Blood & Gold

In the dying days of the Second World War, Heinrich, a Landser in the German army is sentenced to death by a sadistic SS leader. His crime? Desertion, wanting to escape an unwinnable war and find his way home to the daughter he barely knows. The rope is placed around his neck and his tormentors drive off laughing. But just before they leave the unfortunate soldier to his fate, the Sergeant cruelly twists the noose so that his death will be more drawn out and painful. Mistake.

From this starting point, Blood & Gold rapidly turns into a solidly entertaining war flick that emulates the exploitation movies of the seventies. Come And See this is not, it's one hundred minutes of Nazis getting brutally slaughtered with axes, machine guns and pitchforks.

It seems to have turned up at the right time too. The hype machine for the similarly-themed Sisu is in overdrive at the minute, so Blood & Gold is perfect for anyone that wants to see a Nazi bloodbath but can't make it to the cinema. It's not a complicated film, but if you like your Nazi leaders scarred, fanatically unhinged and destined to meet a gruesome end, this'll be right up your street. It's a grimy, unpleasant movie and the kind of thing Quentin Tarantino's Inglourious could have been inspired by. Some of it is remarkably cruel and it doesn't shy away from killing likeable supporting characters, but I'd be lying if I said I wasn't entertained. How can you not grin when a Nazi rapist gets scolding hot coffee thrown into his crotch?

It is an action-packed German film set in the chaotic backdrop of post-war Nazi Germany. It shares a similar style to the film "Inglourious Basterds" but on a smaller scale. Created by German filmmakers, it is incredibly entertaining and engaging. Every moment of the film is filled with thrilling action scenes. Each character has a prominent and compelling role, keeping the audience guessing about what will happen next. The comedy is sharp and satirical, adding an amusing and provocative twist to the Nazi narrative. The film also doesn't forget to address the plight of the Jewish people, but this time it is the work of German villagers themselves, a perspective not often seen in other films. It is an unexpected in the action genre on Netflix, and I highly recommend not to miss it!

I wasn't expecting anything special, just a little Netflix and Chill for saturday evening - but this movie was fun! Mixes a few genres and I like the "smaller scale" of the whole Story. The camera work is incredibly good, also scene composition and even the color correction elevate this film.

I have no idea what the budget was, but the acting was complety fine and even the CGI was accepteble.

Some music choices put me off at first, but then I got the vibe of the movie and I liked it.

And of course, a bit of Tarantino-Vibes (: Cool addition to the Netflix catalogue. Hope we can see more from the creators of this piece of art.

"Sisu" this is not. And that's very ok. Here, it's not one man against the Nazi; it's ordinary Germans against the Nazi - an army deserter, a woman, her brother, and some villagers. Oh, and there's gold.

Our protagonist, Private Heinrich, is just an ordinary soldier. Our other protagonist, Elsa, is just an ordinary farmer. And then the Nazis came to their village looking for gold.

The Good: People in this movie get hurt, they make mistakes. The action scenes are not too over the top. Some of the townspeople are bad, some are good. And the Nazis are all bad.

The Bad: There really isn't much that is bad with this movie. It knows what it is. It gives us the story and nothing more. The title tells us everything we need to know. Nearly perfect.

There's a ring of authenticity in this German-made war film. The action and the gore are realistic which make the storytelling so entertaining.

The plot line is predictable yet the viewer is glued to his seat waiting for the next gory scene to unfold.

Acting is superb. Ergo, all the actors particularly the lead characters dished out memorable performances. Because of them there's not a dull moment from the first few frames until the end. Take a bow Robert Maaser, Marie Hacke, Alexander Scheer and Roy McCrerey. Likewise, Director Peter Thorwarth deserves recognition for a gritty, sensible film.

It's observed that the film has a "Tarantino-esque feel. This is true. Which makes one wonder that this kind of film that hews closely to the Tarantino brand of filmmaking is possible outside of Hollywood.