Après avoir découvert un scandale lié à la protection de la vie privée, une hackeuse éthique est accusée de meurtre. Elle doit échapper à la police tout en essayant de retrouver les criminel... Tout lireAprès avoir découvert un scandale lié à la protection de la vie privée, une hackeuse éthique est accusée de meurtre. Elle doit échapper à la police tout en essayant de retrouver les criminels qui la font chanter.Après avoir découvert un scandale lié à la protection de la vie privée, une hackeuse éthique est accusée de meurtre. Elle doit échapper à la police tout en essayant de retrouver les criminels qui la font chanter.
- Réalisation
- Scénario
- Casting principal
- Thomas Deen
- (as Geza Weisz)
- Yu-Jin
- (as Kyra Smith)
Avis à la une
It makes the movie one dimensional and more like a (bad) cartoon.
Sadly this movie fits in a long row of Netflix productions we're quantity trumps quality.
To end with a positive note: the city of Rotterdam gets a great promotion with all its highlights, so if this movie inspires you with inspiration to vist this citty something good came out of this production.
At one point the protagonist say's she is going to have dinner with "a guy" and her lady friend (Who we never see again) ask's "is it a creep?". The protagonist then shows a mere photo of the guy at which point the lady friend says: "Oh, so not a creep" It is suggested that because the guy is cute, he's not a creep. Good lord...
The tropes, the cliches, It's all just painful to watch. I did it, so you do not have to. Skip this one.
If you've seen just about any other movie featuring hackers you'll spot plenty of genre clichés here. Whether or not you can enjoy the film depends on whether you can suspend your disbelief and ignore the more far-fetched moments for ninety minutes or not. I enjoyed much of the film and thought the tension ramped up nicely towards the end. There isn't much violence and if it weren't for the excessive swearing this would not be unsuitable for younger viewers. The acting is decent enough; Holly Mae Brood is solid in the lead role. Overall I'd say this is far from a must see but it passes the time well enough if you are nostalgic for the hacker films of the '90s.
These comments are based on watching the film in Dutch with English subtitles.
The pace in this flick from the Netherlands ist OK, the acting maybe average, direction is OK, the storyline could be worse, agreed.
And, so? It's not a Hollywood-blockbuster (whatever THAT is supposed to be) and we do not have the humongous budgets over here to pull a flick like TOP GUN MAVERICK.
Nuthin' personal though, so chill.
Greetings from good 'ole Europe.
They name Villain company name as Xiao Min. It's like company name is Mcdonald in states. All the hacking scene are like 80 movies. Some people just bashing on the keyboard and some random text running on the screen.
Police saw the evidence, but they still think it's fake. Her hacker group always wear the same cloths and headphone even tough it's a different day. Never show what's the connection with the bus company and china company.
Too little research on the hacking behavior. They just inspire on Hollywood movie and try to put together in the movie but it's fail.
Le saviez-vous
- AnecdotesThe character Mel B is not based on the real life Spice Girl, Mel B.
- GaffesIf Mel's Trojan Horse disabled all companies connected to the Chinese front, it should have disabled the bus company's as well.
- Citations
Janey van Ierland, Director Content Acquisitions Benelux & Nordics: The Takeover is our first Netflix Original action film from Dutch soil. Under the direction of Annemarie van de Mond, we are very much looking forward to launching a new Dutch film in this genre about a very topical subject.
Meilleurs choix
- How long is The Takeover?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- زمام المبادرة
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 200 000 € (estimé)
- Durée1 heure 27 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.4 : 1