Skew

Skew is yet another hand-held POV horror in a similar vein to The Blair Witch Project and its countless found footage imitators. On this occasion, the person behind the camera is Simon (Rob Scattergood), who experiences disturbing occurrences while documenting his road trip with friends Rich (Richard Olak) and Eva (Amber Lewis): while peering through the viewfinder, Simon witnesses strange visual distortions that seem to predict the subject's imminent death.

Told at a very leisurely pace, with the camera even resting on inanimate objects or total blackness for minutes on end, Skew is definitely a test of one's patience at times; however, commendable performances and sporadic moments of well-handled weirdness keep the viewer watching, as does the hope of a satisfying denouement. It's rather frustrating then that, by the end of proceedings, several issues are still left unresolved, most notably the true nature of the supernatural phenomenon and the fates of several characters.

On occasion, a little ambiguity can work in a film's favour, but in this instance, after such an arduous and often uneventful haul, it only serves to irritate.

N.B. A little detective work here on IMDb has since enabled me to better understand the director's intentions, but when an in-depth explanation from those involved is necessary in order to appreciate a film, then it only seems fair to call it a failure.

I first saw Skew at the Mississauga Film Festival. This is a psychological thriller/horror film that has found a new voice in its "found footage" sub-genre. Skew kept me wondering and waiting for more. The acting is good. The character of Eva is especially strong, haunting the audience with her wide eyes. The effects are subtle and work well in the grainy home video 4x3 ratio. Sometimes the scenes felt a little too long, but there were enough scares that I was compelled to see it again when I was in Manhattan for the Manhattan Film Festival. This second time I concentrated on the story and picked up on clever plot points that I missed or didn't seem to matter on my first viewing. Pay attention, this film is coming from a new direction that will side-swipe you.

I have been on a kick of watching found-footage horror films recently, and after watching what I thought was all I could find on Netflix, I happened to stumble upon this title. The picture was littered with rave reviews, which was enough to convince me that it was at least worth checking out.

I enjoyed the first two Paranormal Activity movies (haven't seen the third yet), The Last Exorcism annoyed me, and I don't even know what to write about Grave Encounters. My biggest complaint with these types of movies is that there is too much that is similar - I realize that there is only so many ways you can go, but there's no need to have the lead character who wants the "documentary" to go on no matter what, a swinging chandelier, or someone getting dragged by an unseen force is every found-footage movie about the paranormal.

Boy, was I glad that I watched Skew ... it avoided enough of those recurring elements that it could be considered - dare I say - creative.

The basic plot revolves around three friends on a road trip. The main character is seemingly obsessed with using the video camera, a source of increasing annoyance to his two friends. Along the way, the main character begins to see strange things through the camera, and strange things begin to happen to people who are seen on camera. The tension builds and builds until you are assaulted with a mind-twisting ending that, in my opinion, can stack up against any other twist ending out there.

The acting is much better than most of this genre, the "home movie" element feels very natural, and the few jump scares that are featured a more than enough to get your attention right away. I felt that some scenes dragged on a bit long, but it's not bad enough to truly annoy, and actually adds to the "home movie" feel.

Usually, the use of a musical score and other scary movie tones used on post-production irritate me (if this is truly "found-footage," there wouldn't be any background music, would there?) But in this case, the sounds used at the end amplify the effect ten-fold. And the ending - WOW. There will be those that won't be able to figure it out, and I admit that I am one of them. But the movie was that good that I am looking forward to watching it again to figure it out.

For fans of this genre, I highly recommend this movie, even if only to see something that is a little different. If you're not already a fan of the genre, this movie won't make you one. But that being said, this is one of the better movies I've seen the last couple of days, and I haven't been able to get it out of my head yet.

I just caught this on The Horror Channel and I'm somewhat perplexed what it was doing there . As the threadbare story unravels the possible horror element is people having distorted faces that led me to believe that I might be watching something along the lines of John Carpenter's THEY LIVE where a special camera alerts the viewer to alien infiltration and a scene of violence at the end but I doubt if SKEW is about alien invasions

It's also a very boring film like so many lost footage movies . One can understand low to no budget producers using this format since it requires little money for expensive cameras , film and a star cast but many of us consider the art of cinema as telling a visual story and these type of movies usually revolve around realist situations that are so realistic you could easily make the same film on your I-pod

In short this is very banal seen it all before stuff with guerrilla film standard production values . Unless I missed something it's not a horror movie and I'm very sceptical about other comments stating that you have to watch a couple of times in order to get it . I strongly doubt if I'll be watching this again

I recently went to Fear Fete Horror Film Festival in Baton Rouge and got to see this little horror film. While most found footage films seem to go in for the shock value, Skew is a refreshing change and actually takes its time to draw the viewer into its warped world of creepiness.

The movie starts off with three friends, Simon and cute couple Eva & Rich, going on a roadtrip. The fact that Simon's girlfriend refuses to join them already sets the tone for some tension which just increases as the trip goes on. One thing is for certain, Simon has issues. Those issues revolve around an unhealthy obsession with a video camera.

The video camera is always running. And while Rich and Eva start running out of patience with their obsessive friend, Simon, evil events start to ruin their roadtrip.

First off, let me start by saying that the acting was great. It felt very real and authentic. They captured that feeling of initial excitement and then inevitable annoyance from being around the same people day in and day out. Especially with Simon due to his paranoid behavior.

The story is simple enough, yet what is happening with the video camera is much more complex. I was trying to figure out what was going on during the entire screening and while I definitely had my own theories, the film does an excellent job of explaining it without knocking you over the head with the answers.

The director gives the audience a lot of credit for being smart. If you don't pay attention the whole time, you just won't get it. The ending will not make sense or it might even make you mad. A second viewing might definitely be necessary for dummies who didn't pay attention the first time. I would love to see it a second time to just make sure that everything pays off correctly.

Though there aren't a ton of scares, the caliber of these scares was good. Especially one certain one which I will not give away (but you'll know it as soon as you see it). The sound and visual effects of the camera were very inventive and while I've seen some of them recreated in other movies lately, it says a lot that since Skew was made in 2005 (not to mention without the Hollywood budget), that this director wasn't copying anyone, but using his creative flair to make a true indie movie.

A valiant first feature debut and I hope to see more from this guy soon.