Kill List

It's been a while since I've seen a film that both attracted and repulsed me. "Kill List" has managed to do just that.

It's a difficult film to describe. Suffice it to say, it's been tagged a horror film and that the "similar" films referenced in other reviews give too much away. Let me just attempt to give you some idea of what you might experience if you choose to take a chance and seek out this film.

Before I begin, it must be said that this is a British film, and some of the accents are thicker than the Great Grimpen Mire. Sit back, and let your ears adjust.

The first third of the film might give you the impression it's a family drama. It isn't.

The second third of the film might give you the impression that it's a crime drama. It isn't.

Then comes the final third. It will make you question everything you've seen up to that point and either infuriate you or cause you to manually lift your jaw off the sticky theatre floor. It's out there. Waaaay out there.

The film does a terrific job of building a mood and layering suspense with discomfort. It is an incredibly violent film, graphic in a way I haven't seen since Gasper Noes' "Irreversible." The violence is intrinsic to the film and to its protagonist, but that doesn't make it any easier to watch.

This film bothered me, and except for the extreme violence, I can't really explain why. It left me feeling uneasy and uncomfortable - but I couldn't stop watching. I have so many questions about what I just watched that I will probably watch it again – and I will probably still be bothered.

When's the last time you said that about a film that wasn't a documentary?

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Jay is a former soldier who has been working as a hitman with friend Gal but after a job went wrong in Kiev he has been avoiding working for eight months. Now his wife thinks it is time for him to get back to work. After some pressure he agrees to do another job with Gal; they meet the client and learn that there are to be three targets on their kill list. The first is relatively easy if a little surprising; things get very messy on the second job but that is nothing compared to the third; that is downright weird taking the film and its characters from a crime film into the territory of horror.

This certainly won't be for everybody. It is brutally violent at times; this is done in a disturbingly realistic manner with nothing stylised or humorous to make it easier to watch. The change of genres comes as a genuine surprises even though there are earlier hints that something strange is going on; notably how the victims react as they are about to be murdered. Thankfully it isn't entirely bleak; some of Jay and Gal's conversations are quite funny. The cast does a fine job; most notably Neil Maskell and Michael Smiley as Jay and Gal and MyAnna Buring as Shel. The cinematography is great giving the early sections of the film a very real feel while the conclusion is made to feel like a nightmare. Overall I'd definitely recommend this to anybody who doesn't mind being disturbed and enjoys a conclusion that leave them thinking about what they have just watched.

I happen to enjoy movies that don't give you everything through every shot and make sure that every viewer sees all the cues. Kill List is one of those movies. I also happen to enjoy movies that make me feel uncomfortable and invaded. Kill List is also one of those movies.

You can read the other reviews and such to get the plot line and all of that. This is not a movie where you get all the details of what the hell is going on. It's very intimate, close shots, overlapping audio, use of sound to create a very uncomfortable atmosphere. The movie is about human psychology and plays on psychology to get you to feel a certain way. There are no jumps and scare tactics. But this film is brutal and unforgiving.

I loved it.

Very surprised that the rating for this film has balanced out at 6.4 after twelve years (and that this will only be review no. 310). I don't even like Horror films but rated Kill List at 7-8/10 and fail to see how anyone could turn their nose up to this nasty, gritty little piece of work (many of the most recent reviews are a mystifying 1-3/10). It's psychological horror, rather than gore - although the 'hammer scene' is brutal and by all accounts still a production mystery - and, if the story elements weren't already disturbing enough, the brooding, menacing tension is amplified further by the haunting whistling, original sound design and jump editing style, which adds an intentionally rough edge to an already unpleasant mix. The cast are mostly strong, Neil Maskell powers it through from the first scene and the look on Gal's face in the car when the pair realise exactly what they've got themselves into says it all.

I am so surprised that there is so many reviews for this film, and a lot of them in the positive, which make me wonder are we all talking about the same film. How on earth anyone in there right mind would call this a masterpiece, a classic, a terrifying experience, when truthfully it is a load of C***P.

There is no story, there is no plot, there is no nothing, a couple of very inept "hit men", and i mean inept, i would not employ them to sweep the roads, let alone pay them thousands of pounds to do some "wet work".

Totally boring for the fist 45 Mins, totally incoherent for the last 45 Mins, and don't even get me started about the ending.

If i were reading the reviews and had not seen this film, i may be tempted to give it a try, all i can advise you is, FORGET IT.