Ajouter une intrigue dans votre langueWhen a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.When a solitary writer adopts and bonds with a Great Dane that belonged to a late friend, she begins to come to terms with her past and her own creative inner life.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Cloé Xhauflaire
- Camille
- (as Chloé Xhauflaire)
Avis à la une
Directors Scott McGehee and David Siegel adapt Sigrid Nunez's novel, starring a charming Naomi Watts and a Great Dane who stands out as one of the best canine actors of recent times.
A heartfelt and heartwarming drama about grief and the bond between pet and owner. A novel adapted with sincerity and commitment, it's a perfect drama that's well directed and well acted, drawing us into a study of the characters in all their layers, including a heartfelt performance by a dog who steals the show.
It's a perfect exploration of the profound drama of the loss of a loved one, equated in two parallel worlds: that of an animal and that of a person. This dynamic makes the film a constant journey through the intensity of grief, but also through the shortcomings of a protagonist who invites us on a journey through her healing as we immerse ourselves in a magnificent and adorable love story between a dog and a human. This film leaves its own mark, avoiding the typical dog movie we're accustomed to.
It's a well-known story that man's best friend has won that ground. It's a film that dares to explore a dog's deepest sorrow for his owner and his own grief-healing process. Magically portrayed by our friend Apollo, whose wide gaze and size fill us with grief and joy at the same time, we can even sense his own personal interpretation of the canine drama he brings to the screen-an absolute visual impact.
It's a film that offers a moving, funny, humane, and unforgettable story about friendship, loneliness, grief, and love in all its layers. A pleasant and sweet journey in a correct and sincere adaptation of the novel in question. It becomes an irresistible experience that anyone who has ever loved a pet must see.
The supporting cast is excellent, and of course, Murray nails it, making his few scenes shine. New York City has never looked better, thanks to cinematographer Giles Nuttgens.
Bleecker Street hits the nail on the head with the layout of this little indie gem.
A heartfelt and heartwarming drama about grief and the bond between pet and owner. A novel adapted with sincerity and commitment, it's a perfect drama that's well directed and well acted, drawing us into a study of the characters in all their layers, including a heartfelt performance by a dog who steals the show.
It's a perfect exploration of the profound drama of the loss of a loved one, equated in two parallel worlds: that of an animal and that of a person. This dynamic makes the film a constant journey through the intensity of grief, but also through the shortcomings of a protagonist who invites us on a journey through her healing as we immerse ourselves in a magnificent and adorable love story between a dog and a human. This film leaves its own mark, avoiding the typical dog movie we're accustomed to.
It's a well-known story that man's best friend has won that ground. It's a film that dares to explore a dog's deepest sorrow for his owner and his own grief-healing process. Magically portrayed by our friend Apollo, whose wide gaze and size fill us with grief and joy at the same time, we can even sense his own personal interpretation of the canine drama he brings to the screen-an absolute visual impact.
It's a film that offers a moving, funny, humane, and unforgettable story about friendship, loneliness, grief, and love in all its layers. A pleasant and sweet journey in a correct and sincere adaptation of the novel in question. It becomes an irresistible experience that anyone who has ever loved a pet must see.
The supporting cast is excellent, and of course, Murray nails it, making his few scenes shine. New York City has never looked better, thanks to cinematographer Giles Nuttgens.
Bleecker Street hits the nail on the head with the layout of this little indie gem.
This film really should have been a slam dunk, but somehow it manages to be overly long, barely sentimental or emotional, and lacking in any real connection with the characters.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
Watched the Friend at NYFF among an appreciative and applauding crowd. It is a multi dimensional story of grief where we don't know whether the human is supporting the animal ot is it vice versa.
We try to understand Walter's character thru interactions of his near and dear ones. Iris is a complicated character poignantly played by Naomi Watts.
But at the end it is Apollo who helps everyone find their way in life.
The backdrop of NYC where the story is based also shot was amazing. It has its own character as Iris and Apollo go thru their daily life among the teeming millions.
Finally a great shoutout to the dog playing Apollo. One of the beat animal acted movies.
We try to understand Walter's character thru interactions of his near and dear ones. Iris is a complicated character poignantly played by Naomi Watts.
But at the end it is Apollo who helps everyone find their way in life.
The backdrop of NYC where the story is based also shot was amazing. It has its own character as Iris and Apollo go thru their daily life among the teeming millions.
Finally a great shoutout to the dog playing Apollo. One of the beat animal acted movies.
While on vacation in Hollywood (ooh la la) I obviously had to see a movie. Funnily enough, I chose the most "New York" movie out there. THE FRIEND is a drama based on a book by Sigrid Nunez about a writer named Iris (Naomi Watts). Her best friend Walter (Bill Murray) commits suicide, leaving her to deal with the grief of the loss, his many exes, and a Great Dane called Apollo. Living in a tiny apartment building, her landlord is urging her to move out because of Apollo. This dog is a huge scene stealer, very expressive and such a good boy. Yes he is. He reminds us that he's grieving right alongside Iris. They start to bond, even though she's not a dog person. This movie shows how one person can affect the people around them in different ways. There are thought-provoking and fascinating conversations that take place here. Taking control of your life can look like a variety of things, small or big. Apollo could be seen as a metaphor for a few things, depending on who's asking. THE FRIEND will resonate with dog-owners and everyone who has experienced loss, which is probably most people.
Reuniting St Vincent (2014) stars, Bill Murray and Naomi Watts, The Friend is a heavy, emotional tale that deals with death, suicide, and perseverance.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
Le saviez-vous
- AnecdotesSigrid Nunez has stated that she is pleased with how her book is presented in this film adaptation.
- ConnexionsReferences La vie est belle (1946)
- Bandes originalesDie Zauberflöte, K. 620, Act 2: 'Pa-pa-pa' (Papageno, Papagena)
Written by Wolfgang Amadeus Mozart
Performed by Catherine Pierard
Courtesy of Parlophone Records Limited
By arrangement with Warner Music Group Film & TV Licensing
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 3 941 217 $US
- Week-end de sortie aux États-Unis et au Canada
- 67 629 $US
- 30 mars 2025
- Montant brut mondial
- 4 382 113 $US
- Durée1 heure 59 minutes
- Couleur
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