NOTE IMDb
6,3/10
5,2 k
MA NOTE
Ajouter une intrigue dans votre langueA recent college graduate flees to Paris after a break-up, where his involvement with a prostitute begins to reveal a potentially dark recent past.A recent college graduate flees to Paris after a break-up, where his involvement with a prostitute begins to reveal a potentially dark recent past.A recent college graduate flees to Paris after a break-up, where his involvement with a prostitute begins to reveal a potentially dark recent past.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 5 nominations au total
Anais
- Hostess Bar Worker
- (as Anaïs)
Alexandra Neil
- Simon's Mom
- (as Alexandra Neill)
Avis à la une
"Simon Killer" is an odd, bleak and deeply unsettling film that I simply could not get to grips with. It tells the story of a young American neuroscience graduate, Simon (Brady Corbet). Simon leaves the United States and goes to Paris in an attempt to get over the somewhat traumatic break-up of a five-year relationship with his girlfriend Michelle (a character who does not appear in the film). There is something not quite right about Simon. He is a bit like Patricia Highsmith's well-known anti-hero Tom Ripley: cold, unfeeling, amoral and emotionally unintelligent. He is also a compulsive liar.
Soon after his arrival in the French capital (where he initially stays with a cousin of his - who is, in fact, not really a relation but a friend of the family), Simon goes into a sex club where he pays for sex with one of the resident prostitutes, Victoria (Mati Diop). As a result of that encounter, he develops a relationship with her and later moves into her small flat. Victoria opens up to Simon and tells him intimate details of her past, including the fact that she miscarried some time ago. Simon is less willing to disclose information about himself to Victoria. Indeed, one of the many problems with the film is that the viewer is given little or no hint as to what actually motivates Simon and why he frequently behaves so oddly. Part of that oddness is his attitude to women, whom he seems to view as nothing more than objects of sexual desire. At the same time, he attempts to blackmail some of Victoria's "customers" in order to finance his stay in Paris. He later meets another attractive young woman, whom he had bumped into earlier in his stay, and begins a brief relationship with her. This understandably upsets Victoria. Things move on from there.
"Simon Killer" is a very unpleasant film. It is full of graphic sex scenes, many of which are quite unnecessary in that they add little or nothing to plot or character development. In addition, Simon is a deeply unsympathetic character. It is left to the viewer to decide why he is like he is. There are hints that he has some sort of Oedipus complex or perhaps a personality disorder (or both). What is clear is that he is an extremely selfish and shallow person who lacks any sort of empathy for other people. Much of the plot has the feel of improvisation about it. And it's really not at all clear what the message of the film is. In addition to all that, I was simply not convinced by the relationship between Simon and Victoria, in particular why, of all her many "customers", she would choose him as someone with whom to have a serious relationship. Although the conclusion of the film is well done, much of what precedes it is ponderous and lethargic and, as a result, extremely boring. The soundtrack, however, is one of the best of any film that I have seen. But when all is said and done, "Simon Killer" is an unsatisfactory film that is difficult to recommend. 5/10
Soon after his arrival in the French capital (where he initially stays with a cousin of his - who is, in fact, not really a relation but a friend of the family), Simon goes into a sex club where he pays for sex with one of the resident prostitutes, Victoria (Mati Diop). As a result of that encounter, he develops a relationship with her and later moves into her small flat. Victoria opens up to Simon and tells him intimate details of her past, including the fact that she miscarried some time ago. Simon is less willing to disclose information about himself to Victoria. Indeed, one of the many problems with the film is that the viewer is given little or no hint as to what actually motivates Simon and why he frequently behaves so oddly. Part of that oddness is his attitude to women, whom he seems to view as nothing more than objects of sexual desire. At the same time, he attempts to blackmail some of Victoria's "customers" in order to finance his stay in Paris. He later meets another attractive young woman, whom he had bumped into earlier in his stay, and begins a brief relationship with her. This understandably upsets Victoria. Things move on from there.
"Simon Killer" is a very unpleasant film. It is full of graphic sex scenes, many of which are quite unnecessary in that they add little or nothing to plot or character development. In addition, Simon is a deeply unsympathetic character. It is left to the viewer to decide why he is like he is. There are hints that he has some sort of Oedipus complex or perhaps a personality disorder (or both). What is clear is that he is an extremely selfish and shallow person who lacks any sort of empathy for other people. Much of the plot has the feel of improvisation about it. And it's really not at all clear what the message of the film is. In addition to all that, I was simply not convinced by the relationship between Simon and Victoria, in particular why, of all her many "customers", she would choose him as someone with whom to have a serious relationship. Although the conclusion of the film is well done, much of what precedes it is ponderous and lethargic and, as a result, extremely boring. The soundtrack, however, is one of the best of any film that I have seen. But when all is said and done, "Simon Killer" is an unsatisfactory film that is difficult to recommend. 5/10
"Superficial charm and average intelligence. Untruthfulness and insincerity. Poor judgment and failure to learn from experience." All the attributes of a psychopath are handled brilliantly by Antonio Campos and executed flawlessly by Brady Corbet. This film has been on my mind for a few days as I remember the edgy scenes with actors half off the screen and my wishing I could just nudge the camera a little bit to see what's going on... although it would not have mattered. The story here is powerful and tells a tale of a manipulative and mentally unbalanced character, but that's not really why I liked the film so much. What blew my mind is the visual treatment, the blasts of audio, the unforgiving sex and the feeling I was looking at an accident I could not turn away from. Lots of similarity to the films of Haneke and Dumont but taken to the next level with an uncompromising cellphone video sensitivity.
Within its first 5 minutes I could already sense that I was about to watch a masterful movie. For this is a most brilliant study of, and glimpse into, the life of a sociopath. At times, it is so 'fly on the wall', and so brilliantly acted, that I almost had to remind myself that this was fiction I was witnessing.
It's written and directed by Antonio Campos, who is admittedly not so well known as a screenwriter, having written only one other feature length movie back in 2008; A fact which is moreover, and to my belief, a tragedy for Campos - because he has most certainly proved himself with this movie, to be an exceptional screenwriter. Simon Killer is, in other words, extremely underrated. Nonetheless, as for its direction, production, acting, screenplay and musical score - all come together in an all too rare, & near perfect, unison.
But why is it underrated? Basically, people cannot and just won't 'like' this movie, precisely because sociopaths are nasty people who callously make the lives of everyone they contact, worse for knowing them. Accordingly, watching a movie about such a person, even one that is as interesting and accurate as Simon Killer, is not therefore a fun or enjoyable experience for any typical audience - at least in the sense that 'enjoyable' should bring a smile onto one's face. For this movie won't endear smiles at any point.
Whereas DeNero's studied psychopath, in Taxi Driver, occasionally brought a wry smile to one's face, and was popularly received as a bit of a misunderstood 'anti-hero', Brady Corbet's Simon is not only always engaging as a character study, but he's always, also, all too steely manipulating, and disgustingly self absorbed. Frankly, of the many movies I've seen, I can think of no other movie, before this, which so realistically portrays how a sociopath engages with other people who pass through his life. And, as such, I cannot recommend this movie highly enough, particularly for those of you, who are analytically minded enough, so as to appreciate its utter brilliance. Again, I'm not promising that anyone will, or could possibly 'like' this movie. Rather, I believe a minority of others will deeply appreciate its very excellence.
It's written and directed by Antonio Campos, who is admittedly not so well known as a screenwriter, having written only one other feature length movie back in 2008; A fact which is moreover, and to my belief, a tragedy for Campos - because he has most certainly proved himself with this movie, to be an exceptional screenwriter. Simon Killer is, in other words, extremely underrated. Nonetheless, as for its direction, production, acting, screenplay and musical score - all come together in an all too rare, & near perfect, unison.
But why is it underrated? Basically, people cannot and just won't 'like' this movie, precisely because sociopaths are nasty people who callously make the lives of everyone they contact, worse for knowing them. Accordingly, watching a movie about such a person, even one that is as interesting and accurate as Simon Killer, is not therefore a fun or enjoyable experience for any typical audience - at least in the sense that 'enjoyable' should bring a smile onto one's face. For this movie won't endear smiles at any point.
Whereas DeNero's studied psychopath, in Taxi Driver, occasionally brought a wry smile to one's face, and was popularly received as a bit of a misunderstood 'anti-hero', Brady Corbet's Simon is not only always engaging as a character study, but he's always, also, all too steely manipulating, and disgustingly self absorbed. Frankly, of the many movies I've seen, I can think of no other movie, before this, which so realistically portrays how a sociopath engages with other people who pass through his life. And, as such, I cannot recommend this movie highly enough, particularly for those of you, who are analytically minded enough, so as to appreciate its utter brilliance. Again, I'm not promising that anyone will, or could possibly 'like' this movie. Rather, I believe a minority of others will deeply appreciate its very excellence.
Brady Corbet is Simon. Simon has just arrived in Paris, heart-broken over a recent break-up and uncertain about his future. After having sex with a prostitute he manipulates his way into a serious relationship with her. A relationship that involves drugs, blackmail, betrayal and weird sex.
The less you know the better this memorizing masterpiece will be to experience for the first time. This is one sick and brilliant portrait of a sociopath made up of beautiful moving pictures set to an epic soundtrack. Antonio Campos has nailed it.
Perfectly paced to place us in Simon's shoes, Simon Killer is horrifying eye and ear candy. It's slow and somewhat minimalistic but it's because of this that is seems all that more real. Therefore all that more frightening.
The less you know the better this memorizing masterpiece will be to experience for the first time. This is one sick and brilliant portrait of a sociopath made up of beautiful moving pictures set to an epic soundtrack. Antonio Campos has nailed it.
Perfectly paced to place us in Simon's shoes, Simon Killer is horrifying eye and ear candy. It's slow and somewhat minimalistic but it's because of this that is seems all that more real. Therefore all that more frightening.
Remarkably well constructed film, subtle yet powerful.
Interesting character study of a nauseating sociopath, immersed in his delusional narcissistic fantasies. A well made film, but disturbingly realistic in this portrait of a thoroughly unpleasant character. People like this do exist, of that one can be certain, which is what makes this production more than a bit disturbing.
This is a psychological thriller of sorts . . . no action scenes, just a bit of violence and sex (which is integral to the story). If you're looking for a simplistic, by the numbers action film, this isn't it, it will be too "slow" for you.
On the other hand, if a detailed character study with an unusual set of circumstances from which an engaging story emerges, you might find this well worth the time to watch it.
Interesting character study of a nauseating sociopath, immersed in his delusional narcissistic fantasies. A well made film, but disturbingly realistic in this portrait of a thoroughly unpleasant character. People like this do exist, of that one can be certain, which is what makes this production more than a bit disturbing.
This is a psychological thriller of sorts . . . no action scenes, just a bit of violence and sex (which is integral to the story). If you're looking for a simplistic, by the numbers action film, this isn't it, it will be too "slow" for you.
On the other hand, if a detailed character study with an unusual set of circumstances from which an engaging story emerges, you might find this well worth the time to watch it.
Le saviez-vous
- ConnexionsReferenced in The Heart Machine (2014)
- Bandes originalesIt Takes a Muscle to Fall in Love
Written by Henri Overduin and Michael Mulders
Performed by 'Spectral Display'
Courtesy of EMI Music Netherlands B.V., Under license from EMI Film & TV Music
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 27 740 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 054 $US
- 7 avr. 2013
- Montant brut mondial
- 27 740 $US
- Durée1 heure 46 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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