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IMDbPro

Kill List

  • 2011
  • 16
  • 1h 35min
NOTE IMDb
6,4/10
48 k
MA NOTE
POPULARITÉ
3 731
1 405
Neil Maskell in Kill List (2011)
An out-of-work hitman with no job, money, health insurance and a wife constantly on his case takes on a new assignment.
Lire trailer1:48
2 Videos
99+ photos
CriminalitéDrameHorreurMystèreThrillerFilms d'horreur de série BHorreur folkloriqueHorreur psychologiqueThriller psychologique

Après un travail bâclé, un tueur à gages accepte une nouvelle mission avec la promesse d'une grosse somme d'argent pour trois meurtres. Ce qui commence comme une tâche facile se dénoue rapid... Tout lireAprès un travail bâclé, un tueur à gages accepte une nouvelle mission avec la promesse d'une grosse somme d'argent pour trois meurtres. Ce qui commence comme une tâche facile se dénoue rapidement, envoyant le tueur au cœur des ténèbres.Après un travail bâclé, un tueur à gages accepte une nouvelle mission avec la promesse d'une grosse somme d'argent pour trois meurtres. Ce qui commence comme une tâche facile se dénoue rapidement, envoyant le tueur au cœur des ténèbres.

  • Réalisation
    • Ben Wheatley
  • Scénario
    • Ben Wheatley
    • Amy Jump
  • Casting principal
    • Neil Maskell
    • MyAnna Buring
    • Harry Simpson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    48 k
    MA NOTE
    POPULARITÉ
    3 731
    1 405
    • Réalisation
      • Ben Wheatley
    • Scénario
      • Ben Wheatley
      • Amy Jump
    • Casting principal
      • Neil Maskell
      • MyAnna Buring
      • Harry Simpson
    • 341avis d'utilisateurs
    • 267avis des critiques
    • 67Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 18 nominations au total

    Vidéos2

    Kill List
    Trailer 1:48
    Kill List
    Kill List
    Trailer 1:46
    Kill List
    Kill List
    Trailer 1:46
    Kill List

    Photos109

    Voir l'affiche
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    + 104
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    Rôles principaux85

    Modifier
    Neil Maskell
    Neil Maskell
    • Jay
    MyAnna Buring
    MyAnna Buring
    • Shel
    • (as Myanna Buring)
    Harry Simpson
    Harry Simpson
    • Sam
    Michael Smiley
    Michael Smiley
    • Gal
    Emma Fryer
    Emma Fryer
    • Fiona
    Struan Rodger
    Struan Rodger
    • The Client
    Esme Folley
    • Hotel Receptionist
    Ben Crompton
    Ben Crompton
    • Justin
    Gemma Lise Thornton
    • Kiera
    Robin Hill
    Robin Hill
    • Stuart
    Zoe Simone Thomas
    • Hotel Waitress
    • (as Zoe Thomas)
    Gareth Tunley
    • The Priest
    Jamelle Ola
    • Hotel Receptionist 2
    Mark Kempner
    • The Librarian
    Damien Thomas
    Damien Thomas
    • The Doctor
    Lora Evans
    • Thorn Blindfold Woman
    Robert Hill
    Robert Hill
    • High Priest
    • (as Bob Hill)
    Rebecca Holmes
    • The Bride
    • Réalisation
      • Ben Wheatley
    • Scénario
      • Ben Wheatley
      • Amy Jump
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs341

    6,448K
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    Avis à la une

    thesubstream

    Our favourite movie of Toronto International Film Festival's Midnight Madness Series

    Lodging itself eventually in the creepy-people-doing-creepy-things tradition of religious/occult horror films like The Wicker Man and Rosemary's Baby, director Ben Wheatley's hit-man horror flick Kill List comes on, initially, like a bad-boy bit of British Social realism.

    It's rough around the edges, shaggy and idiosyncratically edited, with dialogue so unpolished and authentic-seeming that it's occasionally hard to decipher. It's filled with a handful of legitimately great performances by actors allowed to work improvisationally, seemingly, lending the first half of the film an incredibly charming unpredictability, a low-key volatility that had me bouncing back and forth between moments of disturbing darkness and happy familial pleasantries. Then it gets really crazy.

    Jay and Gal are ex-army, estranged friends and partners in crime. Eight months after a disastrous (and mysterious) gig in Kiev, Jay's home life is disintegrating, and after a raucous dinner party with his ex-partner and his creepy new girlfriend he agrees to get back in the saddle and take a job. They're given a list - three targets - and soon they're settling back into a charmingly macabre groove, carousing "salesmen" on the road from town to town and target to target. But after an inadvertent discovery during a routine bit of hit-man work derails their plans, the pair realize they may be part of something much bigger - and much darker - than a back-room murder-for-hire.

    Kill List a stunning piece of very smart genre filmmaking. Wheatley not-so-gently inserts chunks of spooky, disturbing horror into what's already a charmingly dark kitchen sink drama. It's this transition - that either a social realist framework can be twisted into a framework supporting high horror or that a horror film can work filled with improvisational dialogue and broody bits of working-class British anxiety - that makes the film such an immense, jarring pleasure.

    Will it work for horror fans used to slick, post-'80s supernatural spookery? Will Ken Loach fans do with a little blood and forest horror? Who knows. For fans of both, it's a stunning - literally - hybrid, something completely unexpected, a real discovery. Kill List is a brilliant idea, brilliantly well executed.
    7alex-mott

    Definitely better than a 6.4

    Very surprised that the rating for this film has balanced out at 6.4 after twelve years (and that this will only be review no. 310). I don't even like Horror films but rated Kill List at 7-8/10 and fail to see how anyone could turn their nose up to this nasty, gritty little piece of work (many of the most recent reviews are a mystifying 1-3/10). It's psychological horror, rather than gore - although the 'hammer scene' is brutal and by all accounts still a production mystery - and, if the story elements weren't already disturbing enough, the brooding, menacing tension is amplified further by the haunting whistling, original sound design and jump editing style, which adds an intentionally rough edge to an already unpleasant mix. The cast are mostly strong, Neil Maskell powers it through from the first scene and the look on Gal's face in the car when the pair realise exactly what they've got themselves into says it all.
    9Tweekums

    A disturbing hitman film with a horror twist

    Jay is a former soldier who has been working as a hitman with friend Gal but after a job went wrong in Kiev he has been avoiding working for eight months. Now his wife thinks it is time for him to get back to work. After some pressure he agrees to do another job with Gal; they meet the client and learn that there are to be three targets on their kill list. The first is relatively easy if a little surprising; things get very messy on the second job but that is nothing compared to the third; that is downright weird taking the film and its characters from a crime film into the territory of horror.

    This certainly won't be for everybody. It is brutally violent at times; this is done in a disturbingly realistic manner with nothing stylised or humorous to make it easier to watch. The change of genres comes as a genuine surprises even though there are earlier hints that something strange is going on; notably how the victims react as they are about to be murdered. Thankfully it isn't entirely bleak; some of Jay and Gal's conversations are quite funny. The cast does a fine job; most notably Neil Maskell and Michael Smiley as Jay and Gal and MyAnna Buring as Shel. The cinematography is great giving the early sections of the film a very real feel while the conclusion is made to feel like a nightmare. Overall I'd definitely recommend this to anybody who doesn't mind being disturbed and enjoys a conclusion that leave them thinking about what they have just watched.
    8soncoman

    One of the Creepiest, Most Disturbing Films I Have Seen in a Long Time

    It's been a while since I've seen a film that both attracted and repulsed me. "Kill List" has managed to do just that.

    It's a difficult film to describe. Suffice it to say, it's been tagged a horror film and that the "similar" films referenced in other reviews give too much away. Let me just attempt to give you some idea of what you might experience if you choose to take a chance and seek out this film.

    Before I begin, it must be said that this is a British film, and some of the accents are thicker than the Great Grimpen Mire. Sit back, and let your ears adjust.

    The first third of the film might give you the impression it's a family drama. It isn't.

    The second third of the film might give you the impression that it's a crime drama. It isn't.

    Then comes the final third. It will make you question everything you've seen up to that point and either infuriate you or cause you to manually lift your jaw off the sticky theatre floor. It's out there. Waaaay out there.

    The film does a terrific job of building a mood and layering suspense with discomfort. It is an incredibly violent film, graphic in a way I haven't seen since Gasper Noes' "Irreversible." The violence is intrinsic to the film and to its protagonist, but that doesn't make it any easier to watch.

    This film bothered me, and except for the extreme violence, I can't really explain why. It left me feeling uneasy and uncomfortable - but I couldn't stop watching. I have so many questions about what I just watched that I will probably watch it again – and I will probably still be bothered.

    When's the last time you said that about a film that wasn't a documentary?

    www.worstshowontheweb.com
    8jtindahouse

    Complex, dark and twisted

    At the start of 'Kill List' everything seemed far too normal compared to what the synopsis promised. I thought I might have put on the wrong film. By the end of the film things hd gotten so crazy I couldn't believe it was the same film that had started 90 minutes earlier. This was a wild ride.

    There's a lot to digest in this movie. I've watched quite a few explanation videos since finishing it. It's given me an outline of what the overall intention was, however there are some individual moments that nobody seems to be able to agree on what they meant. This is certainly not a film you can afford to turn your brain off for.

    I like films like this. Films where not everything is handed to you on a platter. I also loved that it felt like any ending was on the cards. The film was extremely violent at times and proved there was no place it wouldn't go. And the ending will shock you. This was a good one. 8/10.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Shel's phone-call (in Swedish) was entirely improvised by MyAnna Buring. The filmmakers had no idea what she said until much later.
    • Gaffes
      In one of the scenes where the Jay, Shel, Gal and Fiona are drinking, there is a close up of a wine bottle and some glasses. The bottle says it is a pinot grigio, but the wine in the glasses is red and they are only ever shown drinking red wine.
    • Citations

      Jay: You're giving me indigestion.

      Justin: Oh, sorry.

      Jay: Apology accepted.

      Justin: Sometimes God's love can be hard to swallow.

      Jay: Not as hard as a dinner plate.

      Justin: God loves you.

      Jay: Does he? Well, tell God from me if you're the kind of people he hangs about with, stay out of my way. No more guitar, mate. Not in restaurants. There is a time and a place. And your time and place is in a very isolated location, where no-one is likely to be for about a fucking hundred years. Ok? Because Jimmy Hendrix you ain't.

      Gal: Very sorry about my friend, please accept my most humble apologies. And if you are speaking to the big man, put a word in for us, will you? Get them all a drink, love. Double orange juices all around.

    • Connexions
      Featured in WatchMojo: Top 10 Brutal Movie Beatings (2014)
    • Bandes originales
      It Could Have Been Better
      Written by Joan Armatrading and Pam Nestor

      Published by Onward Music Ltd./Bucks Music Group Ltd.

      Courtesy of Tuesday Productions Ltd./Onward Music Ltd.

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    FAQ

    • How long is Kill List?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 juillet 2012 (France)
    • Pays d’origine
      • Royaume-Uni
      • Allemagne
      • Suède
      • Australie
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Suédois
    • Aussi connu sous le nom de
      • Danh Sách Tử Thần
    • Lieux de tournage
      • Sheffield, South Yorkshire, Angleterre, Royaume-Uni
    • Sociétés de production
      • Senator Film Produktion
      • UK Film Council
      • The National Lottery
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 500 000 £GB (estimé)
    • Montant brut aux États-Unis et au Canada
      • 29 063 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 9 838 $US
      • 5 févr. 2012
    • Montant brut mondial
      • 452 155 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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