John Dies at the End

...and it was. I also expected it to be funny, and it was that too. I had not read the book previously and knew nearly nothing about the story, but if you've seen the trailer, that is pretty much adequate preparation for the strangeness you subject yourself to as you watch this movie.

Several scenes are just outright setups for jokes, and if this film was just set em up, knock em down - it would not be worth an 8. What makes this movie better than that is that it is, at it's core - psychotic in the best way possible. You never know if what you are seeing is real or not, and just when you think you couldn't see or handle anything weirder, something hilarious happens to shift gears.

"John Dies at the End" is not a film for everyone. It's incredibly strange, practically impossible to describe and has no conventional plot elements. It's really like combining "Bill & Ted's Bogus Journey", "Men in Black" an "Evil Dead" film and lots of LSD. It's incredibly strange and trippy...and something conventional film viewers probably won't enjoy. As for me, I enjoyed it once I stopped trying to understand it!

The story is a bizarro tale of Dave and his friend, John and their weird lives once they try a weird drug they dub 'soy sauce'. Once it's in their systems, they get caught up in a weird battle between parallel worlds and none of it makes the least bit of sense. What follows is one weird CGI explosion after another--and I do recommend you try it if you have a high capacity for the strange. I would try to say more...but this film truly defies description though it does look like the filmmakers possibly intended to make sequels.

I absolutely love this insane and underrated blend of slacker comedy, sci-fi, fantasy and horror. Okay, some of the special effects leave a lot to be desired (as you'd expect when you consider the film's high ambitions and low budget) but that doesn't take anything away from everything it does right. The plot just gets crazier as the street drug known as "Soy Sauce", which grants it's users supernatural, inter-dimensional powers, becomes popular and threatens an apocalypse that only two slackers named Dave and John can prevent, a responsibility they are woefully unprepared for. If you zone out for two seconds you'll forget what genre you were watching, as it switches from being goofy fun to genuinely creepy at it's own leisure. Chase Williamson's deadpan and cynical performance as Dave offers a hilarious perspective to tell the story from and his chemistry with best friend John is so much fun to watch. A few years ago I went through a phase where I would put this film on every time I got stoned and I just found it funnier every time (catching jokes and plot points I'd missed from hazy viewings prior). It also offers a cool splattering of existential observations for you to wrap your head around.

John Dies at the End's unrelenting commitment to absurd humour and all things random lends itself perfectly for a stoned viewing. This used to be my favourite film to watch stoned and writing this has gotten me so excited to rewatch it for the first time in years tonight. It's trashy but it's fun.

John Dies At The End is an adaptation of David Wong's book of the same name written and directed by Don Coscarelli (Phantasm, Bubba Ho-Tep). While not familiar with the book, the bizarre and surreal story does seem like a perfect fit for Coscarelli as his films have alway had a touch of both the surreal and a bit of offbeat whimsy. The film starts out with David Wong (Chase Williamson) telling his bizarre tale to a reporter, Arnie Blondestone (Paul Giamatti). Wong starts to spin a tale involving himself and his friend, John (Rob Mayes) and their encounters with a powerful drug with a mind of it's own called "soy sauce". This bizarre narcotic not only gives the user (if they survive it) heightened psychic awareness but, opens doorways to alternate dimensions. But, once doors are opened they are opened both ways and can John and David stop the beings from the other side from entering our world and making it their own. John Dies is a very strange yet amusing head trip of a movie that won't appeal to everyone but, under Coscarelli's guidance, will entertain those who like a movie that isn't afraid to be weird and unconventional. Coscarelli moves things along briskly and we find out what's going on along with David and John as the story unfolds in flashback. The story focuses mostly on David as he's is trying to find out how his friend John's sudden bizarre behavior one night ties in with meeting a very strange Jamaican (Tai Bennett). As he tries to figure out the surreal occurrences now happening around him, he is drawn into a tale that is the stuff of hallucinogenic nightmares and it becomes a quest for he and John to save the world. Coscarelli wisely uses live effects for most of his surreal sequences and otherworldly creatures and what little digital effects there are, are used sparingly and are decent enough. The live action animatronic creatures and gore are very well done by Make-up FX master Robert Kurtzman and his team. Coscarelli is one of those filmmakers that is very adept at making good use of a small budget and probably would be lost on a Hollywood blockbuster and it is one of the things I like about him as a filmmaker. And here he achieves a lot of visual impact on his small budget. The director has also cast the film well,too. No great performances but, everyone is efficient and effective in their roles and approach the material with appropriate seriousness but, not without a few winks at the audience. Clancy Brown in particular seems to be having fun as a TV mystic but, keeps his performance grounded enough to not spill into camp. And there is a delightful cameo from Phantasm's Tall Man, Angus Scrimm as well, to please fans of that series. All in all, this isn't everyone's cup of tea but, if you like stuff offbeat and a bit out there, and I do, then this is a fun low budget fantasy that is refreshingly and unapologetically weird in a good way.

Greetings again from the darkness. It's been more than a decade since writer/director Don Coscarelli added quirky humor to his toy box with the wonderful Bubba Ho-Tep. Previously Coscarelli was known for his classic horror franchise that started in 1979 with Phantasm (and three sequels). Coscarelli has a real knack for oddball humor and along with the source material from David Wong's book, he delivers a comical, cross-dimension, alien-fighting, time travel buddy film that draws recollections to Men in Black 3, Big Trouble in Little China, and Bill & Ted's Excellent Adventure.

Coscarelli has had his opportunities to join "big budget" Hollywood, but has always chosen to remain true to his roots in horror/fantasy for his loyal followers, resulting in many cult films and midnight movie favorites. In this newest story, Dave (Chase Williamson) and John (Rob Mayes) are slacker buddies who end up feeling the effects of a new street drug called soy sauce. The story is told in semi-flashback form as Dave meets with a reporter played by the great Paul Giamatti. As Dave tells the story, we get the visuals as if they were currently happening. This works because it's never really clear when we are in the present, past or future.

This is one big fun and entertaining ride if you let it be. Terrific characters are provided by Clancy Brown (Shawshank Redemption) as Marconi, some type of powerful mystic (or something else); Glynn Turman as a relentless, yet beaten down detective; Doug Jones (Pan's Labrynth) in yet another creepy role; and Fabianne Therese as Amy, whose missing limb plays a vital role.

Further analysis would prove meaningless as the sole purpose of this film is to entertain and engage. It's escapism at its finest and yet another creative gem from Don Cascarelli.