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Girls Will Be Girls

  • 2024
  • Tous publics
  • 1h 58min
NOTE IMDb
7,1/10
2,7 k
MA NOTE
POPULARITÉ
4 850
2 989
Preeti Panigrahi in Girls Will Be Girls (2024)
Regarder Trailer [USSE]
Lire trailer1:58
3 Videos
13 photos
Coming-of-AgeDramaRomance

Il suit le parcours de Mira, 16 ans, dont le passage à l'âge adulte, sexy et rebelle, est perturbé par sa jeune mère qui n'a jamais pu passer à l'âge adulte elle-même.Il suit le parcours de Mira, 16 ans, dont le passage à l'âge adulte, sexy et rebelle, est perturbé par sa jeune mère qui n'a jamais pu passer à l'âge adulte elle-même.Il suit le parcours de Mira, 16 ans, dont le passage à l'âge adulte, sexy et rebelle, est perturbé par sa jeune mère qui n'a jamais pu passer à l'âge adulte elle-même.

  • Réalisation
    • Shuchi Talati
  • Scénario
    • Shuchi Talati
  • Casting principal
    • Preeti Panigrahi
    • Kani Kusruti
    • Kesav Binoy Kiron
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    2,7 k
    MA NOTE
    POPULARITÉ
    4 850
    2 989
    • Réalisation
      • Shuchi Talati
    • Scénario
      • Shuchi Talati
    • Casting principal
      • Preeti Panigrahi
      • Kani Kusruti
      • Kesav Binoy Kiron
    • 29avis d'utilisateurs
    • 41avis des critiques
    • 79Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 21 victoires et 30 nominations au total

    Vidéos3

    Trailer [USSE]
    Trailer 1:58
    Trailer [USSE]
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    Clip 8:56
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    Clip 8:56
    Richa Chadha & Ali Fazal: Girls Will Be Girls, The First Film as Producers and M
    'Girls Will Be Girls' Is a Coming-of-Age Story That Feels Like a Thriller
    Clip 3:23
    'Girls Will Be Girls' Is a Coming-of-Age Story That Feels Like a Thriller

    Photos13

    Voir l'affiche
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    Rôles principaux22

    Modifier
    Preeti Panigrahi
    • Mira
    Kani Kusruti
    Kani Kusruti
    • Anila
    Kesav Binoy Kiron
    Kesav Binoy Kiron
    • Sri
    Kajol Chugh
    Kajol Chugh
    • Priya
    Nandini Verma
    • Divya
    Devika Shahani
    • Ms. Bansal
    Akash Pramanik
    • Hardik
    Aman Desai
    • Vikrant
    Sumit Sharma
    Sumit Sharma
    • Pratik
    Jitin Gulati
    Jitin Gulati
    • Harish
    Pratap Singh
    • Mr. Bakshi
    Pradeep Kapoor
    • Mr. Burman
    Neeraj Varma
    • Mr. Thomas
    Ved Amrita
    • Rita
    Ahana Malla
    • Aditi
    Megha Aggarwal
    • Tina
    • (as Megha Singh Aggarwal)
    Chiraag Behl
    • Store boy
    Jatin Sehgal
    • Nisarg
    • Réalisation
      • Shuchi Talati
    • Scénario
      • Shuchi Talati
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    7,12.6K
    1
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    10

    Avis à la une

    5theajooba

    Nothing new and dragged

    Felt like just a bad rehash of Nagesh kukunoor's excellent movie Rockford which was 25 years back. Had good team of actors but couldn't make use of them other than dragging it for 2 hours .

    It's a good attempt to make a non glossy and non masala movie

    Felt like just a bad rehash of Nagesh kukunoor's excellent movie Rockford which was 25 years back. Had good team of actors but couldn't make use of them other than dragging it for 2 hours

    Felt like just a bad rehash of Nagesh kukunoor's excellent movie Rockford which was 25 years back. Had good team of actors but couldn't make use of them other than dragging it for 2 hours.
    7brentsbulletinboard

    Ab Impressive Debut Feature

    The coming of age process is different for everyone, and that's especially true for those of different generations. Those who underwent this rite of passage years ago, however, arguably may have faced more challenges and restrictions than what's present in these more liberated and open-minded times, and such individuals may be somewhat envious of the privileges that have been afforded their younger counterparts. That's very much the case with Anila (Kani Kusruti) and her teenage daughter, Mira (Preeti Panigrahi), who has (or at least should have) a comparatively easier time with this than her mother did. Nevertheless, Anila still expects Mira to conform to the rigid standards of her own youth, enrolling her in a strict Himalayan boarding school and hovering around her like an overprotective helicopter parent, particularly when she befriends a young man, Sri (Kesav Binoy Kiron), who becomes a budding - if severely restricted - romantic interest. Despite these constraints, though, Mira is supremely curious to clandestinely explore her emerging sexuality and female drives while at least superficially maintaining the image of propriety expected of a young Indian girl. Matters become further complicated, however, when Anila takes more than a passing supervisory interest in her daughter's new beau, a dynamic that produces added friction between mother and daughter. As if adolescence weren't complicated enough in itself, these circumstances raise the tension level inside the family household, in the relationship between the two youngsters and in the mind of someone who's trying to figure out her life under conditions fraught with confusion, contradiction, constraint and more than a few double standards. Writer-director Shuchi Talati's debut feature takes a nuanced, mature look at what can often be a baffling time of life, one that's made even more complex by the potent influences impacting it. The film tends to fizzle somewhat as it approaches its conclusion, almost as if the director doesn't quite know how to wrap up the story. But that doesn't hinder the production overall when it comes to covering some previously unexplored fertile ground when it comes to a subject that's often handled tritely and riddled with clichés. This recipient of two Independent Spirit Awards - for Kusruti's supporting performance and as a candidate for the competition's John Cassavetes Award - definitely makes a mark among 2024's releases, even if, as the premiere offering from a new filmmaker, it could use some shoring up at times. That aside, though, "Girls Will Be Girls" is an impressive start for a promising new auteur, one well worth streaming online. Indeed, through this work, audiences may never view the coming of age process in quite the same way ever again.
    5ranganmajumder

    Nothing new

    But to tell that, the film raises your expectations and slaughters them using its own hands. There's a nice group of actors, and a lucky handy teddy bear. But this is nothing new. And children nowadays experience such a phase much earlier in their lives. So while watching it, most of us can get a glimpse of some irrational delusions of the director.

    I can understand it's compulsory to speak in English inside the institutions but the film itself here is the institution. Language matters a lot, and that's a reason why it can't reach out to many. Sometimes it feels like Bombay with mountains. Local dialect exist krta hai?

    Anyways, makers should talk with students directly, make a nice use of their experiences.

    Nice attempt, best wishes.
    7madanmarwah

    Endearing story of mother-daughter relationship

    If " Boys will be Boys " is true then " Girls Will Be Girls " should equally be true. This movie more or less proves this and this is admirably done collectively by a talented girls team of actresses, cinematographer, music director and editor led by director Shuchi Lalati. A coming-of-age story which girls/women would like watching and relate to. As I started watching the movie, initially I was put off by the slow pace of the narrative but it soon turned interesting. Preeti Panigrahi plays Mira a senior school girl on the threshold of adolescence who has her hands full balancing issues like a strict helicopter mother, focus on studies, responsibility of school head girl, attraction to a boy student and satisfying her curiosities. It is a learning process for her every step of the way. Preeti has brought out the internal conflict, awkwardness, insecurity and vulnerability of the character very effectively.

    Director Shuchi Talati has made a well crafted, simple, sensitive and endearing movie dwelling on a mother-daughter relationship depicting emotional nuances which are truly touching. She has extracted good performances from Preeti Panigrahi ( Mira), Kani Kusruti ( mother Anila) and Kesav Binoy Kiron ( boyfriend Sri). The sequences are framed and photographed artistically and the cinematography is top class. The different aspect ratio has been used effectively.
    8khananas-51399

    This movie felt like my first kiss

    The movie has your attention from the first scene, they get everything right the casting, the location, the costumes, everything!!, But this movie takes its time to build up to what it's trying to tell you. How a young girl Mira is exploring her sexuality and love in this patriarchal world. Yet, it is one of the best school romances made in India.

    Plot of th movie revolves around Mira, the head prefect of her school, she dealing to meet with her, her parents and her teacher's expectations of her school results, maintaining a decipline in her school irrespective of them being her friends but at the same time she is exploring herself. This coming of age movie is similar to most coming of age movies but has got almost everything right!!

    I am stealing: every one has their key, you just need to find them, and ofcourse the school romance, the tention of the first kiss.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Citations

      Sri: I'll get you the rooftop keys.

      Mira: From where?

      Sri: Bansal. I won't tell her it's for you.

      Mira: She won't give them to you.

      Sri: She will.

      Mira: Why?

      Sri: Because people also have keys, and Bansal's not that complicated.

    • Bandes originales
      Take it or leave it
      Written by George Robertson Mcfarlane, Mary Carewe

      Performed by George Robertson Mcfarlane, Mary Carewe

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    Détails

    Modifier
    • Date de sortie
      • 21 août 2024 (France)
    • Pays d’origine
      • Inde
      • France
    • Langues
      • Anglais
      • Hindi
    • Aussi connu sous le nom de
      • 模範生的禁愛祕密
    • Sociétés de production
      • Pushing Buttons Studios
      • Blink Digital
      • Cinema Inutile
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 17 156 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 58 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.44 : 1

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