L'assaut

USA has her SWAT, Japan has her Security Police, Brazil has her BOPE featured in Elite Squad, and as far as special police teams go, the French has got her GIGN (Groupe d'Intervention de la Gendarmerie Nationale) making it onto the big screen, and what more than to introduce them via a true, high profile aircraft hijacking of an Air France Airbus 300 plane in the year 1994 involving the supposed attempt of using a fuel laden aircraft as a missile targeted against a major city landmark, a chilling 7 years before a terrorist group managed to carry out this dastardly act on the soil of USA.

Those of us who had grown up playing the first person shooter game Counter-strike will be no strangers to the uniform of the GIGN, since it is one of the four outfits that you can select on your character profile if you choose to be on the side of the counter-terrorists. Director Julien Leclercq paid close attention to detail and began with literally a big bang to showcase the capabilities of the GIGN troopers, before saving up the real deal for the extended final act. But that's not to say that the film is a boring ride. On the contrary, Leclercq crafted a gripping tale that moves, probes and examines very quickly how things get to spiral out of control until the inevitable outcome, expertly handling three separate narrative threads running concurrently before finally converging into the titular battle onboard the narrow confines of an aircraft.

The first naturally comes from the perpetrators, the terrorists, their thought process and ruthless action in causing mass panic and fear to further their political cause. Here it's the GIA out to free two of their comrades in Algeria, or so it seems, and had taken an Air France plane at the airport as leverage. But the second thread, focused on Mélanie Bernier's Foreign Ministry analyst Carole in a very Jack Ryan-esque role whose research, insights and gut feel points to a very different strategy and objective adopted by the hijackers, and has to cut through the usual red tape in the administration to push her points through, at times too direct that it irks the brass. And the last narrative thread paints a rather personal picture of GIGN trooper Thierry (Vincent Elbaz), personifying the issues and concerns of those who put their lives on the line to protect strangers, at the risk of upsetting and disappointing their own family members even, who cannot reconcile why they do what they do.

Technically, the film has fantastically strained its colour palette, making it very close to black and white, which I thought suited it fine since it's actually loosely referencing events from history (with the dramatic license for it too I hope) like a documentary, akin to accessing vague memory banks or like watching a news reel unspool - some of the clips that the characters watch from television were the real deal at the time. Then there is the choice of adopting the shaky cam. Now I'm not a proponent for this camera technique because more often than not it gets exploited by the filmmakers to cover up flaws in their work, and am finding it tiring as an audience to try and follow events on screen when the camera moves about almost all the time. It's not to say it cannot be used, because The Assault did it nicely that fit the narrative well, transmitting that sense of urgency and constant danger, helped by a pulsating soundtrack by Jean-Jacques Hertz and Francois Roy.

What made this film excel amongst its peers are the sensitive stories and characters involved in a life and death situation, with viewpoints presenting both in macro and micro terms, the latter allowing you to feel for the characters since it's set up very carefully to allow for empathy. Leclercq does not pull his punches in vilifying the evil doers, with powerful scenes both to evoke a sense of hatred for the senseless violence they preach, and in one potent scene involving a terrorist having to face up to his parents, allowed that slight sliver of sympathy that they are but pawns manipulated by others. It's a little pity though that the socio-political context of the incident isn't covered in the film in detail which may leave some perplexed, and while it may rob The Assault of its pace, may probably enhance the viewer's understanding of the conflict that existed.

As far as police thrillers go, The Assault scores high on both action and drama, providing that unique combination very rarely seen in action films, that allows you to feel for the characters, and appreciate the unenviable task of the special forces in the respective countries constantly training and prepping to deter any would be aggressors, but when the time calls for it, to swing into action unflinchingly. Tactics and weapons on display in the film also provides ample fuel for fruitful post screening discussions. Definitely one of my favourite films this year!

one of the worst ever seen so far about hijacking a passenger plane. the screenplay is badly enough to put several female characters in it, yet the wife of the french special force member with their daughter, the woman who works for the french emergency management authorities, the female passenger sitting next to her parents, are totally unnecessary casting. the scenes about how the french government handling such situation are also very laughable. those four hijackers also acted so lame and so stupid. the most ridiculous plot is how those 4 hijackers could so easily get on board without any reason to justify their success. the scene about the stupid french woman who works for the government trying to bribe the terrorist leader so naively is also a big laugh. there are so many useless and meaningless scenes in this movie dragging out the whole time just like the airplane on the tarmac. the final assault is also like a child play, so laughable and and so lame. showing the wife crying while watching the rescue progress is also so laughably lame and totally unnecessary. this is one of the worst films in such genre and it should not be put into production in the first place. a total waste of money and time of yours and mine.

Reading some of the reviews (probably fake and part of the production team), they are defending the color de-saturation/black and white effect, slow pace etc...

And then there's the other idiotic reviews that are basic plot summaries or synopsis - that's not a review and does not belong here, nor does it merit a film!

I've seen many great French films, and to simply excuse all the negative aspects of this film because it's French-made and it's to be expected, is no excuse for a poor screenplay, terrible editing, idiotic cinematography, and disgraceful directing.

Let's start with the de-saturation/black and white; it's meant for dated, artsy-type or musical films... French or not.

The shaky cam was so annoying, I wanted to stop watching this film every 15 minutes, but gave it a chance. This is not typical French cinematography or directing... this is the director trying to Americanize this film. Fail.

The editing was about as good as a fifth grader cutting pieces of paper for an abstract piece.

The screenplay is what needed the cutting; I didn't need to see forever-long prayers from the terrorists. We get it, they are loyal to their God. And screaming it non-stop to all the passengers - even a 5th grade bully would have had more intimidating dialogue.

The plot had more holes in it than the shots fired.

As one reviewer stated, this film would have been better as a documentary, and probably would have held the viewers attention better.

Sure the story based on actual events was interesting, and the casting wasn't too bad. But those are the only two reasons this film was deserving of my 4/10 score, but that's it.

Any amateur film-maker with an iPhone could have put together a better film and cut this screenplay to 1 hour and be more effective and entertaining.

Apparently this is made after a true story. The people are real, the story is real, the events are real. Alright. I wish that would have been made more clear from the start; it was not and i think it skewed the movie a little.

This movie is part great, part horrible. It is very clearly defined which plots are well done and which are just we need something here to show for screen time.

The behind the scenes parts, the whole management, politics, government discussion parts, all that is absolutely bad. It feels like a cheap D rated movie project with the most unbelievable and uninspiring characters ever. It is bad.. real bad.

Now, the scenes with the special team, the terrorists and even flight crew are just gems. I gotta say by the time the movie was over, i was rooting for the flight crew over anyone else. The ending scene with the captain is absolutely a cult classic! I love it.

So this movie suffers from bad background plots. From the government meetings, officials, even the lead special forces guys' family.. it's not well made. It is very forced and some are worse than others. Very hard to describe but if you watch you will get that vibe immediately.

Also the movie is shot in monochrome. All of it which makes it feel very cheap and look way older than it is. Looks like VHS tape in quite a few scenes. Why do monochrome? Nobody knows. It works for the big shootout scenes but the rest.. no.

How can i sum this. 9/10 scenes clashing with 2/10 scenes for a total of 6/10

Recommend regardless. The rating is always arbitrary, it is a good movie.

The Assault is a fairly faithful recounting of the hijacking of Air France flight 8969 by Algerian Muslim terrorists in 1994. The story is told from three perspectives--the events on the plane, the leader of the French SWAT team, and some French politicians.

Four terrorists board the plane disguised as Algerian authorities out the check passports of the passengers. Once someone notices their weapons and grenades, they have to take over at that point. They aim to fly to Paris and hope to have two detained terrorists released. However because a stair truck is still attached the plane, the plane can't depart. The Algerian authorities pretty much refuse to deal with the terrorists at all. Once they kill a French citizen, the French government demands the plane be allowed to depart, which it does, but to Marseilles and not to Paris due to lack of fuel.

We meet also the SWAT leader who's married and has a young daughter that hasn't really bonded with him yet. The woman seems to have a bad feeling about things. While he realizes that the situation with the plane isn't favorable and that there will be casualties yet he demands to be the first to enter the plane. We're not sure if he's depressed or what.

Meanwhile the French government is on full alert and some little girl working at some ministry meets the main bad Algerian terrorist who's in Paris. She offers him money to call off the hijacking, but refuses and takes the money anyway. She concludes that the terrorists will use the plane as a weapon and crash it into a French landmark. At some point in front of major authorities for some reason she just grabs the microphone and starts dictating when SWAT is to act.

Once the plane is in Marseilles the order is given to assault the plane. This is around 1:15 into the movie. Our leader is indeed the first one in and the only one tasked with going after the terrorists who are all in the cockpit with the 3 pilots. All the other dozen of SWAT are busy helping the passengers escape.

For no good reason the entire movie is filmed in a notch before black and white. There isn't a whole lot of dialogue and things are fairly slow for the most part. But given the events portrayed you do connect with the movie. You just can't help wishing it had been more thrilling and exciting.