Plus de drames se produisent dans les coulisses que sur scène, alors que l'équipe prépare une ambitieuse comédie musicale à Broadway sur la vie de Marilyn Monroe.Plus de drames se produisent dans les coulisses que sur scène, alors que l'équipe prépare une ambitieuse comédie musicale à Broadway sur la vie de Marilyn Monroe.Plus de drames se produisent dans les coulisses que sur scène, alors que l'équipe prépare une ambitieuse comédie musicale à Broadway sur la vie de Marilyn Monroe.
- Récompensé par 1 Primetime Emmy
- 9 victoires et 28 nominations au total
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10mana6793
I was reluctant to watch this show as I thought it was going to be a failed attempt at another glee type show, however when I found out Katherine Mcphee in it I was immediately intrigued so I gave it a chance and I am so glad that I did, I like how a lot of the music is new songs written for the show, however they are not the main focus, it is about the process of making a Broadway show with a lot of musical scenes to make it even better, and the singers and actors are all incredible.
I have really enjoyed learning more about the behind the scenes of Broadway, but its not too much that you get confused or sick of it, you really fall in love/hate with the characters. The characters are also very complex which I love, you never know what one of them is going to do next
I never realised before how amazing Debra Messing is until this show, her acting is fantastic, and Megan Hilty is such a star. Any comparisons to Glee are simply because they both involve music, however they focus on entirely different things, SMASH is very mature and will easily appeal to an older audience, glee however is for teens and kids (like me, I love glee!) but this show is much more dramatic.
I watched the whole of series 1 in 2 days and as soon as I finished it I wanted to watch it again, which is exactly what I did!
I have really enjoyed learning more about the behind the scenes of Broadway, but its not too much that you get confused or sick of it, you really fall in love/hate with the characters. The characters are also very complex which I love, you never know what one of them is going to do next
I never realised before how amazing Debra Messing is until this show, her acting is fantastic, and Megan Hilty is such a star. Any comparisons to Glee are simply because they both involve music, however they focus on entirely different things, SMASH is very mature and will easily appeal to an older audience, glee however is for teens and kids (like me, I love glee!) but this show is much more dramatic.
I watched the whole of series 1 in 2 days and as soon as I finished it I wanted to watch it again, which is exactly what I did!
The production values alone are worth the price of admission, but this is also a show of clichés. You have the gay musical guy with his ever-grinning sycophant, who also came up with the idea for the musical, the harried wife/other musical person, the horny English director, who lives in apartment out of architectural digest, but is lonely and always on the look out for "fresh" faces and bodies to devour. On the other, we like the Indian boyfriend, we love the staging, the songs, the singing. As many have already indicated, it is the casting of McPhee that is the shows biggest issue. Having seen only one show, I only know that I felt she was out of her league, big time. This may be intentional, this may be the catch the producers are creating, and at some point McPhee becomes the smash. It's hard to imagine simply because McPhee doesn't really have the charisma to play the part. I like her, I like her voice, she just doesn't feel right for the part. That said, fun show and a worthy alternative to ever ballooning list of "singing" TV shows.
10aeiryl
The cast, level of vocal ability and performance, choreography, and dialogue were all excellent. The juxtaposition and occasional pairing of the two lead singers in competition for the lead in Bombshell really played up the suspense and excitement while highlighting what each brought to the part. It helped that we saw it through the director's eyes - the difficulty in choosing between them.
I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.
I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!
I like that it showed the conflict between making decisions for the good of the show and for the good of existing relationships. The only unnecessary character / conflict, in my opinion, was the ladder climbing Ellis. His character had no real development or arc. The obstacles he put in the way of success could have been shown by different means than this villain who we were not made to care about strongly either way.
I would not have taken it in a different direction the 2nd season; it didn't jive with what seemed to be the original premise of the show (i.e., a musical about putting on a musical). The struggle to mount the show and bring it to major success was interesting in itself. Especially when showing the inner struggles of the various teams, groups and individuals. Very unique - nothing like has come before it - and authentic. I miss it!
It is so good to have the option to see an upbeat musical instead of being limited to all of the police, vampire, garish and reality shows that have been taking over the networks these days. Katherine McPhee's performance is excellent. She is quite a refreshing actress and singer. The show is nicely geared towards the crowd that is over 16. Glee is much too young for me. I am 61. The show is very well done. The storyline is interesting and kind of reminiscent of the movie Fame. I am eager to tune into the next episode. I will be a loyal fan and hope that Smash becomes a long running show. It makes me smile and sing. We need more shows that can do that.
I'm a huge Broadway fan, but not a big TV fan. I go twice a year to NYC and try and see everything that might win a Tony. I thought I wouldn't like this show because simply, I thought it would be lame. But a director friend of mine recommended it to me and told me to read the NY Times review of it. I did both and now I'm hooked. I find the story line a bit too Dallas for my liking but the cast is awesome and totally full of A-listers. Lots of appearances by Tony award-winning actors. Great talent everywhere. The musical numbers are authentic. And the behind the scenes drama feels real-ish. No homophobia, real producers, ideas based on fact - what's not to like?! I don't think the show is perfect but I want to give it my support. I appreciate singing with believable lip synching and that the actors in the show can actually sing and dance! More! More! More!
Le saviez-vous
- AnecdotesSeveral of the actors on Smash have actually performed in Broadway musicals. Megan Hilty played Glinda in Wicked and originated the role of Doralee in 9 to 5. Christian Borle was in the original casts of Spamalot and Peter and the Starcatcher, and originated the role of Emmett in Legally Blonde. Brian d'Arcy James was in the original casts of Titanic, the revival of The Apple Tree, and played the title role in Shrek. Wesley Taylor was in the original casts of Rock of Ages and The Addams Family. Will Chase has been in Rent, Aida, The Full Monty, and Billy Elliot. Ann Harada (Linda) originated the role of Christmas Eve in the puppet musical "Avenue Q." Anjelica Huston has never been in a Broadway musical, but in 1969 she played Ophelia in a Broadway production of Hamlet, and Leslie Odom Jr. Played Aaron Burr in "Hamilton" which he won the Tony Award for best actor for his performance.Jeremy Jordan played Jay Gatsby in "The Great Gatsby"
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #20.81 (2012)
- Bandes originalesSomewhere Over the Rainbow
(uncredited)
Written by Harold Arlen and E.Y. Harburg
Performed by Katharine McPhee
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