Her
- 2013
- Tous publics
- 2h 6min
Dans un avenir proche, un écrivain solitaire développe une relation improbable avec un système d'exploitation conçu pour répondre à tous ses besoins.Dans un avenir proche, un écrivain solitaire développe une relation improbable avec un système d'exploitation conçu pour répondre à tous ses besoins.Dans un avenir proche, un écrivain solitaire développe une relation improbable avec un système d'exploitation conçu pour répondre à tous ses besoins.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 83 victoires et 187 nominations au total
Lynn Adrianna Freedman
- Letter Writer #1
- (as Lynn Adrianna)
Artt Butler
- Text Voice
- (voix)
Kristen Wiig
- SexyKitten
- (voix)
Spike Jonze
- Alien Child
- (voix)
- (as Adam Spiegel)
Guy Lewis
- Marriage Counselor
- (as Dr. Guy Lewis)
Avis à la une
This film was not at all what I was expecting but in a great way! I'm not a fan of Rom Coms or romances generally, and this film isn't that, although it has romantic elements to a degree. This film is more sci-fi than anything with a really interesting and fascinating twist, but also creepy and unsettling concept of relationships with an artificial intelligence. This film was perfectly cast and I can't think of better individuals to play each role. Joaquin Phoenix and Scarlett Johansson do an incredible job!!!!!!! The film was paced perfectly and didn't drag at all. The film explores the themes of human interaction, emotional ranges of humans, the concept of love, companionship, loneliness, physical touch and so much more. I really enjoyed this film both for it's originality and the ability to make you sit in discomfort but want to explore further. This film makes you reflect on the relationships in your own life, life generally and the world as a whole. This film is beautiful in its cinematography, the musical score and I'm surprised it isn't more renowned. Honestly, a masterpiece in my opinion. HIGHLY RECOMMEND!!!
While I enjoy this movie for what it is, I simply have to disagree with all of those who portray this movie as some beautiful love story. This movie is about love, but it is not a love story. Without giving away any spoilers, if you want to understand the movie pay attention to the very last act of the main character when the movie ends. The movie is about relationships and how difficult human relationships especially can be. However in the end because we are human those are the only relationships we can truly have - are with each other - and the hurt and vulnerability and sometimes pain that come with them is simply something we have to accept. And no matter how much you love or care for a person sometimes it just doesn't work out. However that does not mean that you did not love or care for that person and to a certain extent will always. This is what the main character realizes and comes to understand at the end of the movie.
Science fiction has been dominated by 'space westerns' for so long that the occasional concept- based story situation hits a big number on my personal richter scale.
What does it mean to be human? And if we create near-humans what is our responsibility to them and what is their relationship to us? These themes underpinned Blade Runner and Spielberg's A.I. And Sci Fi of the 50s and 60s dealt with machine self awareness. None of the films that touched on this subject in the past presented it so thoroughly, intimately and believably.
Her is in the near future, but everything we see is within reach now: the isolation and starkness of the "business district," the oppressive scale of the architecture (with thin, clumsy attempts to soften its sterility) and the need for continuous connection to remote voices.
A personal assistant that learns independently and takes initiative for its hapless user, "Her" is at once the ideal tool and — who knows — perhaps closer to the next level of evolution.
Pitch perfect performances and direction kept me in the story. As others have said, the locations, cinematography and even music shine in the fabric of this film. Spike Jonze is a master story weaver at the top of his game. Joaquin Phoenix is utterly credible as are all the other leads. Even Scarlett Johansson, who has not always seemed a strong actress to me performs utterly convincingly.
It's an adult-themed film in more ways than one, but especially in the best way: it makes you think about a reality that's right around the corner.
What does it mean to be human? And if we create near-humans what is our responsibility to them and what is their relationship to us? These themes underpinned Blade Runner and Spielberg's A.I. And Sci Fi of the 50s and 60s dealt with machine self awareness. None of the films that touched on this subject in the past presented it so thoroughly, intimately and believably.
Her is in the near future, but everything we see is within reach now: the isolation and starkness of the "business district," the oppressive scale of the architecture (with thin, clumsy attempts to soften its sterility) and the need for continuous connection to remote voices.
A personal assistant that learns independently and takes initiative for its hapless user, "Her" is at once the ideal tool and — who knows — perhaps closer to the next level of evolution.
Pitch perfect performances and direction kept me in the story. As others have said, the locations, cinematography and even music shine in the fabric of this film. Spike Jonze is a master story weaver at the top of his game. Joaquin Phoenix is utterly credible as are all the other leads. Even Scarlett Johansson, who has not always seemed a strong actress to me performs utterly convincingly.
It's an adult-themed film in more ways than one, but especially in the best way: it makes you think about a reality that's right around the corner.
Fairly rare one of a kind film.
A high concept film that actually stays true to its core idea yet without losing viewer interest.
Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship (brilliant, and better than all Woody Allen's films combined) generates the sequential "connections" with the viewer (ie, experiences that every viewer can relate to) which in turn keep the empathy going long after the initial sci fi "wow" is gone.
Watching this (as an aside) you have to wonder if Scarlett Johansson's career can get any more interesting? In the Marvel films she plays an uber-woman, In LUCY she a woman who evolves beyond evolution itself. And here yet again she plays an OS that transcends reality.
Makes for a nice resume.
Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film...?
A high concept film that actually stays true to its core idea yet without losing viewer interest.
Some irony here. While the film never becomes completely predictable, even to a jaded reviewer like this one, its process of de-constructing human relationship (brilliant, and better than all Woody Allen's films combined) generates the sequential "connections" with the viewer (ie, experiences that every viewer can relate to) which in turn keep the empathy going long after the initial sci fi "wow" is gone.
Watching this (as an aside) you have to wonder if Scarlett Johansson's career can get any more interesting? In the Marvel films she plays an uber-woman, In LUCY she a woman who evolves beyond evolution itself. And here yet again she plays an OS that transcends reality.
Makes for a nice resume.
Notice how Amy Adams plays every scene with no makeup? Talk about a director making every effort to keep an actor's natural beauty from hijacking the film...?
A great film about loneliness. Splendid performance of Joaquin Phoenix. And pure poetry. Admirable poem about isolation, need of other, social surogate and , off course, freedom. Its basic virtue - the proposed questions creating perfect atmosphere , becoming inspired challenges to discover new perspectives.
Le saviez-vous
- AnecdotesSamantha Morton was originally the voice of Samantha. She was present on the set with Joaquin Phoenix every day. After the filming wrapped and Spike Jonze started editing the movie, he felt like something was not right. With Morton's blessing, he decided to recast the role and Scarlett Johansson was brought and replaced Morton, re-recording all the dialogue.
- GaffesWhen Theodore is lying in the couch at Amy's house there is a crew member behind Amy in the shadow.
- Crédits fous"Leanne Shapton...... Armpit Sex Drawing"
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #22.51 (2013)
- Bandes originalesOff You
Written by Kim Deal
Performed by The Breeders
Courtesy of Elektra Entertainment Group and 4AD
By arrangement with Warner Music Group Film & TV Licensing and Beggars Group Media Limited
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Détails
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 25 568 251 $US
- Week-end de sortie aux États-Unis et au Canada
- 260 382 $US
- 22 déc. 2013
- Montant brut mondial
- 48 274 727 $US
- Durée2 heures 6 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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