfolds to show an unruly group of spoilt brat teenagers who believe in the adage 'if you got it, you gotta flaunt it'.
A NRIs daughter Amy (Kalki Koelchin), with a traumatic past, is new in town. She joins the spoilt teenager group and finally starts to enjoy her life. After a night of partying, drinking, doing drugs & racing their Hummer on the empty roads, these guys happen to mow down two innocent people and subsequently flee the scene.
At this point the story actually starts taking pace. In order to escape judicial custody they make an arrangement with a cop who for a huge sum of money will take care of their case. Since none of them has enough money to pay the cop off, they hatch a plan of staging the kidnapping of Amy and demanding the ransom money.
From here the story starts to spiral towards things that neither of them imagined would happen. What was considered to be a harmless plan turns out to be something that will change their lives forever.
This movie is a classic example of how peer pressures and herd mentality can actually make the sanest of people do things that they wouldn't normally do, only to realize it when it's too late.
There is also a parallel track running of the cop Mathur (Rajeev Khandelwal) who has been given the responsibility of handling the case. Along with his professional life, we get to see glimpses of his personal life & the problems he is facing in his marriage. In fact in the end you realize that it isn't easy being a cop where you have the responsibility of protecting the nation with a measly salary being paid for it.
The story is interspersed with clever narration techniques and flashbacks which make the film edgy.
The end makes you feel sorry for the characters & makes you question practicality vs. idealism.
A decent watch I say.
Read more reviews at www.jhakaasyabakwaas.wordpress.com
You can recognize new age cinema with its 'hatke' script, youthful actors and edgy storytelling / narration. And when you go see Shaitaan you can see all of it there.
The story opens with brief introductory scenes of the lead characters that give you an insight into what each character's personality is like. The story unfolds to show an unruly group of spoilt brat teenagers who believe in the adage 'if you got it, you gotta flaunt it'.
A NRIs daughter Amy (Kalki Koelchin), with a traumatic past, is new in town. She joins the spoilt teenager group and finally starts to enjoy her life. After a night of partying, drinking, doing drugs & racing their Hummer on the empty roads, these guys happen to mow down two innocent people and subsequently flee the scene.
At this point the story actually starts taking pace. In order to escape judicial custody they make an arrangement with a cop who for a huge sum of money will take care of their case. Since none of them has enough money to pay the cop off, they hatch a plan of staging the kidnapping of Amy and demanding the ransom money.
From here the story starts to spiral towards things that neither of them imagined would happen. What was considered to be a harmless plan turns out to be something that will change their lives forever.
This movie is a classic example of how peer pressures and herd mentality can actually make the sanest of people do things that they wouldn't normally do, only to realize it when it's too late.
There is also a parallel track running of the cop Mathur (Rajeev Khandelwal) who has been given the responsibility of handling the case. Along with his professional life, we get to see glimpses of his personal life & the problems he is facing in his marriage. In fact in the end you realize that it isn't easy being a cop where you have the responsibility of protecting the nation with a measly salary being paid for it.
The story is interspersed with clever narration techniques and flashbacks which make the film edgy.
The end makes you feel sorry for the characters & makes you question practicality vs. idealism.
A decent watch I say.
Read more reviews at www.jhakaasyabakwaas.wordpress.com
Since the trailers were first out I have been waiting for the film. The song Bali, suits the trailer best. I did miss the first day first show and a few more days and shows consequently, but today I finally got a chance. Shaitan starts with Anurag Kashyap giving a social message. Yes the 'lazy ass ranter', starts the film telling youngsters that alcohol, drugs, cigarettes etc., are bad for them. While if the dialog was start taking drugs, start life, the quote 'well begun is half done' would have been so apt. The scenes from the asylum give us a hint that the movie is on the insane end of brain, like most of Anurag's films are. Then again we have typical scenes, fast introductions, normal 'I hate my parents' people and alcohol and drugs and a lot of drugs. After wild parties, cranky dialogs and a couple of kisses, you reach the scene which has created the hype. The accident scene. And yes, the scene lives up to the hype, it is a great milestone in Hindi cinema. But just a few moment more and you'll have the moment. The moment you'll scream , "What the f***, this is the story of Paanch" and that would sure turn you off, completely! But as the film proceeds you do notice remarkable differences and slowly it attracts your interest. Then the fast paced action, the haunting music, Rajeev Khandelwal's grit and Kalki's neurotic expressions when she is high, makes you want to forgive all the negative aspects of the movie and makes you an instant fan. Remarkable scenes :- When KC asks Amy to open a 'joint account', the accident scene(of course), the crashing of the beer bottle and a TV set, by KC and Dash respectively, on the heads of two guys who were 'teasing' and 'more than teasing' their girls, Khoya Khoya Chand(thats already a rage), the shot where Inspector Arvind Mathur flashes from behind a bed and kills a junkie(though you can't possibly save yourself from machine gun fires with a mattress) and Amy's hallucinations of her mom when she is high in the 'Church'(thats Anurag Kashyap). The weak points of the movie were :- Obviously the script, it could have been better. The director was confused whether he was making a thriller or a black comedy. Too much time wasted on the camera work and special effects. The German girl wasn't really German. The good points were :- The camera work, indeed. Cinematography. The music, especially Bali and Fareeda. The acting – all of the actors have done a very very good job, but special credits to Rajeev Khandelwal and Kalki. In the end, Shaitan is a good film. It is definitely not great! And if you do think otherwise, watch Paanch. You'll know what Bollywood really needs. You'll know who Anurag Kashyap really is!
Le saviez-vous
- AnecdotesKalki earlier appeared in a Coca-Cola commercial featuring a song sung by Suman Sridhar. 'Khoya Khoya Chand' from the same album and 'Hawa Hawai' feature in this movie, both sung by Suman and filmed on Kalki. All three are new renditions of old Hindi songs in jazz style.
- Crédits fousThe end credits rotate about a point in screen instead of rolling upwards.
- ConnexionsReferences Kala Bazar (1960)
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- How long is Shaitan?Alimenté par Alexa
Détails
- Durée2 heures 1 minute
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