NOTE IMDb
6,0/10
26 k
MA NOTE
Ajouter une intrigue dans votre langueFollow two couples as they journey from the bar to the bedroom and are eventually put to the test in the real world.Follow two couples as they journey from the bar to the bedroom and are eventually put to the test in the real world.Follow two couples as they journey from the bar to the bedroom and are eventually put to the test in the real world.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
It was okay, really kind of bland. To paraphrase the supporting actors' words ---"you two are BOOOOORING" when describing the leads. This is why you should pass on seeing this in the theater. They are some funny moments. But the tension in the main characters' relationship makes no sense, there isn't any. No story line or development to the rise and fall of their relationship. This is only worth seeing if you really love and/or are crushing on any of the four actors starring in the movie. That said Kevin Hart and Regina Hall are hilarious, but it's not enough to save this movie. Okay date movie if nothing else is playing. Skip it, you've been warned.
Honestly, I'm disappointed. Steve Pink has directed some much funnier comedies in the past (Accepted, Hot Tub Time Machine). I think the problem is that he's just not cut out to direct the serious stuff. The first 20-30 minutes of the movie are the funniest, and the strongest. After that, the film drags and drags. Clearly there are two couples, and Ealy and Bryant's relationship takes the dramatic turn, while Hart and Hall are funny.
Ealy and Bryant are too melodramatic to make the dull material work, and Hart and Hall are oddly slapstick next to them. Do men really talk to women the way Kevin Hart's character does? Or is he an exaggerated version to be funny? He borders on obnoxious.
If you make it to the end, which I suppose most of you will, do you even care if the couples stay together or break up? In many ways, the film makes a stronger case for these couples not being together. I suppose, the one thing the movie does well is define itself as not being a black movie. I know what you're thinking the four leads are all black, it must be a black movie. It's not. I don't recall a moment in the film where they ever discuss being black, or the struggle of being black, or anything related to the color of their skin.
The film is a romantic comedy, where the leads happen to be black. Most films like this end up being "black movies", because of jokes that resonate more with a black audience, or jokes about the culture, etc. About Last Night avoids all of that, amazingly.
You won't get past the fact that the film drags, the acting isn't great, and you'll end up not caring about the end result. I'm behind on reviewing this, it's already on DVD, and that's a good thing. This would have been a definite skip for theatres, but is less offensive when you only spend a dollar or two on it.
Ealy and Bryant are too melodramatic to make the dull material work, and Hart and Hall are oddly slapstick next to them. Do men really talk to women the way Kevin Hart's character does? Or is he an exaggerated version to be funny? He borders on obnoxious.
If you make it to the end, which I suppose most of you will, do you even care if the couples stay together or break up? In many ways, the film makes a stronger case for these couples not being together. I suppose, the one thing the movie does well is define itself as not being a black movie. I know what you're thinking the four leads are all black, it must be a black movie. It's not. I don't recall a moment in the film where they ever discuss being black, or the struggle of being black, or anything related to the color of their skin.
The film is a romantic comedy, where the leads happen to be black. Most films like this end up being "black movies", because of jokes that resonate more with a black audience, or jokes about the culture, etc. About Last Night avoids all of that, amazingly.
You won't get past the fact that the film drags, the acting isn't great, and you'll end up not caring about the end result. I'm behind on reviewing this, it's already on DVD, and that's a good thing. This would have been a definite skip for theatres, but is less offensive when you only spend a dollar or two on it.
About Last Night is a very unique romantic comedy. And for a genre that's practically built around clichés, that's really saying something. It intertwines the romance and the comedy from different angles by showing two couples, both with polar opposite relationship dynamics. There are essentially four leads in this movie and they're all excellent, especially Hart and Hall. They're an absolute riot together. You can tell some of the stuff is improvised and they bounce off each other incredibly well, and you actually believe that these characters can fall in love.
The "normal" couple has the more romantic story, and sadly they're not nearly as fun as the crazy couple, but that's kind of the point. There are some heartfelt moments in there, and the witty writing helps a lot. Some plot lines in the movie are predictable, some are filler, but the movie as a whole is diverse and totally engaging. It's structured in a way that it jumps from season to season, showing the peaks and valleys of the two relationships and how the friendships between all four characters are affected by it. There is seldom a dull moment in About Last Night, and you can't say that about many romcoms.
What elevates this movie in particular, though, is Kevin Hart. He's absolutely hysterical. I would watch a full two hour movie of just his character, he's that good. This is more proof that Hart is a comedy genius (and this is coming from someone who doesn't care much for his standup); he just needs the right vehicle to showcase it completely. Here, he just isn't in it enough. I mean, he's in it a lot, but he's just so damn good you can't get enough. His chemistry with everyone is great, and it doesn't even feel like he's acting. Not to say the other actors aren't as good - they're great - but Hart (and his relationship with Hall) basically steals the movie.
About Last Night isn't the be all end all of romantic comedies, but it's different enough to separate it from the pack. It handles both the romance and the comedy with finesse (and plenty of vulgarity), and it features Kevin Hart unleashed. If you're a fan of his, this is a must-watch.
The "normal" couple has the more romantic story, and sadly they're not nearly as fun as the crazy couple, but that's kind of the point. There are some heartfelt moments in there, and the witty writing helps a lot. Some plot lines in the movie are predictable, some are filler, but the movie as a whole is diverse and totally engaging. It's structured in a way that it jumps from season to season, showing the peaks and valleys of the two relationships and how the friendships between all four characters are affected by it. There is seldom a dull moment in About Last Night, and you can't say that about many romcoms.
What elevates this movie in particular, though, is Kevin Hart. He's absolutely hysterical. I would watch a full two hour movie of just his character, he's that good. This is more proof that Hart is a comedy genius (and this is coming from someone who doesn't care much for his standup); he just needs the right vehicle to showcase it completely. Here, he just isn't in it enough. I mean, he's in it a lot, but he's just so damn good you can't get enough. His chemistry with everyone is great, and it doesn't even feel like he's acting. Not to say the other actors aren't as good - they're great - but Hart (and his relationship with Hall) basically steals the movie.
About Last Night isn't the be all end all of romantic comedies, but it's different enough to separate it from the pack. It handles both the romance and the comedy with finesse (and plenty of vulgarity), and it features Kevin Hart unleashed. If you're a fan of his, this is a must-watch.
The only reason I watched this film was, I'll admit, because of Kevin Hart. I really liked him in Ride Along, and wanted to see him on the screen again and was interested in seeing him in an ensemble type movie such as this was. Well, I just finished watching this film at the theater and this is what I'll say; it was a funny film for sure, Hart was funny as expected and he was coupled up with the extremely hilarious as well, Regina Hall. Together they were comedy gold and an extreme delight to watch. This film isn't just about humility though, it has a dramatic, serious side shown through the relationship of Michael Ealy & Joy Bryant, who I love on the NBC television show Parenthood. Both of these Actors were great to see as well, and from their story I found myself thinking about my own past relationships and how they all turned out. So defiantly a more relatable experience for sure. With all that said, I don't believe this film added anything new to this type of film genre, but that doesn't make it bad, just that it was entertaining and easily forgettable. I recommend renting this if you have to see it. Cheers!
About Last Night could have gone in two directions: Play it safe and make easy money like 2012's Think like a Man; or gamble the R rating, become more realistic, and resemble the likes of Best Man Holiday.
The gamble was taken, and the payoff is far better than expected. About Last Night finally allows Kevin Hart off the leash and the results are amazing. He also has a comedic rival in the female category with Regina Hall, who stands toe-to-toe with his insanity and doesn't back down. The end result is a romantic dramedy that despite lacking in laughs in favor of drama delivers an entertaining movie that will go down as one that took risks, just not enough of them.
The main risk was the well-earned yet respectably mature R rating. Your best movies about relationships usually tend to be those that do not shy away from the more mature subjects and aren't afraid of baring it all physically and emotionally. The Before Sunrise trilogy and Eternal Sunshine of the Spotless Mind are the better modern examples. About Last Night never exaggerates to earn the rating, instead exposes one-night stands, relationships, sex, emotional growth, and all the complications amongst these subjects with no red tape to stop it—ultimately establishing itself as a more mature film in its usual cinematic genre.
It wasn't just the honesty that gives About Last Night its edge above its usual contemporaries. It boasts a great (besides Bruno Mars' latest album) soundtrack that incorporates a healthy dosage of jazz and blues, employs a script with good dialogue, and is directed and edited nice and tight for that it never really overstays its welcome. Most importantly, the chemistry amongst the leads is off the charts. Regina Hall and Kevin Hart are nearly flawless together, as their banter and angry love provide the most laughs and some of the best moments in the movie. Not to be undone, the more dramatic relationship between Joy Bryant and Michael Ealy was very much believable and carried the emotional weight of the entire film.
What ultimately bogs down About Last Night is that it doesn't quite dig deep enough into the psyche of modern-day relationships. The 1980 version of About Last Night and the play that it's based on were both brutally realistic as well as critical of the time period and the views of relationships amongst the culture. With this version, we see the who, the what, and the where, but don't enough of the why. It lacks the subtle commentary like what we saw in Her, it lacks the explanation as to why it's become more difficult nowadays for marriages and long-lasting relationships to survive.
One of the quietly scary trends nowadays is the deterioration of the American marriage, especially amongst minorities like Hispanics and Blacks. This movie could have broken even more ground if this had been explored and expanded upon the concept of Sexual Perversion in Chicago, the original stage play. The play is 40 years old, maybe its time for an update?
Mediocre movies remain in shallow waters. Riskier movies swim deeper. And the best of the best fully dive in and risk all the consequences. About Last Night lands somewhere in the middle, but nonetheless is an entertaining movie with good performances and good chemistry. This movie will not embed itself in romantic drama history, but will leave a nice impression throughout the year—especially from rising star Kevin Hart and the underrated talent of Regina Hall, Joy Bryant, and Michael Ealy.
The gamble was taken, and the payoff is far better than expected. About Last Night finally allows Kevin Hart off the leash and the results are amazing. He also has a comedic rival in the female category with Regina Hall, who stands toe-to-toe with his insanity and doesn't back down. The end result is a romantic dramedy that despite lacking in laughs in favor of drama delivers an entertaining movie that will go down as one that took risks, just not enough of them.
The main risk was the well-earned yet respectably mature R rating. Your best movies about relationships usually tend to be those that do not shy away from the more mature subjects and aren't afraid of baring it all physically and emotionally. The Before Sunrise trilogy and Eternal Sunshine of the Spotless Mind are the better modern examples. About Last Night never exaggerates to earn the rating, instead exposes one-night stands, relationships, sex, emotional growth, and all the complications amongst these subjects with no red tape to stop it—ultimately establishing itself as a more mature film in its usual cinematic genre.
It wasn't just the honesty that gives About Last Night its edge above its usual contemporaries. It boasts a great (besides Bruno Mars' latest album) soundtrack that incorporates a healthy dosage of jazz and blues, employs a script with good dialogue, and is directed and edited nice and tight for that it never really overstays its welcome. Most importantly, the chemistry amongst the leads is off the charts. Regina Hall and Kevin Hart are nearly flawless together, as their banter and angry love provide the most laughs and some of the best moments in the movie. Not to be undone, the more dramatic relationship between Joy Bryant and Michael Ealy was very much believable and carried the emotional weight of the entire film.
What ultimately bogs down About Last Night is that it doesn't quite dig deep enough into the psyche of modern-day relationships. The 1980 version of About Last Night and the play that it's based on were both brutally realistic as well as critical of the time period and the views of relationships amongst the culture. With this version, we see the who, the what, and the where, but don't enough of the why. It lacks the subtle commentary like what we saw in Her, it lacks the explanation as to why it's become more difficult nowadays for marriages and long-lasting relationships to survive.
One of the quietly scary trends nowadays is the deterioration of the American marriage, especially amongst minorities like Hispanics and Blacks. This movie could have broken even more ground if this had been explored and expanded upon the concept of Sexual Perversion in Chicago, the original stage play. The play is 40 years old, maybe its time for an update?
Mediocre movies remain in shallow waters. Riskier movies swim deeper. And the best of the best fully dive in and risk all the consequences. About Last Night lands somewhere in the middle, but nonetheless is an entertaining movie with good performances and good chemistry. This movie will not embed itself in romantic drama history, but will leave a nice impression throughout the year—especially from rising star Kevin Hart and the underrated talent of Regina Hall, Joy Bryant, and Michael Ealy.
Le saviez-vous
- AnecdotesWhen Danny (Michael Ealy) and Debbie (Joy Bryant) are sitting in their apartment watching television and eating Chinese food, the film that they are watching is the original À propos d'hier soir... (1986), starring Rob Lowe and Demi Moore.
- GaffesCloser to the end of the movie when Hall and Hart were sitting at the table Bernie, played by Kevin Hart mentioned that he was allergic to chocolate. Later he was eating chocolate with no reaction.
- Citations
Bernie: I wanna talk to you, man. All that stuff that I was sayin' to you about her potentially being Alison? I didn't mean it, man. I'm seeing a difference in you. I feel like it's because of her. I'm kind of like, jealous, a little bit? I'm really happy for you, Danny.
Danny: Really?
Bernie: Fuck no! This is stupid.
- ConnexionsFeatured in An Un-Romantic Comedy (2014)
- Bandes originalesGet Up (I Feel Like Being a Sex Machine)
Written by James Brown, Bobby Byrd and Ron Lenhoff (as Ronald R. Lenhoff)
Performed by James Brown
Courtesy of Universal Records
Under license from Universal Music Enterprises
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- How long is About Last Night?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Tek Gecelik aşk
- Lieux de tournage
- Broadway Bar - 830 S Broadway, Los Angeles, Californie, États-Unis(Broadway Bar exterior)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 48 637 684 $US
- Week-end de sortie aux États-Unis et au Canada
- 25 649 011 $US
- 16 févr. 2014
- Montant brut mondial
- 50 445 860 $US
- Durée
- 1h 40min(100 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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