Conversation animée avec Noam Chomsky
Titre original : Is the Man Who Is Tall Happy?: An Animated Conversation with Noam Chomsky
NOTE IMDb
7,1/10
3,8 k
MA NOTE
Ajouter une intrigue dans votre langueA series of interviews featuring linguist, philosopher and activist Noam Chomsky done in hand-drawn animation.A series of interviews featuring linguist, philosopher and activist Noam Chomsky done in hand-drawn animation.A series of interviews featuring linguist, philosopher and activist Noam Chomsky done in hand-drawn animation.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Richard Feynman
- Self
- (images d'archives)
- (non crédité)
Michèle Oshima
- Self
- (voix)
- (non crédité)
Beverly S. Stohl
- Self
- (voix)
- (non crédité)
Avis à la une
One of the other reviews here is very negative. That review's author uses terms like "self- indulgent" to describe this film.
That term is totally accurate. This movie is the definition of self-indulgence. A series of edited interviews is played while hand-drawn animations form and transform on the screen. That's the film. It sounds ridiculous.
But it drew me in and captivated me. The topics range from linguistic theory, Noam Chomsky's views on various things, and musings about his childhood. Gondry's own thoughts and interpretations, also included, seemed to miss the mark fairly often. But I felt like Gondry's voice ended up adding something to the movie. He is someone trying to understand complex concepts: sometimes he gets it, sometimes it doesn't seem like he does. From what I've written so far, this movie may sound like a nightmare to you.
However, the whole concept was so original, and the drawings were engaging and interesting - - like a hand-drawn kaleidoscope with patterns that change depending on the topic being discussed. Gondry's thick french accent might distract some viewers, but I found it intelligible (there are also hand-drawn "subtitles" when he speaks, although I found them harder to read than I did to understand Gondry's accent). Chomsky has always struck me as a compelling speaker. He is soft-spoken but knows his lines (speaking figuratively) and makes his points well.
All in all a unique and surprisingly entertaining experience. 8/10
That term is totally accurate. This movie is the definition of self-indulgence. A series of edited interviews is played while hand-drawn animations form and transform on the screen. That's the film. It sounds ridiculous.
But it drew me in and captivated me. The topics range from linguistic theory, Noam Chomsky's views on various things, and musings about his childhood. Gondry's own thoughts and interpretations, also included, seemed to miss the mark fairly often. But I felt like Gondry's voice ended up adding something to the movie. He is someone trying to understand complex concepts: sometimes he gets it, sometimes it doesn't seem like he does. From what I've written so far, this movie may sound like a nightmare to you.
However, the whole concept was so original, and the drawings were engaging and interesting - - like a hand-drawn kaleidoscope with patterns that change depending on the topic being discussed. Gondry's thick french accent might distract some viewers, but I found it intelligible (there are also hand-drawn "subtitles" when he speaks, although I found them harder to read than I did to understand Gondry's accent). Chomsky has always struck me as a compelling speaker. He is soft-spoken but knows his lines (speaking figuratively) and makes his points well.
All in all a unique and surprisingly entertaining experience. 8/10
While Mr. Gondry's accent took a little getting used to, the effort was well worth it. I applaud Mr. Gondry's creativity in presenting Chomsky's ideas about science and philosophy and the doggedness he exhibited in certain instances in delving into the meaning of Chomsky's notions about how we learn and think. The use of animation transformed what for some may have been a droll lecture into a lively and interesting narrative about philosophy, religion, and of course linguistics. I also applaud Gondry's decision not to focus on Chomsky's radical and divisive political views, which would have only detracted from his views about philosophy, science, linguistics and religion. I recommend the film to anyone who is interested in learning about the type of mind-set necessary to think clearly and originally and to make sense of how the world works.
Then see this. Otherwise it's just sad to shut down Michel s optimism at every turn. Ugh.
I mean not to sound sycophantic but any document that has noam chomsky talking for 80 minutes is a valuable one. Gondry is an awkward guy which is fun to listen. They get along well. Noam is, as always, insightful and inspiring.
10rzajac
This is a fantastic, intelligent wedding of word and image. It's like a genuine synthesthetic experience, like the animator wanted us to have a cogent, dependable hallucination of Chomsky's brilliant, eloquent statements. From time to time I would sort of "forget" whether I was hearing Chomsky or seeing what he was saying; they sometimes switched places... or (perhaps more accurately) truly merged in my mind, like finally having the image of one of those 3D "art" images pop out at you when your eyes finally settle into the correct parallax and focus mix. I found that when I was relaxed and letting the flow of ideation wash over me, my experience was "of a piece"; almost psychedelically.
What can I say? It's just a lovely way to mainline a genius' thinking; the filmmaker succeeds in his quest to enhance and tease out the intuitive aspects to technical/scientific thinking; and that's downright inspirational!
Check it out.
--------Addendum
Just want to add one more point. As much as I find Chomsky's politics to be vital and morally attuned, it STILL strikes me as a great artistic decision on the part of Gondry to 1) minimize the politics, 2) put them off 'til (largely) the end, and 3) subsume them to the task of conveying warmth (not urgency). You get a measured, requisite dose of Chomsky's politics, *without* the overwhelming sense one often gets with Chomsky that, up against so much troglodytic inertia, the task truly daunts. Bravo.
What can I say? It's just a lovely way to mainline a genius' thinking; the filmmaker succeeds in his quest to enhance and tease out the intuitive aspects to technical/scientific thinking; and that's downright inspirational!
Check it out.
--------Addendum
Just want to add one more point. As much as I find Chomsky's politics to be vital and morally attuned, it STILL strikes me as a great artistic decision on the part of Gondry to 1) minimize the politics, 2) put them off 'til (largely) the end, and 3) subsume them to the task of conveying warmth (not urgency). You get a measured, requisite dose of Chomsky's politics, *without* the overwhelming sense one often gets with Chomsky that, up against so much troglodytic inertia, the task truly daunts. Bravo.
Le saviez-vous
- AnecdotesMost of the film is framed in 4:3. However, some sequences extend beyond this.
- ConnexionsReferenced in Film Junk Podcast: Episode 446: The Hobbit: The Desolation of Smaug (2013)
- Bandes originalesClarinet Quintet: I ANDANTE
Written by Howard Skempton
Performed by Birmingham Contemporary Music Group
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- How long is Is the Man Who Is Tall Happy??Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Is the Man Who Is Tall Happy?
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 137 042 $US
- Week-end de sortie aux États-Unis et au Canada
- 31 800 $US
- 24 nov. 2013
- Montant brut mondial
- 137 042 $US
- Durée1 heure 28 minutes
- Couleur
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By what name was Conversation animée avec Noam Chomsky (2013) officially released in Canada in English?
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