Fantasmas

This is a sketch comedy show of how Julio's brain works. It's about his "profession" and how he is not any "one thing" in life. He is an artist that struggles with the question, "so what do you do?".

These sketches go far down a rabbit hole of fleeting ideas, with stunning makeup, costumes, and set design. Sketches range from bizarre sitcoms to reflective narrative moments on what it means to be an artist or creative person in the modern world.

For those who do not know Julio Torres, he is often associated with the term "magical realism". I'm assuming that if he ever wanted to be confined to a genre that would be appropriate.

Julio Torres never presents a cliche' subject. Go with the flow, and enjoy every delicious moment. Surprises around every single corner awaits. Stories within stories, within stories. He packs each half hour segment like a can of sardines with his enchanting plots. His wardrobe and background settings are done with an artist's vision of both beautiful colors and unique geometric shapes. He may have changed his hair color of choice from blue to orange, but his signature creativity is still woven in the wickedly absurd vignettes. The new characters that he introduces to us like Chester the driver, played by Tomas Matos or Steve Buscemi, as the unforgettable Q, are hysterical! I can't wait for the next episode to come an take me into his magically twisted dreamland of delight.

Having seen "Los Espookys" and "Problemista," I'm a fan of Julio. His offbeat humor, quirkiness, fantastical, surreal elements are woven through all, and "Fantasmas" is so far my favorite.

I love satire, and I'm really enjoying all the commentary on a wide variety of challenges and flaws of modern day society. This is often expressed through a ridiculous, exaggerated situation, which shines a comedic light on how truly dystopia some things are.

Each character is offbeat, and some are straight out of a fever dream.

In order to really enjoy this, you'd have to be along for the ride and not overthink or question a lot of the absurd, nonsensical things that happen, or be wanting a strong storyline structure.

This show feels weird for the sake of being weird, and it will continuously surprise you.

Lovely use of color and obviously very creative, but having seen one episode, I am unlikely to see any more of them. It's surrealistic and quirky, with some characters that are trying to be perfectly normal and Julio Seeming to be puzzled by life.

But he's a consultant to various companies starting with Crayola where he advises them to create a crayon that's transparent. He points out that a glass of water is transparent so how would you color it? Of course, the very glass of water he points to has blue edges to it, and anybody who's ever, painted a glass of water and blues that work quite well for it.

He has a robotic creature who keeps house for him and nags in the other things, including the eviction notices he's been getting. He's too busy trying to find a lost earring and apparently that's going to be the theme of the whole series.

Well, good luck, Julio. I hope things work out for you and for the TV show.

First episode and it's seemingly more of Julios spontaneous, surreal style of filmmaking. Very quirky, very funny and clearly influenced. There's a unique feel to his projects, like a flow of thoughts coming and going, creatively juggling themes in this dreamlike splash of colours, costumes and alternate worlds similar to something you'd see in "poor things". The first episode picks up many concepts in 30 minutes, though so far they dont really land well enough to impress me (or hopefully these ideas will be explored in following episodes) but based on this being the exact issue I had with his feature film, I'm uncertain if these established themes will be revisited in this "stream of Julio's conscious thoughts" style. I liked his feature "problemista" but he is still clearly in the early stages as a filmmaker.

Check this out if you like funny, surreal, quirky weirdo filmmaking from an exciting upcoming indie director still finding his footing.