[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
IMDbPro

Ronde de nuit

Titre original : The Night Watch
  • Téléfilm
  • 2011
  • TV-14
  • 1h 29min
NOTE IMDb
6,4/10
1,3 k
MA NOTE
Anna Maxwell Martin and Claire Foy in Ronde de nuit (2011)
DrameGuerreRomance

Ajouter une intrigue dans votre langueIn post-war London, Viv Pearce is dating Reggie and runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a gay man... Tout lireIn post-war London, Viv Pearce is dating Reggie and runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a gay man made to feel ashamed of his orientation, has been in prison and is sought out by his ex-c... Tout lireIn post-war London, Viv Pearce is dating Reggie and runs a dating bureau with Helen Giniver, who lives with her older lover, authoress Julia Standing. Viv's younger brother Duncan, a gay man made to feel ashamed of his orientation, has been in prison and is sought out by his ex-cell-mate, Robert Fraser, who served time as a conscientious objector and is now concerned ... Tout lire

  • Réalisation
    • Richard Laxton
  • Scénario
    • Sarah Waters
    • Paula Milne
  • Casting principal
    • Jenna Augen
    • Neal Barry
    • Claudie Blakley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,3 k
    MA NOTE
    • Réalisation
      • Richard Laxton
    • Scénario
      • Sarah Waters
      • Paula Milne
    • Casting principal
      • Jenna Augen
      • Neal Barry
      • Claudie Blakley
    • 8avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Photos1

    Voir l'affiche

    Rôles principaux26

    Modifier
    Jenna Augen
    Jenna Augen
    • Iris Knight
    Neal Barry
    Neal Barry
    • Mr. Bryant
    Claudie Blakley
    Claudie Blakley
    • Nancy Carmichael
    Lucy Briers
    Lucy Briers
    • Binkie
    Richard Cambridge
    Richard Cambridge
    • Policeman
    Kenneth Cranham
    Kenneth Cranham
    • Horace Mundy
    Chas Early
    • Prisoner #1
    JJ Feild
    JJ Feild
    • Robert Fraser
    Claire Foy
    Claire Foy
    • Helen Giniver
    Liam Garrigan
    Liam Garrigan
    • Reggie Nigri
    Richard Huw
    • James Imrie
    Caitlin Innes Edwards
    Caitlin Innes Edwards
    • O'Neil
    Phill Langhorne
    Phill Langhorne
    • Cyclist
    • (as Phillip Langhorne)
    Colin Mace
    Colin Mace
    • Harry Hughes
    Stephen Matthews
    Stephen Matthews
    • Auntie Vi
    Anna Maxwell Martin
    Anna Maxwell Martin
    • Kay Langrish
    Paul Ritter
    Paul Ritter
    • Mr. Pearce
    Kris Saddler
    Kris Saddler
    • Airman
    • Réalisation
      • Richard Laxton
    • Scénario
      • Sarah Waters
      • Paula Milne
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs8

    6,41.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    5pradotonivi

    Good story, poor plot

    It had so much potential. The actors were good, the set design was accurate as well, but with the way the plot was sequenced, it doesn't keep you on the hook. 20 minutes through the movie, your attention will start to wander. In fact, the whole first hour had so many unnecessary fillers and the bland music score is that of a typical TV movie which adds further to the injury. Then towards the end, when things started to get interesting and after enduring that one and a half hour, it gives you a half-baked ending. Maybe with a better arranged storyboard, this movie would have been masterpiece. But for now, it'll be a 5.
    7jane_concannon

    good version of OK novel

    This is a feature-length adaptation of Sarah Water's book of the same name.

    I first came across Sarah Water's writing when I watch Tipping The Velvet on TV. I enjoyed the series so much that I then read the book, which was a great read. (I thoroughly recommend you read the book and watch the series - I don't think the order matters).

    I guess the reason that I wasn't bowled over by this drama stems from the fact that I am not a fan of the book. I read it a few months ago, and whilst I enjoyed it, it was nowhere near as good as Tipping The Velvet. I think the problem being that whilst it has interesting characters, the story just wasn't strong enough and it just seemed to pootle along without much direction.

    Saying that though, I would still recommend that you watch this drama as it is very atmospheric and the acting is on the whole good, especially the wonderful Anna Maxwell Martin, who is always very watchable, as is Clare Foy.
    7johnklem

    Moments of greatness

    Adapting a book to the screen is tough. You need to be brutal, cutting away entire plot lines, even characters to serve your purpose. I haven't read The Night Watch but this adaptation shows all the signs of a too-reverential approach. That's a shame because it gets a lot of things right, a few breathtakingly so. In those moments, it's unlike anything I've seen. You could pitch it as Aimee and Jaguar meets The End of the Affair but at its best it's better than either of those films. It's Anna Maxwell Martin's portrayal of Kay Langrish that takes it to those heights. Claire Foy turns in a wonderful performance but she has less to work with. Unfortunately, The Night Watch is also saddled with at least one too many plot strands and a stunning miscalculation in thinking that Bath and or Bristol could double for wartime London. I know it's hard to find much of the capital that hasn't been tarted up since 1945 but west country stone and Georgian porticos, along with hills that put Lisbon to shame, don't fool anyone. And there are other misjudgments. There's a technical device which is used three times. You'll know it when you see it. The first use is amazing, emotionally spot on. The second is just confusing and the third downright clunky. As is some of the dialogue. "War changes people... and not necessarily for the better." In a book, that leadenly expositional second phrase may be necessary. In a film, it's amateurish. With a firmer, more demanding hand, this might have stood as a genuinely great work. Even as is, it's better than almost anything else you'll find on British or American TV so enjoy, despite the flaws. You won't regret it.
    9steven-222

    Spellbinging stories of love and loneliness during the London Blitz

    The Night Watch employs an unusual narrative structure (presumably duplicated from the novel by Sarah Waters) which begins in 1947, then flashes back not once but twice to show us how the large cast of characters came to arrive at the "end" of the story. This device isn't simply a flashy trick; it's integral to the movie's richly layered meditation on time and circumstance.

    Human relationships are the heart of the story, as we see various friends and lovers couple and decouple against the background of London during the Blitz and the aftermath of WWII. The atmosphere is dark and sensual, the music is mesmerizing, and the performances are riveting.

    I had the pleasure of seeing this movie at a film festival with no prior knowledge of it, and won't say anything more to spoil its wonderful surprises. I can only say, emphatically, that it should not be missed.
    7danielantino

    Nice movie about people searching for north after desperate times.

    Great cast and performances in this soapy flick. Those where really dark times for England. A lot of suffering everywhere. Claire Foy, charming as a fairy.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Citations

      [last lines]

      Kay Langrish: [voiceover] Someone once said a happy ending depends on where you decide to stop your story. Then again, it could be when you realise your story is not yet over; that you are only at the end of the beginning.

    • Connexions
      Featured in Breakfast: Épisode datant du 12 juillet 2011 (2011)
    • Bandes originales
      A Nightingale Sang in Berkeley Square
      (uncredited)

      Music by Manning Sherwin

      Lyrics by Eric Maschwitz

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 12 juillet 2011 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Site officiel
      • Official BBC page.
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Night Watch
    • Lieux de tournage
      • Bath, Somerset, Angleterre, Royaume-Uni
    • Société de production
      • British Broadcasting Corporation (BBC)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 1 400 000 £GB (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 29min(89 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.78 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.