Moi & toi

Titre original : Io e te

2012
1h 43min

NOTE IMDb

6,5/10

6,1 k

MA NOTE

Lire trailer1:12

2 Videos

84 photos

Drame

Ajouter une intrigue dans votre langueAn introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in a basement.An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in a basement.An introverted teenager tells his parents he is going on a ski trip, but instead spends his time alone in a basement.

Voir les informations de production sur IMDbPro

NOTE IMDb

6,5/10

6,1 k

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 8 victoires et 13 nominations au total

Vidéos2

Trailer 1:12

Trailer [OV]

Trailer 1:29

International Version

Trailer 1:29

International Version

Photos84

+ 78

Avis des utilisateurs16

6,56K

Avis à la une

Vincentiu

not only an another Bertolucci

I like it. it is not a revelation/surprise/piece from Bertolucci chain. it is only a common story about family, about a meeting and refuges. and nothing more. a delicate picture about small significant things. interesting young actors and waters of a special atmosphere. realistic, gray, circle of nuances, seductive and almost real beautiful, it is a mixture of ordinary life crumbs and a strange poem. a teenager and his sister. dialogs, feelings, silences. and a Bertolucci after experiments, storms, scandal. because, after an extraordinary trip, it is time for reflection. a film like a box with surprises. first - Jacopo Olmo Antinori in a promising role. then - Tea Falco. so, it is not a bad idea to see it ! not for director or for cast. but for a meeting with art to transform in movie few common pieces from common life.

8paul2001sw-1

A small, sweet story of loneliness and redemption

Bernarod Bertolucci's final film feels more like the movie of a younger director: it's protagonists are youthful, the budget is low and there are few special effects or tricks, the story is simple and not overcooked. But I liked this tale of a shy teenager who camps out in a basement when supposed to be going ski-ing, and who gets a shock when his troubled sister turns up. Parts of what follows are a little cliched, but the basic feel of the film imparts a sense of honesty and genuineness. I liked it a lot, although it's a long way from 'The Last Emperor' or 'Last Tango in Paris'.

6MarcoParzivalRocha

Let's take a trip to the basement

Lorenzo, a 14 year old boy, pretends to embark on a school trip to a ski resort and takes refuge in the basement of his building. When his step sister suddenly appears, the experience of both will become unforgettable.

The last feature film by Bernardo Bertolucci, the director who gave us The Last Emperor and The Last Tango in Paris.

It's essentially a film about the social pressure that teens are facing nowadays, and how they deal with this problem (Bertolucci was already 73 years old, the topic was a bit risky for him), and the final result is an ok film, but far from being memorable.

The story lacks on the characters background, but it does have what it takes to keep it from being tedious, thanks to the performances of Jacopo Antinori and Tea Falco.

The fact that only scratchs the surface of the issues and problems of the characters makes it difficult to connect with them.

aplustardcrocodile

From before the revolution to after the revolution

It could have been a sort of explosive mix between Last Tango in Paris (seclusion) and la Luna (incest, drug-dependence, difficult teenager). A teenager and his older half-sister secluded in a basement for a week get to know each other for the first time. But Olivia's too busy going cold turkey with heroin and Lorenzo lacks audacity. He also suffers from narcissism, so he's not particularly inclined to let go and explore. So no sex, no kinkiness, no demolition of bourgeois values, no anarchy of bodies and minds. All this adds to the realism of the movie, but leaves you a bit disappointed if you expect a Bertolucci-like cinematic experience. I honestly expected to be shocked and disturbed one more time, with style and good taste of course. Instead, the result is quite bland. Certainly, it has its good moments and shots, but the acting leaves much to be desired and the atmosphere is somewhat post-revolutionary.

8engyroz

Change is hard

I bit late to the party, but Bertoluccis latest(last) effort is a fine one indeed. This movie is a celebration to human relationships, and the potential in them for change. Why face the immediate hardships of life when you can be an angry spectator. Why have human relationships when they can hurt you. Why open up, when there is pain and suffering. Why need others when alone you are in control. This film tells you why.

This odd coming of age film set in an cellar describes the process of a relationship where in the end you feel like change is possible. This is a beautiful feeling indeed. And I thank Bertolucci for this.

See this film.

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Anecdotes
Director Bernardo Bertolucci's first Italian-language film in 23 years.

Citations
Olivia: [Olivia trying different hats on Lorenzo, left by Countess Nunziante in storage] Let me see this one. You know, I was doing photography a while ago. And video art. I even had some exhibitions. I won an important award when I was 18. It's true. I went to Los Angeles.
Lorenzo: Yeah, right.
Olivia: I did. But then I got messed up with dope and I stopped. The pictured that you saw are part of a series called 'I am the Wall'.
Lorenzo: What wall?
Olivia: It's a metaphor. Basically it's me becoming that wall, and entering the wallpaper, the plaster.
Lorenzo: Like a lizard.
Olivia: No, not like a lizard. In fact, I wanted to dematerialise. Me and you, if we didn't have our own point of view, we'd be the same, right? Without a point of view, we'd stop fighting each other, and accept reality for what it is, without judging it. Like... do you know Buddhism?
Lorenzo: But your not a Buddhist.
Olivia: Aren't I?
Lorenzo: No, you're always angry.
Olivia: It's not easy being a Buddhist. Besides, it's drugs that made me nasty. Before, I could pass through walls.
Lorenzo: Yeah, right.
Olivia: It's true. Do you like this dress?
Lorenzo: It's beautiful.
Olivia: Do you want me to put on a different one? Countess Nunziante was my size.
Lorenzo: All right.
Olivia: Ok.